TV
Adam Sweeting
Congratulations to Stephen Graham, guest-starring in this fifth season of BBC One’s Line of Duty, for still being alive at the end of episode one, a favour not routinely granted to headline names in Jed Mercurio’s diabolical labyrinth of deception. Then again, death needn’t necessarily be the end, as we were reminded when the late and exceptionally unlamented ACC Derek Hilton, the sleazy string-puller from series four, repeated on us here like a bad oyster.Mercurio isn’t just telling a story, he’s spinning a kind of Game of Villains epic that stretches out to unknowable horizons. Just as the Read more ...
Richard Macer
Halfway through filming For Folk’s Sake, a documentary for BBC Four about Morris dancing, I received a package in the post that would dramatically change the course of the programme. It was from my mother. Inside were a number of yellowing newspaper articles from the 1920s and 1930s and some dog-eared black and white photos. The newspaper clippings showed photographs of capacious lawns outside stately homes and on the hot summer grass were vast hordes of people folk dancing.All the women had bobbed hair and wore long white skirts and the men were, to all intents and purposes, in cricket Read more ...
james.woodall
Documentaries about the 20th century’s most fabled quartet keep coming. There’s no special call for The Beatles: Made on Merseyside (BBC Four), which looked at the group’s Liverpool beginnings, though at a stretch it could be argued that in the 50th anniversary year of their horrible break-up we need reminding of pop’s Biggest Bang in 1963. This was almost the film to do it. Yet for such an explosive moment in cultural history it was curiously downbeat.That might be because, as we were reminded throughout, the group’s genesis was scruffy and full of false starts. Liverpool in the 1950s seemed Read more ...
Jasper Rees
The joke in Dead Pixels, a new sitcom on E4, is that there is a better life to be pursued in the fantasy world of videogames. In this alt. environment, outcomes can be controlled by consoles and keyboards, squeamishness about violence can be parked and you are free to be your best or worst self. Probably the show’s target audience is gamers under 30, but I’m very far from either and I found it a hoot.The other joke is that real life has a habit of butting in. Thus we first met squat blonde Meg (Alexa Davies) on the badminton court where she was plotting to end a long period of celibacy. Then Read more ...
Adam Sweeting
Let me be clear. The agonising process of the UK’s departure, or not, from the EU will be an infinite field of academic study over the decades to come. Road to Brexit (BBC Two) will not be a valuable source of research material, because it was a farrago of misinformation and fantasy, but it least it delivered a reasonable percentage of cheap belly laughs.It was a vehicle for Matt Toast of London Berry, appearing here as the imaginary historian Michael Squeamish. Slobbish, bearded and long-haired, Squeamish exuded a bellicose air of entirely unjustified certainty as he rode roughshod over 60- Read more ...
Adam Sweeting
ITV has an enviable knack for creating populist historical costume dramas which never seem to wear out, despite a million rotations on ITV3. Once everybody had got over the shock of a young and glamorous Queen Victoria, who had previously existed in the popular imagination as a scowling dowager in a coal sack, Victoria proceeded to take its place in the ITV pantheon with an air of unswerving confidence.The third series dawned with a whiff of gunpowder in the air. It’s 1848, and revolutionary zeal is sweeping across Europe. No royal family is safe, and France’s King Louis Philippe – Read more ...
Markie Robson-Scott
NYC, 1987. AIDS is ravaging the city, Reagan’s in power, Trump is in his tower. The American dream is available - to some. And for some of those to whom it’s not, there’s the world of balls, vogueing and competing for trophies. If your family has kicked you out for being gay or trans, the balls are a place where you can strike a pose, find acceptance and make your legendary mark. Even if you're homeless and haven’t eaten in days.Pose, partly based on Jennie Livingston’s 1990 documentary Paris is Burning, (she acted as consultant on the series) is ground-breaking because trans people play Read more ...
Jasper Rees
In the 1970s, the Mancunian stand-up Colin Crompton had a famous routine about Morecambe. He characterised Morecambe as “a sort of cemetery with lights” where “they don't bury their dead, they stand them up in bus shelters with a bingo ticket in their hand”.You can tell it’s Morecambe that stars in The Bay (ITV) because there was a fleeting glimpse of its most famous son, who named himself after the place and is memorialised in a dancing statue on the front. In other respects it seems to have changed its spots. There are barely any retirees, and it’s all gone lively. In the opening scenes Read more ...
Adam Sweeting
Thing is, a lot of this unpleasantness could have been avoided if DI Jimmy Perez had just watched the second series of The Missing. From this he could have deduced that there was every chance that Derek Riddell (who plays Chris Brooks in Shetland (BBC One), and was sinister kidnapper Adam Gettrick in The Missing) was a thoroughly bad egg, and cut to the chase a good deal sooner than he eventually did.However, Perez’s sleuthing instincts had been severely blunted by his growing entanglement with Brooks’s wife Alice (Catherine Walker), and as a couple they seemed potentially to have quite a lot Read more ...
Veronica Lee
Ask most people what a showband is and they’ll give you a blank look. But ask any Irish person (or those born in the Irish diaspora) who is north of 50 and they will probably look misty-eyed. For between the late 1950s and 1980s showbands were a huge Irish cultural phenomenon, and Ardal O’Hanlon was our amiable guide through this brief but illuminating history of them.Taking a break from his Caribbean sojourn in Death in Paradise, in Showbands: How Ireland Learned to Party O'Hanlon explained that Ireland in the 1960s was very different to the young, outward-looking country it is now – poor, Read more ...
Adam Sweeting
As fans of Inspector Morse are well aware, there are plenty of snakes lurking in the grass at our premier seats of learning. In place of Morse’s Oxford, Cheat brings us leafy, picturesque Cambridge, presented here as an agreeable haven of historic quadrangles, relaxing riverside bistros and alluringly wooded suburbs.However, for university lecturer Dr Leah Dale (Katherine Kelly), her enjoyment of this fenland idyll is being eroded by one of her students, Rose Vaughan (Molly Windsor). A sullen, monosyllabic grump who turns up late to seminars and never makes any oral contributions, Rose Read more ...
Jasper Rees
The limitless goodwill generated by The Office earned Ricky Gervais the right to do and say as he pleased. Thus, hosting the Golden Globes, he was toweringly rude to Hollywood royalty. In Extras he gleefully portrayed celebrities as vain and ghastly. In The Invention of Lying he explored the logical consequence of a world in which people say what they really think. Add to that the brisk frankness of his stand-up shows, in which he insulted the religious and derided the overweight. Speaking the truth was his self-styled superpower.His misanthropy arrives at a logical terminus in After Life ( Read more ...