TV
Jasper Rees
The mechanism for securing a publicity still from the BBC is as follows. Go to the relevant website, log in, look for the photographs that illustrate the programme, then take your pick. For Dame Shirley Bassey: The Girl from Tiger Bay there wasn’t much of a selection. Only one image, in fact, at least that I could see. It finds Alan Yentob perching like a prize-winning schoolboy on the edge of the sofa, while the prize leans intimately on his shoulder. We need Imagine, especially now that the guillotine is slowly and insubordinately lopping Lord Bragg’s coiffeured head off over on the other Read more ...
Adam Sweeting
Thanks to the shenanigans of Brit-art superstars like Messrs Emin and Hirst, Art has become a lucrative appendage of pop culture, so it’s only logical that it should be given its own version of X Factor, with a bit of Apprentice-style authoritarianism bolted on for good measure. In School of Saatchi, a panel of judges sifts through a long list of hopefuls who are whittled down to 12, then six, then finally to the chosen one who will be installed in a London studio for three years under Charles Saatchi’s patronage.Saatchi (“one of the most influential and enigmatic figures in the world of Read more ...
theartsdesk
Channel 4 put six disabled people on a desert island for three months to see if they can fend for themselves. That’s the startling premise of Cast Offs - a new drama co-written by Alex Bulmer, Tony Roche and Jack Thorne. Does team writing really work? And can you get laughs out of such sensitive material. theartsdesk invited the three writers to interview one another.TONY ROCHE: OK, I’ll ask the questions because I’m lazy and that seems like it will be the least amount of work. Any objections?
ALEX BULMER: Yes.
JACK THORNE: Obviously.
TONY: Great. We’re agreed. So, first question. Jack, can Read more ...
gerard.gilbert
Who’d be a traffic warden, eh? The answer, it would seem, is any number of immigrants willing to be paid £7 an hour to be verbally abused, physically attacked and generally despised by the great British public. And Olly Lambert, writer-director of Channel 4’s well-made and informative Cutting Edge documentary, Confessions of a Traffic Warden, says that although his original intention was to find out about the people beneath the uniforms, what he actually discovered was the hair-trigger vileness of Londoners beneath a badly scuffed veneer of civilised behaviour. None of this will have Read more ...
Adam Sweeting
This odyssey of party-goer and interior designer Nicky Haslam frequently resembled a Private Eye diary by Craig Brown, who’s always at his best when lacerating narcissistic name-dropping diarists from earlier generations. We watched Haslam swapping anecdotes about Picasso with the painter’s biographer John Richardson, reminiscing about how Mae West used to sleep with two monkeys on her bed, and pointing out where Marilyn Monroe and Tallulah Bankhead used to live in New York.He’d give us their exact house numbers, he said, but he’d left his compendious address book behind. The sense of parody Read more ...
Adam Sweeting
Has somebody got it in for poor Matthew Macfadyen? In the recent series of Criminal Justice he didn’t even make it to the end of episode one before he was fatally stabbed by Maxine Peake. Now here he was as Enid Blyton’s adoring and supportive first husband Hugh Pollock, books editor at the George Newnes publishing house, only to find himself on the wrong end of Ms Blyton’s brutally self-centred drive for success at any price. For heaven’s sake, was this any way to treat a man who’d given you your big break in publishing and even bought you a new typewriter?Eventually he was driven to drink Read more ...
josh.spero
As questions go, "What is beauty?" is quite possibly only second to "What do women want?" in the frequency of its asking and in the difficulty of its answer. As the first programme in BBC Two and BBC Four’s Modern Beauty season, What Is Beauty? features Matthew Collings skirting around the edges of an answer and in doing so inadvertently hitting upon one.Collings tries to identify ten different components of beauty with reference to some of his favourite artworks. Piero della Francesca’s Madonna del Parto from Monterchi is beautiful because of its simplicity, Robert Rauschenberg’s Charlene Read more ...
gerard.gilbert
Filmed in the same Thamesmead locations in south-east London as Stanley Kubrick’s A Clockwork Orange, Misfits also features a gang of young trouble-makers in boiler suits. Unlike Alex and his Droogs, who face the fearsome "Ludovico" aversion therapy (after which thinking about violence, or hearing Beethoven’s Ninth Symphony, triggers nausea), this bunch are on a fairly slack community service gig. They paint benches between spliffs and indulging in the sort of banter you’d find on any Facebook page not being monitored by the grown-ups.That all changes when a massive electrical storm gives Read more ...
gerard.gilbert
The last time I saw Andrew Marr in the flesh was at the Independent’s old offices in Canary Wharf, during a savage round of job-shedding in the late Nineties. To address the staff, editor Marr had jumped upon a table, like Keir Hardie addressing striking miners, and his old-school style of speech-making is perfectly in tune with the politics of the first half of the 20th century. Marr, in truth, wasn’t a very natural newspaper editor - he is a much better working journalist. However his truest vocation may be as a TV historian, because Andrew Marr’s The Making of Modern Britain is terrific Read more ...
Adam Sweeting
The premise of Collision (as well as its title) is unmistakably similar to that of Paul Haggis's movie Crash, in which a road accident provides the linking point for a cluster of disparate personal stories. However, instead of the boulevards of Los Angeles, Collision exploits the less often remarked upon mystique of the A12, which links east London to Great Yarmouth. In 2007, the A12 was adjudged "Britain's worst road" in a survey by Cornhill lnsurance, so Collision's creator and writer Anthony Horowitz has picked an appropriate location for his fateful multi-vehicle pile-up.
The strands of Read more ...
gerard.gilbert
“Green Wing, but set in a university” is one of those useful handles that reviewers were always going to grasp when discussing Victoria Pile’s new improvised ensemble comedy, Campus, the opening try-out in Channel 4’s new Comedy Showcase season of sitcom pilots. For once, the handy nut-shell description is spot on. Campus is precisely that: Green Wing, but set in a university – and as a fan of Green Wing I should feel that that is good thing. However I’m not sure the formula has survived the relocation from hospital to campus.For one thing, they are such different – almost opposite - Read more ...
Adam Sweeting
At the end of series seven, our tight-lipped MI5 squad risked designer shoe leather and impeccable coiffure to defuse a Russian atom bomb in London, and their boss Harry Pearce (Peter Firth) was kidnapped by dubious Russian agent Viktor Sarkisian. Hence series eight began with the hunt for Harry, whisked (unbeknown to his underlings, who expressed their concern by smiling even less than usual) by helicopter to a mansion in “Moscow on Thames”.One assumed that Harry would in due course be restored to his futuristic glass-panelled office, where he likes to drink whisky and reflect on the deaths Read more ...