TV
Jasper Rees
Last night in Wormwood Scrubs a prisoner hanged himself. Successfully. A doctor confirmed “that life is now non-existent”. Later on the same wing it happened again, only this time the suicide attempt didn't come off. For many years it has felt as if the great tradition of television documentary is now non-existent. Programmes like this give you hope that, like that second man on a wire in D Wing, it might just pull through.The workplace fly-on-the-wall has been a collectors' item ever since the channels started to multiply. The economics of embedding a film crew in a specific milieu, Read more ...
howard.male
“The Eighties – where do you bloody well start?” Geoffrey Palmer’s lugubrious voiceover seemed even more world-weary than usual as this hour-long special on the decade everyone loves to hate began. And I felt for him, I really did. Because I am, appropriately enough, the grumpy old hack who's not at all happy to be assigned the task of revisiting this decade in which, it has to said, just about everything was shite. But let’s get one thing clear. I hated this decade at the time, unlike most of the minor-celebrity talking heads hired to give their 10 pence worth on this show.It soon becomes Read more ...
Jasper Rees
Something decidedly odd happened at one of last year’s Proms. In a night celebrating the golden age of the MGM musicals, one of the performers was Seth MacFarlane. The average Prommer wouldn’t have known MacFarlane from a poached egg. And even his devotees wouldn’t necessarily be too familiar with the face. But when in the course of the evening he started singing in a voice for which he is better known, the picture became clear. To some of the audience, anyway: MacFarlane is the genius behind Stewie Griffin.Family Guy needs no introduction. Or if it does, it won’t be getting one here. After a Read more ...
gerard.gilbert
Chris Ryan and Andy McNab are the Pepsi and Coca Cola of gung-ho, modern SAS war fiction, a lucrative genre that these one-man brands have carved up so effectively between them that it would take a gate-crasher of Nick Clegg-like proportions to threaten their duopoly.Both men retain their pseudonymous existence, more for the self-publicising drama of it than for security reasons - although Ryan rather ludicrously asserts that his life would be at risk if his real identity was revealed. Literary critics aren’t that savage, surely.Admittedly I have never read any of Ryan’s books, although I did Read more ...
Adam Sweeting
Idris Elba’s screen career is going so swimmingly that you wonder what can have tempted him back to Blighty. Probably not the weather, since the former denizen of Canning Town now lives in Florida, and is in perpetual demand Stateside thanks to the extreme hotness engendered by his portrayal of Russell “Stringer” Bell in The Wire. He was in the American version of The Office, co-starred with Beyoncé in Obsessed, has several movies in production and will executive-produce a new legal drama series for NBC.So, Idris Elba, where did it all go wrong? I jest, of course. Slightly. Luther is Read more ...
fisun.guner
I wondered how long it would be before Andy Warhol’s "15 minute" quote came up. From the whizzy, flash-bang opening credits I knew it wouldn’t be long. I was right: but less than seven minutes? Less than five? I didn’t time it, since I was still somewhat mesmerised by the sight of perky presenter Alastair Sooke doing a kind of disco-dancey, pointy-arm manoeuvre in front of Picasso’s Les Demoiselles d’Avignon during the intro. (Oh no, Alastair, I wanted to cry, you can’t out-cool Andy, so don’t even try.)Art critic TV presenters come in all sorts of guises these days. You can be scruffy, Read more ...
Adam Sweeting
This new series proposes to examine the individual roles played by the members of successful rock groups, but you could tell there was trouble in store from the narrator's opening question: "What is the DNA of a great rock'n'roll band?" Like the rest of this first programme, which tried to draw up a job description for lead singers, the question didn't quite make sense. Shouldn't it have been "What is in the DNA"? And were we about to see a Horizon-style scientific analysis of chromasomes and double-helix molecules, or did it just mean: "What kind of people join rock'n'roll bands?"It turned Read more ...
Adam Sweeting
Mamma mia! The last Leaders' Debate has come and gone, so what on earth are we going to do on Thursday evenings now? I was half expecting an announcement at the end of the show telling us that the Debates will be coming back for a new series in the autumn. Next Thursday of course is the election itself, which will be a straggly, bleary-eyed, long-drawn-out affair. How much nicer if it could be compressed into a crisp 90 minutes and then decided on a viewers' poll.But I'm just wallowing in the Neverland aura which has shrouded this entire election campaign. It has been a phony war waged in a Read more ...
Adam Sweeting
One can only speculate about why More4 would want to broadcast a documentary about bare-faced electoral fraud in the week before the climax of our own unimpeachably democratic process. However, this rather long film about 2009's Afghan presidential election gradually marshalled its arguments into a pointed critique of how the “democracy” which the West has unloaded over Afghanistan like a badly aimed air strike is anything but. Of course, this may not strike many people as front page news.Interestingly, even such complete novices at the free elections game as the Afghans had beaten the Read more ...
graeme.thomson
“Marc Wootton is playing characters in real situations with real people” read the message that followed the opening credits of La La Land, as though Wootton were a comedic Archimedes unveiling his Eureka moment, rather than simply the latest “provocative” British wit to go panning for comedy gold in the murky waters of American embarrassment. La La Land premiered in January on US channel Showtime to fair-to-middling reviews and a thumbs-up from Larry David, and has now been given an Anglicised voiceover by Mighty Boosh star Julian Barratt and sent out to battle on BBC Three.The six-parter Read more ...
Jasper Rees
Five Daughters is “based on the personal testimony of those most closely involved”: family, friends, the last people to see the women alive. What we are watching - the story of the murder of five sex workers in Ipswich - has the stamp of truth. When one girl missed her appointment at the methadone clinic, her mother tried to collect her prescription for her. The mother, played by Sarah Lancashire with the washed-out complexion of the terminally worried parent, would in effect have been a script consultant. The same went for the episode’s climactic scene, in which Anneli Alderton (Jaime Read more ...
Peter Culshaw
Several contributors alluded to this quality – he loved stories, was caught up in the drama of pirates and swashbuckling heroes (as Adam Ant used to his advantage when he hired Malcolm “for a thousand guineas” as an advisor. Malcolm then went off with his backing band and renamed them Bow Wow Wow). His partner Young Kim spoke touchingly of how he would often talk in his sleep, regressing to being a child, and she would talk to him while he was asleep, as though he was a five-year-old. The programme managed to show his mischievousness, a certain naivety, but also his “creating anti- Read more ...