I stayed in a frightful hotel in Plymouth once. Decrepit rooms, filthy windows, potentially fatal cuisine, sinister staff… By contrast, that same city’s Astor Hotel looked quite pleasant, though not if you were viewing it through the gimlet eyes of Alex Polizzi. Nothing that met her gaze was adequate. The décor was too kitschy and flowery and old-fashioned. The carpets were disgusting, the walls stained and peeling, the lobby too gloomy to contemplate. The establishment’s habit of equipping wardrobes with tatty mismatched plastic hangers aroused her ire. The practice of leaving towels on the Read more ...

Themed seasons are often the invention of programmers who have run out of ideas; they string together loosely related output under a cleverly non-specific season title when any old dross gathering dust in the cupboard is given an airing. So I read the notes of BBC’s The Call of the Wild season - with its mix of repeats and new material, and the dread phrases “the great British love affair with the countryside”, “nostalgic exploration” and “a light-hearted look at”- with a sinking heart. But fear not, because one of the first programmes in the season (and the first of a six-part series) was Read more ...

No-nonsense Hayley Taylor is to the terminally unemployed what Jo Frost, aka Supernanny, is to the attention-seeking, tantrum-prone pre-schooler – but without the naughty step. In this reality three-parter she attempts to do what whole governments have so far failed to: to get members of the long-term, unskilled unemployed (what some might unkindly term the "Jeremy Kyle generation" – aka the underclass) back into the labour market. This she attempts to do, not by sprinkling magic Fairy Jobmother dust over the British economy, but by addressing the “negativity” of those she’s come to rescue Read more ...

Two birthday parties kept me away from the Albert Hall yesterday (though I'll confess that in the end I treacherously skipped the second and stayed glued to the TV's delayed relay). That, and a slight fear that the concert performance of Wagner's Die Meistersinger von Nürnberg from the BBC Proms couldn't match up to the original Welsh National Opera production of the decade.In fact, from what I saw, it did wonderful things in quite a different way, even if when left to their own devices the singers became a tad more conventional in their very exposed acting-out, for all the eloquent hand Read more ...

JasperRees He can't pronounce vuvuzelaJasperRees Is this really Becks' first time? What do he and Rourke say to each other? Bloody hell, Roxy are looking a bit seniorSweetingAdam Rourke once made a TV movie about Shergar. Title role I guess.JasperRees Did they deliberately choose a Mickey Rourke clip in which he didn't say a word?SweetingAdam They've put Rourke's head on backwards.JasperRees Has Woss ever told anyone they don't look fantastic? Rourke manifestly would qualify. He looks like he just got reconstructed after a fireJasperRees He's talking through his ears. I haven't heard a Read more ...

There was a gnawing suspicion that The Silence wouldn’t amount to much, since it was dumped in a four-night splurge in the middle of the mid-summer doldrums, and even the normally docile Radio Times had decided to stamp its foot and pick holes in it. One’s apprehension proved ill-founded, however. It turned out to be taut, tense, well acted and smartly written, and carried enough pace to lift it over the more credulity-stretching passages.Australian screenwriter Fiona Seres had set the bar pretty high for herself. On the one hand, The Silence was a drama about an extended family, with the Read more ...

As Jonathan Ross is an incorrigible tweeter, theartsdesk has decided to review his last stand on the BBC on Twitter. Adam Sweeting and Jasper Rees will watch Friday Night with Jonathan Ross and tweet a joint review live as the programme goes out. The show begins at 10.35pm on BBC One on 16 July.In order to catch their live review live, you'll need to sign up to Twitter, if you haven't already. Follow SweetingAdam on Twitter here and JasperRees here. (NB don't confuse SweetingAdam with another Adam Sweeting on Twitter. theartsdesk Adam's avatar is a picture of his red sports car being towed Read more ...

So was it nice to see him (to see him nice)? Actually nice is probably the wrong word for Bruce Forsyth on the evidence of the opening documentary in a new series of Cutting Edge – tetchy, obsessive in his habits and (as we shall see) sometimes downright unpleasant, may be nearer the mark, as director David Nath gains access to Forsyth’s two palatial homes (both on the edge of golf courses, it almost goes without saying) in Wentworth, Surrey, and Puerto Rico.Living with Brucie was done a disservice by being advertised as if authored by his wife Wilnelia Merced-Forsyth, a sort of love letter Read more ...

If you know David Mitchell and Robert Webb from Peep Show on Channel 4 (written by Jesse Armstrong and Sam Bain), in which Mitchell plays the insufferably self-important Mark and Webb the self-deluding idiot Jeremy, then you will easily recognise similar stock types being used in That Mitchell and Webb Look on BBC Two, which goes to show you should never mess with a winning formula.That’s not in any way to denigrate That Mitchell and Webb Look, which started its fourth series last night, because, as with the British and swearing, it’s both funny and clever. Mitchell and Webb, who met at Read more ...

As an 11-year-old boy, I was awestruck from the first moment I saw Concorde on our three-channel black-and-white television, seemingly rearing up from its runway like a cyborg swan. At that age - and during that era - fact and fiction became vertiginously blurred when it concerned the fast-forward march of science and technology. While Factual-man was taking one slow-motion giant leap for mankind, Fictional-man was going where no man had gone before. And even if the US Enterprise did have warp-drive, our very own Concorde didn’t seem that far behind, as it hurtled through the blue at the Read more ...

Great comedy may be timeless, but that's probably because of the great comedians performing it as much as the material itself. Could you imagine Dad's Army being anything more than a shadow of its former self if it was remade with a new cast? Would Frasier achieve the same transcendent mix of bourgeois self-regard and millisecond farcical timing with James Corden and Mathew Horne in place of  Kelsey Grammer and David Hyde Pierce? Do we want to hear anybody reciting the "Dead Parrot Sketch" ever again?Jonathan Ross's pretext for assembling a bevy of his comic chums to recreate rare sketches Read more ...

The BBC just can't stop showing that flipping Lennon Naked drama. No sooner have we emerged from the Fatherhood Season, where it first appeared, than we're into a John Lennon Night on BBC Four, featuring Lennon Naked again under a new temporary flag of convenience. Chances are it'll ricochet back into the schedules for another encore when they do a Motherhood Season, Lennon being better known for writing songs about his mother Julia than about his unreliable dad.But earlier in the evening came the Classic Albums documentary about Lennon's Plastic Ono Band album, his post-Beatles solo debut Read more ...