TV
Adam Sweeting
There was a risk that this new take on the indestructible sleuth of Baker Street might be smothered at birth by a dust-storm of pre-publicity, with coverage stretching from the tabloids to Andrew Marr (who really seems to believe he's an arts correspondent, and not just Alfred E Neuman's long-lost twin brother). Previewers couldn't help making comparisons between Benedict Cumberbatch's manic, omniscient Sherlock and the current Doctor Who, which I suppose was inevitable since Who writers Steven Moffat and Mark Gatiss are the brains behind Holmes, 2010-style.But after being dropped into the Read more ...
Jasper Rees
Where can or will television’s thirst for tabloid anthropology fetch up? In previous tribal exchanges, wives have been swapped, geeks have gone to babe school, thugs to boot camp, WAGs to townships, Papua New Guineans to the big smoke. Posh girls have lately been parachuted into Peckham. Is there no social grouping so polarised that some bright spark at BBC Three or Channel 4 won’t want to thrust them into an alien environment for our voyeuristic pleasure? Porn stars to hang with the Taliban? It could yet happen. Lib Dems to lie down with Tories? Oh, they already did that.In the mean time, Read more ...
howard.male
The fact that we humans are, technically speaking, bad liars proves that we are instinctively moral creatures (rather than getting our morals from our god or our parents) and that lying is therefore, evolutionarily speaking, probably a bad idea. You can get away with saying you were caught in traffic, rather than admitting you were in the pub, but a polygraph will pick up on changes in blood pressure, pulse and respiration - those indicators of anxiety you’d rather not be feeling - and your goose will be cooked. But imagine how much more difficult it would be if the lie you were telling Read more ...
Adam Sweeting
For the couch-bound classical music lover, keeping up with the Proms is pretty straightforward. Step one: open bottle of agreeable claret. Step two: turn on Radio 3 and listen, or watch selected Proms on BBC Two or BBC Four. Or, indeed, catch up on the iPlayer. But needless to say, there's a colossal amount of work going on behind the scenes to make it all happen.
Round the back of the Albert Hall for the duration of the Proms season is the BBC's Truck City, a fenced off enclosure crammed with outside broadcast vehicles, stuffed with all known gadgetry for recording and mixing sound and Read more ...
Adam Sweeting
I stayed in a frightful hotel in Plymouth once. Decrepit rooms, filthy windows, potentially fatal cuisine, sinister staff… By contrast, that same city’s Astor Hotel looked quite pleasant, though not if you were viewing it through the gimlet eyes of Alex Polizzi. Nothing that met her gaze was adequate. The décor was too kitschy and flowery and old-fashioned. The carpets were disgusting, the walls stained and peeling, the lobby too gloomy to contemplate. The establishment’s habit of equipping wardrobes with tatty mismatched plastic hangers aroused her ire. The practice of leaving towels on the Read more ...
Veronica Lee
Themed seasons are often the invention of programmers who have run out of ideas; they string together loosely related output under a cleverly non-specific season title when any old dross gathering dust in the cupboard is given an airing. So I read the notes of BBC’s The Call of the Wild season - with its mix of repeats and new material, and the dread phrases “the great British love affair with the countryside”, “nostalgic exploration” and “a light-hearted look at”- with a sinking heart. But fear not, because one of the first programmes in the season (and the first of a six-part series) was Read more ...
fisun.guner
No-nonsense Hayley Taylor is to the terminally unemployed what Jo Frost, aka Supernanny, is to the attention-seeking, tantrum-prone pre-schooler – but without the naughty step. In this reality three-parter she attempts to do what whole governments have so far failed to: to get members of the long-term, unskilled unemployed (what some might unkindly term the "Jeremy Kyle generation" – aka the underclass) back into the labour market. This she attempts to do, not by sprinkling magic Fairy Jobmother dust over the British economy, but by addressing the “negativity” of those she’s come to rescue Read more ...
David Nice
Two birthday parties kept me away from the Albert Hall yesterday (though I'll confess that in the end I treacherously skipped the second and stayed glued to the TV's delayed relay). That, and a slight fear that the concert performance of Wagner's Die Meistersinger von Nürnberg from the BBC Proms couldn't match up to the original Welsh National Opera production of the decade.In fact, from what I saw, it did wonderful things in quite a different way, even if when left to their own devices the singers became a tad more conventional in their very exposed acting-out, for all the eloquent hand Read more ...
theartsdesk
JasperRees He can't pronounce vuvuzelaJasperRees Is this really Becks' first time? What do he and Rourke say to each other? Bloody hell, Roxy are looking a bit seniorSweetingAdam Rourke once made a TV movie about Shergar. Title role I guess.JasperRees Did they deliberately choose a Mickey Rourke clip in which he didn't say a word?SweetingAdam They've put Rourke's head on backwards.JasperRees Has Woss ever told anyone they don't look fantastic? Rourke manifestly would qualify. He looks like he just got reconstructed after a fireJasperRees He's talking through his ears. I haven't heard a Read more ...
Adam Sweeting
There was a gnawing suspicion that The Silence wouldn’t amount to much, since it was dumped in a four-night splurge in the middle of the mid-summer doldrums, and even the normally docile Radio Times had decided to stamp its foot and pick holes in it. One’s apprehension proved ill-founded, however. It turned out to be taut, tense, well acted and smartly written, and carried enough pace to lift it over the more credulity-stretching passages.Australian screenwriter Fiona Seres had set the bar pretty high for herself. On the one hand, The Silence was a drama about an extended family, with the Read more ...
theartsdesk
As Jonathan Ross is an incorrigible tweeter, theartsdesk has decided to review his last stand on the BBC on Twitter. Adam Sweeting and Jasper Rees will watch Friday Night with Jonathan Ross and tweet a joint review live as the programme goes out. The show begins at 10.35pm on BBC One on 16 July.In order to catch their live review live, you'll need to sign up to Twitter, if you haven't already. Follow SweetingAdam on Twitter here and JasperRees here. (NB don't confuse SweetingAdam with another Adam Sweeting on Twitter. theartsdesk Adam's avatar is a picture of his red sports car being towed Read more ...
gerard.gilbert
So was it nice to see him (to see him nice)? Actually nice is probably the wrong word for Bruce Forsyth on the evidence of the opening documentary in a new series of Cutting Edge – tetchy, obsessive in his habits and (as we shall see) sometimes downright unpleasant, may be nearer the mark, as director David Nath gains access to Forsyth’s two palatial homes (both on the edge of golf courses, it almost goes without saying) in Wentworth, Surrey, and Puerto Rico.Living with Brucie was done a disservice by being advertised as if authored by his wife Wilnelia Merced-Forsyth, a sort of love letter Read more ...