TV
ash.smyth
Watching Bullets, Boots and Bandages last night, I found myself recalling a tutor from my Master’s year whose favourite hobby was lampooning the “sloppy thinking” of other noted academics. His personal bête noire, he more than once informed us, had many years ago written a book averring that leadership was the most important thing in war; then, later, another saying that actually technology was the key; after which came a volume on the paramount importance of strategy; and then one concluding that wars were in fact won and lost over logistics.Saul David agrees with the last bit, at least. “ Read more ...
Veronica Lee
It's a brave sitcom writer who dares to write a bleakly comic drama, without canned laughter, in which nothing very much happens and where a long-married couple natter away about the mundane details of their lives in the half-hour after they come home from work. But twin sisters Emma and Beth Kilcoyne have done just that, and the result, Roger and Val Have Just Got In, is a thing of quiet beauty.It debuted on BBC Two in 2010 and, given little fanfare by the corporation, still gained a solid and devoted following, instantly hooked on this delicately woven story about Roger and Val (Alfred Read more ...
howard.male
We humans think we’re the bee’s knees don’t we? We’ve got language, music, art, cars, fridges, bank accounts. Essentially we’ve left all of the other planet’s creatures faltering on the starting line. Well, if that’s what you believe then it may have come as a surprise to see a chimp on last night’s Super Smart Animals solving a number-centred memory challenge that we oh-so-superior primates couldn’t even begin to do, and doing it so quickly and effortlessly that the chimp was suspected of having learnt it by rote.Welcome to a world which of course has always been there, it’s just that we’re Read more ...
Jasper Rees
Prisoners’ Wives belongs in a hoary tradition of television drama which finds women doing it for themselves. The men are always otherwise engaged, being either dead or useless or, in the case of Prisoners’ Wives, as it implies on the tin. In the old days such dramas were usually written by one of Lucy Gannon or Lynda La Plante or Kay Mellor, but here the broad brushstrokes are applied by Julie Gearey.On the evidence so far, each episode concentrates on one of the four main female characters while keeping an eye on the stories of the other three. In the opener we shared the ordeal of young Read more ...
Adam Sweeting
I can never quite work out Andrew Marr. Serious political journalist? Wannabe arts correspondent? Failed actor? Celebrity superfan? Anyway here he was, following the Queen around the world on a variety of exotic junkets, shouting at the camera and waving his arms about as if he'd been standing in the sun too long. From time to time he'd try to drive home some poetic or rhetorical phrase by ladling on a bit of thespian over-emphasis, like somebody doing Larry Olivier at the News & Current Affairs Christmas party. If he hadn't been protected by his camera crew, it would have been Read more ...
Adam Sweeting
The BBC's updated Upstairs Downstairs is not a lucky show. Its three-night debut in December 2010 brought unflattering comparisons to Downton Abbey, a fate also likely to greet the imminent series two thanks to Downton's booming national-treasure status. Worse, Upstairs... is reeling from the double blow of losing Eileen Atkins's Lady Maud and Jean Marsh as Rose Buck.Marsh, who suffered a stroke last October, was eventually able to appear in two of the six new episodes, but Atkins apparently wasn't happy with the direction the series was taking and baled out altogether. Screenwriter Heidi Read more ...
Kieron Tyler
Walking into a Wickes DIY superstore in Cricklewood, north London, Peter Capaldi is overwhelmed. The history there isn’t obvious as shoppers scurry about. But he knows it’s the site of Cricklewood Studios, the engine of British cinema that churned out classics like Clog Capers of 1932, the horror benchmark Dr Worm and the hilarious Thumbs up Matron. The end came in the 1980s with Terry Gilliam’s Professor Hypochondria’s Magical Odyssey and the wrecking ball. Wickes rose from the rubble.Cricklewood never had the cachet of Pinewood or Elstree. Its films weren’t as lauded as those of Read more ...
ash.smyth
So, Birdsong is over, and for all the arts-crit ink spilled upon it I am still none the wiser vis-à-vis my three main points of concern. First: it is a truth universally acknowledged (I asked around) that the most memorable episode in the Faulks novel was the one about the blowjob. This scene was not so much absent from the TV version as, er... cunningly re-gendered. Why?! Second: there was, in the first few minutes of the "drama", a superfluous and sarky line (by a Frenchman, obviously) about modernist composers who can only work around four notes. Which was not Read more ...
graeme.thomson
It certainly started with a bang. The whirlwind opening sequence of the BBC's new four-part drama depicted a cash depot heist by a masked gang unfolding in something close to real time, and thrummed with blood and nervous tension. Security guard Chris was shot in the leg. His boss, John Coniston, was roughed up. Back at home, his family were being held hostage at gunpoint. Both men, it transpired, were in on the job, while warehouse worker Marcus was one of the armed gang. Inside Men, clearly, was going to be why- rather than a whodunnit.The heist took place in September. The remainder of Read more ...
Kieron Tyler
Although focusing on London’s Tube network, Confessions From the Underground brought up issues that aren’t unique to Britain’s infrastructure. Increasing usage versus declining levels of staff. Employees working against targets while being pushed to cut corners. It could have been the NHS or schools, but last night's documentary about the tube allowed the staff of London Underground to raise their concerns.This could have been an eyebrow-raising selection of accidents and near misses that've been hushed up. Instead – apart from a looking into the questionable response to a dust cloud at Read more ...
Jasper Rees
It’s not a genre which springs too many surprises. Ever since Sir John Harvey-Jones strode into shot a good 20 years ago, the template was set for the sort-your-life-out documentary. Expert enters, throws up hands in horror, delivers a quantity of home truths, exits. Like the talent contest, it’s a flexi-format, applicable to kitchen cleanliness, child-rearing, the high street and, in the case of The Hotel Inspector, mouldy B&Bs on their uppers. In The Fixer, Alex Polizzi has checked out of hotel salvage and turned her attention to putting a smile on the face of ailing businesses.In Read more ...
ash.smyth
As if by way of riposte to Birdsong’s ever-so-pensive treatment of late, last night’s Royal Marines: Mission Afghanistan brought warfare back to the 21st century with an uncompromising thump. In Episode 1: Deadly Underfoot, Chris Terrill joined Lima Company, 42 Commando, as they took over from their Marine colleagues at Toki base, in the Nad-e Ali district of Helmand. This was in the tenth year of the war – as the greatest of narratives would have it – and the Taliban, so Terrill assured us, were “on the back foot”. There was, presumably, no pun intended.For 50-odd minutes we Read more ...