TV
Adam Sweeting
Jane Treays's previous film about diver Tom Daley was 2010's The Diver and His Dad, which followed the amphibious teenager as he sat his GCSEs and defended various titles. Ominously, it also charted the progress of his father Rob's struggle against a brain tumour.This sequel picked up the story in 2011, as the London Olympics loomed over the horizon and became the focus of Daley's ambitions. In July last year, he made the inaugural dive into the brand new Aquatics Centre pool in Stratford, a few days after he'd qualified for the 2012 Olympics at the World Championships in Shanghai. Daley only Read more ...
Peter Culshaw
We had Kevin MacDonald’s Bob Marley epic documentary earlier this year, and this is a similar film about another artist who became a symbol as much as a singer. I only saw Miriam Makeba in her sixties, by which time she had become a revered institution they called Mama Africa, as though she was the mother of an entire continent. This Storyville documentary took us back the amazing vibrancy and courage of her early years, with some terrific archive footage.By the 1990s, although her long exile from South Africa was over, Makeba had been bashed around by events, notably the death of her Read more ...
Lisa-Marie Ferla
The first anniversary of Amy Winehouse’s death seems like both a temptation and an opportunity for a sensationalist, hyperbolic tribute. Refreshingly, this Arena film, which told the story of the night that a superstar in the making performed to an 85-capacity church in the Irish fishing village of Dingle, for the most part avoided the clichés: the word “tragedy” wasn’t even mentioned until 38 minutes in.“You don’t just go to Dingle by accident,” Philip King, director of Irish music series Other Voices, explained by way of introduction. Every winter the show manages to attract some of the Read more ...
Matt Wolf
Forget the ages-old talk of London buses arranging their schedules so that they all arrive at once. The capital's patterns of public transport have nothing on the rapidity with which Henry V has hoved into view of late, whether at Shakespeare's Globe, on tour from the all-male Propeller company, in repertory at Islington's Old Red Lion pub theatre or as a baleful conclusion to the BBC's impressive Hollow Crown series of the Bard-on-film. And one thing seems certain after this most recent version: a play often renowned for its braying jingoism has rarely seemed so mournful, as if the " Read more ...
Jasper Rees
It’s as well to be ready. There will come a time when our civilisation may enter a period of darkness which will be known, self-explanatorily, as After Attenborough. May it not arrive any time soon, or even ever. But if, or more likely when, it does, it won’t matter anyway because we’ll have already spit-roasted most species into extinction, as Sir David has been direly warning these past few years. By then, the familiar larynx will have described the life and times of more or less every creature who ever wandered in front of a lens (give or take the odd million subspecies).On this occasion Read more ...
Adam Sweeting
"What caused him to be so fast? Is he here for a purpose?" wondered Usain Bolt's father, Wellesley, in a mystical tone. Usain's mother, Jennifer, also seems to detect the workings of a higher power in her son's blindingly rapid progress around the world's running tracks. "Thank you, Lord, for what you have done," she said.It was hardly surprising that this profile of the so-called Lightning Bolt, multiple record-breaker and triple Olympic medallist, oozed with awe and dripped with reverence. Getting a film crew inside the Bolt entourage presumably depends on an understanding, possibly in Read more ...
Matt Wolf
One intends no discredit to the keenly judged monarch-to-be that is Tom Hiddleston's Prince Hal, who will reappear on the small screen next weekend carrying the story forward in Henry V, to point out that Richard Eyre's terrific BBC adaptation of Henry IV Part 2 was stolen by dad. Playing the ailing King Henry who will not go gently into the good night, Jeremy Irons gave a performance of equal parts fury and passion that ranks with this actor's very best. Can someone not accommodate Irons once more on the classical stage, and soon?It's tempting to think of both halves of the Henry IV duo Read more ...
Fiona Sturges
If your evening regime involves lying on the sofa with a KFC boneless banquet wedged between your knees and a bucket of Fanta, complete with multi-angled drinking straw to prevent unnecessary movement, under your armpit, then you would have been forgiven for avoiding The Men Who Made Us Fat. Who, after all, wants to spend their downtime being made to feel like a self-harming, NHS-crushing lard-arse? If, however, you subsist on twig tea and a diet of dandelions washed in spring water by tiny winged seraphs, you might have felt compelled to watch, if only to reaffirm your disdain for the junk Read more ...
Kieron Tyler
Despite the tee-hee title, the promise of a journey from “high culture to high camp” and the nudge-and-wink comment that the falsetto is “able to transport us to heaven knows where”, Alan Yentob’s examination of male singers who’ve chosen to “falsify their voice” was a thoughtful, though scattershot rumination on men who choose to take their voice beyond its natural range.Making the choice to embrace the high register isn’t just about potentially inviting accusations of effeminacy, it can bring self-inflicted physical damage too. Not being equipped to go high, grown men can suffer. Images Read more ...
Adam Sweeting
Every leading thespian needs a depressive Swedish detective in his repertoire, and Kenneth Branagh has the knighthood to prove it. He may also face a little extra critical scrutiny this time around, since the return of his Anglicised Wallander comes in the wake of the recent Scandi invasion, courtesy of The Bridge, Borgen and The Killing II. We've even had a little dose of Sebastian Bergman, starring Rolf Lassgard, famous in Sweden for his portrayal of Kurt Wallander. And we've had the Swedish Wallander itself.How do Branagh and co measure up? Pretty well I guess, though it's always going to Read more ...
Matt Wolf
Now we're talking! Following on from a small-screen Richard II of greater aural than visual interest, along comes Richard Eyre's TV adaptation of both Henry IV plays, and the first thing that seems evident about Part One is how well it would hold up in the cinema. (Indeed, I saw it in just such a setting at a preview screening with the director in attendance.) Lustrously shot in all manner of rusts, ochres, and browns that can drain away where needed, primarily during the battle scenes, Eyre's diptych in its first half makes a ravishing case for Shakespeare on film even as it whets the Read more ...
Fiona Sturges
There are a few things wrong with Episodes, the comedy series in which Stephen Mangan and Tamsin Greig play a British scriptwriting couple who take their hit sitcom across the pond, but there’s a lot more that’s right with it. Look beyond the horrible title sequence, in which a television script literally takes flight and flaps all the way from London to Los Angeles, and the ghastly parping music which transports you not to a sunny Californian TV studio but a low-rent BBC panel game complete with plywood set, and you’ll find a show worth cherishing.The second series finale provided a Read more ...