TV
Tom Birchenough
First-hand testimonial is surely the building block of history. Whether it’s in the form of written diaries or the television memory, it allows us to go back to the very basics as we, the reader-viewer, effectively re-experience the life of the teller.Last year witnessed a multitude of such remembrances of the First World War, and brought home the fact that little could match the sheer simplicity of such memories of those who had lived through that experience. But there were no more survivors to tell tales, and before long the same will be the case with the Holocaust, currently being marked Read more ...
Matthew Wright
It doesn’t take many cucumbers smacked into cupped male palms to realise this isn’t, surprisingly, a show about salad. Russell T Davies has written three new series (Banana shows on E4, and Tofu online), exploring LGBT sexuality today. Queer As Folk, Davies’s 1999 breakthrough creation depicting the lives of three gay men living around Canal Street in Manchester, was an important landmark in dramatic depictions of gay life. Returning to the same location and similar themes now, now those lifestyles are mainstream and familiar across the country, it was always going to be harder to make a Read more ...
Jasper Rees
For weeks and weeks, the BBC has been borrowing Anne Boleyn’s tactic of seduction. Henry VIII was vouchsafed occasional access to his future bride’s breasts, but no more until she was queen. It’s felt rather like that being fed Wolf Hall trailers for the past few weeks: teasing snippets of promised treasure, but there has been no way of knowing precisely what goodies lay in wait under the skirts. Has it been worth the anticipation?In a word, yes. And for one overpowering reason: Mark Rylance, the complete actor. This is his first return to television in more than a decade. For all his Read more ...
Adam Sweeting
Part of a series of programmes marking the 70th anniversary of the liberation of Auschwitz, The Eichmann Show was a 90-minute account of how the 1961 trial of Adolf Eichmann, one of the SS's most enthusiastic engineers of the Holocaust, became "the world's first ever global documentary series". The key men in making this happen were TV producer Milton Fruchtman and renowned documentary director Leo Hurwitz, the latter a victim of McCarthy-era blacklisting in the USA.It was a potentially interesting idea, but the notion of presenting the trial of one of the most heinous Nazi war criminals – Read more ...
Barney Harsent
There’s a tricky balancing act involved when writing a sitcom. Too much "sit" and you’re in danger of losing the laughs, too much "com" and it becomes increasingly difficult to find the space to land a serious dramatic punch. Get one of these things wrong and, like a fat man facing a baby on a see-saw, it looks all wrong and is no fun for anyone. Catastrophe, Channel 4’s new sitcom, written by and starring Sharon Horgan (Pulling, Dead Boss) and US stand-up Rob Delaney (Burning Love), approaches this dilemma with a classic love story: girl meets boy, girl gets pregnant, both try to work out Read more ...
Veronica Lee
The latest sitcom from the United States is very much in the American mould of smart dialogue, pacy timing and some astute human observation layered with a hint of schmaltz. It concerns two thirtysomethings, Annie and Jake, who have been together for six years. In the pilot episode last night, she was expecting him to pop the question while they were on a romantic holiday, while he has planned to go on bended knee when they return home.The opening is a beautifully choreographed piece of economic but laugh-laden exposition – students of the form could learn much from this episode – as it all Read more ...
Jasper Rees
Commissioning new sitcoms is a notoriously imprecise science. The first episode, and sometimes the first series, finds a sitcom at its least sure-footed. Keen to tell you all about itself, it tends to behave out of character, gabbling nervously and exaggerating every gesture. It might never find its feet, but you can rarely tell from one half-hour introduction. My own personal hostage to fortune was to have a sense of humour bypass when reviewing Father Ted. (But then episode one wasn't that funny.)Channel 4 used to hold an annual sitcom festival which searched for wheat among the chaff of TV Read more ...
Adam Sweeting
It's a poignant moment for the return of this superior French police drama. With the Paris terrorist crisis the top story across all media, we rejoin our fictional police captain Laure Berthaud to find her still in emotional fragments following the death of her lover Sami in a terrorist bomb blast at the end of series four. It's to the show's credit that its unvarnished portrait of policing and the compromises and political chicanery that surround it doesn't pale in the glare of real-life events.However, terrorism isn't at the centre of this fifth series. Instead, the dishevelled Berthaud ( Read more ...
Jasper Rees
Some depressing statistics for your reading pleasure. (Depressing if you’re British and not a billionaire.) Since 2008, UK government austerity measures have been equal to the sum of money paid out in bankers’ bonuses: £80 billion. Not depressed yet? Try this. In 2013 the UK’s thousand richest people saw their wealth increase by a sum equivalent to the combined earnings of the country’s fulltime workforce: £70 billion. You probably are now, but if not... We play host to more billionaires than any other country in the world: 104. Oh, and the UK is the only leading economy which has become more Read more ...
Thomas H. Green
Let's face it, we're all fascinated by orgies. The idea of them gets the blood up. Sex Party Secrets promised a window into this netherworld, advising that such events are increasingly popular, that we're becoming a more liberated nation. At least, the rich are. The documentary's hashtag, #POSH ORGIES, lays down the parameters. This isn't about the world of paunchy, middle-aged suburban wife-swapping but, instead, parties that promise high-end glamour and ecstatic release, as recounted by the organisers, alongside the experiences of attendees.Director James Newton does a great job marshalling Read more ...
Adam Sweeting
You can see why writers and TV companies like the idea of creating sequels to successful series, but trying to make lightning strike twice has obvious drawbacks. In the case of the original Broadchurch, the runaway ratings blockbuster which ended in April 2013, the story felt so complete and self-contained that the notion of a sequel seemed redundant, or gratuitous.But anyway here's series two, arriving in a kind of tumult of secrecy as ITV stoutly withheld any previews or much information of any kind from clamouring newshounds. Such is the allure of the Broadchurch brand that this opener Read more ...
Tom Birchenough
If the idea of the BBC putting together a “Super Rich” season came as a surprise in itself, the fact that wealthy Russians would be appearing in it can’t have shocked anyone, and Rich, Russian and Living in London duly got last night’s opening slot. Apparently “Moscow-on-the-Thames”, or “Londongrad” if you prefer it, has a lasting fascination with television producers that so far continues proportionate with the willingness of its subjects to open up their lives to outside scrutiny.We can only wonder at their motivations for doing so, whether they think it’s the televisual equivalent of a Read more ...