TV
Barney Harsent
One, two, three o’clock, four o’clock rock… For those who orchestrated the swing from blues to rock ‘n’ roll, it’s getting late. Like the Chelsea pensioners, their numbers are beginning to dwindle and, as time keeps on slipping, slipping, slipping into the future, their testimony must be recorded for posterity, lest it be lost for ever in the music mists (currently somewhere off the coast of Kintyre). Except – and it’s a fairly big "except" – this stuff’s already fairly well documented, no? And no matter how many grey-haired rockers try to explain how revolutionary this stuff was at the time Read more ...
fisun.guner
Feelings. Whoa whoa whoa feeeelings. Just like that Morris Albert hit of the Seventies for star-crossed lovers everywhere, I lost count of the number of times I heard that word in this Alan Yentob meets Jeff Koons love-in. Or, more precisely, “feeling” singular, since Koons, one of the most bankable artists in the world, was talking about the “feeeeling” aroused when you looked at one of his art works. The engendered feeling was, we learned, a cross between sex-lust, consumer-lust and religious transcendence – “transcendence” being another favoured Koons word. And left to his own words, Read more ...
Marina Vaizey
This was one of the most disturbing, terrifying and informative programmes imaginable, made more so by Dan Cruickshank’s calm demeanour as he interrogated everyone from scholars to fanatics about the actions and rationale of the Islamic State (IS) during the past two years in Iraq and Syria. These conversations were set against his own visits to the Middle East and terrifying videos of IS hammering to smithereens the contents of museums and bulldozing world-famous archaeological sites.When Cruickshank visited Iraq's ancient sites in 2002, he feared the destruction Western bombs might bring; Read more ...
Adam Sweeting
Rumour has it that there's a proposal floating around Hollywood to remake Nicolas Roeg's Don't Look Now, his enthralling 1973 masterpiece of love, grief and death foretold. Anyone foolish enough to contemplate such a move should be made to watch this skilful and absorbing film about Roeg's career and work. It was a vivid illustration of how a singular artist pursuing a distinctive vision goes about his business, as opposed to being a mere component in a commercial clone-factory increasingly bereft of original ideas. On the other hand, what it didn't show us was Roeg's debilitating struggle Read more ...
Marina Vaizey
Antonio Pappano, artistic director and chief conductor of the Royal Opera House, is a polymath, for he is also a brilliant and persuasive narrator of the history of music. Here he embarked on a four part history of the operatic voice, starting at the very top – or how to reach those high Cs, the Everest for the soprano.Often speaking beside a grand piano, on the grand and empty stage of the ROH, and thus subliminally reminding us that he first worked as a repetiteur before becoming one of the world’s leading conductors, he creatively interweaved vintage film of legendary Read more ...
Barney Harsent
The 1965 film The Heroes of Telemark, documenting the Allies' mission to stop the Nazis from going nuclear, is to historical accuracy what David Starkey is to tact. Or common decency. The Saboteurs however, a Norwegian/Danish/British TV co-production, seems to be keener to explore the truth behind the mission. Or at least as much of it as is known.After the first episode’s slow, measured pace, we began the second in a secret military base in Scotland with a stronger sense of urgency. If we had any doubts as to just how urgent things were, these were soon quashed as the entire plan was Read more ...
Marina Vaizey
The hook for Alan Yentob's portrait of the 86-year-old architect Frank Gehry was the initiation and progress of an enormous new building in a rough portside area of Sydney, the Dr Chau Chak Wing Building for the business school of the University of Technology. It opened after nearly two years of construction, on time and on budget, last autumn. To commission it, the dean of the school, Ron Green, simply rang Gehry up, and Gehry replied with just four words: "I’m up for it." As he said, the dean took a conscious risk in all sort of ways. We heard from a range of Australian workmen, Read more ...
Adam Sweeting
Last year's debut series of True Detective starred Matthew McConaughey and Woody Harrelson in a fascinating slice of metaphysical Southern Gothic. That's all gone now though, because this time, writer Nic Pizzolatto has shunted the action out to the West Coast, to a small fictional city in the shadow of Los Angeles called Vinci. Apparently Pizzolatto based it on real-life Vernon, California, a city infamous for its history of endemic corruption.The show's new protagonists are Detective Ray Velcoro (Colin Farrell), a Vinci cop with a long list of personal issues, and casino owner Frank Semyon Read more ...
Jasper Rees
Drama is all about secrets revealed, discoveries unfurled. Black Work was straight into that territory from the first scene. A man and a woman sat in a car, taking the solace from each other that they couldn’t find at home. As ever in such a scenario, you promptly wondered if or when they’d be caught in the act. This was especially so given that the woman was played by Sheridan Smith, who starred in just such an adultery drama not that long ago.She sounded keener on rescuing her marriage to a mostly absent husband. But the next time he went out to work he failed to come back. The sight of a Read more ...
Adam Sweeting
Verdi's La Traviata has become one of the best-loved and most-performed works in the operatic repertoire, but this is no thanks to sections of the English press. In this entertaining romp through the opera's history, presenters Tom Service and Amanda Vickery drooled over the juiciest bits from some of the reviews from La Traviata's London debut in 1856 – for instance The Times of London deplored "an exhibition of harlotry upon the public stage", adding that this was "the poetry of the brothel" – before splitting up to examine the musical and historical background of the piece.Once you'd got Read more ...
Barney Harsent
Sunday afternoon at Glastonbury is an odd time. For some it means carrying on carrying on, trying to wring the very last drops out of the weekend and putting off the inevitable, stomach-churning lurch that will signal a nosedive into a colossal comedown. For others, it’s simply a day to be a bit more sensible: after all there’s a long drive tomorrow… Whichever, there seems to be a clamour for the familiar, something to cling to while you take the edge off with more booze or think about A-road alternatives to avoid congestion. This is where the faded glory of the "once-greats" comes in: mid- Read more ...
Jasper Rees
The young casualty of genius fires imaginations and fills coffers. Last year Dylan Thomas’s centenary was vastly celebrated. The Amy Winehouse industry is still shifting units. The spell cast by Sylvia Plath seems not to diminish. A Janis Joplin biopic project is staggering through the law courts. And then there are Jim Morrison, Kurt Cobain, Jimi Hendrix, old Uncle Tom Cobbleigh and all the sundry other singers and poets who, by accident or design, cut themselves down in their prime. But in the beginning, the first to die in a lonely garret of a drug overdose, was 17-year-old poet-forger Read more ...