world music
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why. Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E.D. ★★★★★ A small but perfectly sleazy work of sweary, cynical brillianceBob Dylan - More Blood, More Tracks ★★★★★ The fourteenth volume in the Bootleg Series is a keeperBrad Mehldau Trio - Seymour Reads the Constitution! ★★★★★ Prolific improvising pianist creates the apotheosis of the piano trioThe Breeders - All Nerve ★★★★★ Kim and Kelly Deal - plus Read more ...
graham.rickson
Brahms & Ligeti: Horn Trios André Cazalet (horn), Guy Comentale (violin), Cyril Huvé (piano) (Calliope)This is a reissue from the last years of the early digital era (ie 1989), but it's a seriously good one. György Ligeti’s 1982 Horn Trio is a fascinating piece, ‘un hommage à Brahms’ which contains some striking tunes and virtuosic valveless horn writing but never sounds remotely like Brahms’ own horn trio. Ligeti did acknowledge that the work had “a little to do with Beethoven”, the violin's first entry obliquely quoting the opening of the Op81a Piano Sonata. There's plenty of Read more ...
Joe Muggs
It may be mean to say, but it seems sadness agrees with Tim Hecker. The Canadian has been a mainstay of the global experimental music world almost since the turn of the millennium, sitting somewhere between neo-classical, shoegaze, ambient and abstract noise. His tracks are always delicate, always poised, sometimes veering a little into harsh distortion though rarely if ever enough to scare the horses; and they seem to be at their best when they're at their sparsest and most desolate.There's certainly plenty of sparseness and desolation in his ninth album, a series of collaborations with Read more ...
Kieron Tyler
Until now, hearing the extraordinary “Ratidzo” was all-but impossible. The original single is rare and has not been reissued before. It begins with a plaintive whistle which sets the scene for a hypnotic and beautiful rotating pattern of single notes possibly played on a gamelan-style instrument. Rhythmic accompaniment comes from a form of shaker. It is not instantly possible to place where this music is from. Eastern Asia? Hawaii? The next track is similarly mysterious, but the addition of a vocal suggests Africa. The singular talent responsible for these outstanding performances is Zimbabwe Read more ...
Peter Culshaw
The post-modernists have taken over the asylum. At least, that's what I thought twice this week. Once when I saw Vlad Putin on YouTube doing karaoke to an adoring audience. The other was seeing Brazil’s latest contenders BaianaSystem, who played to a sweaty packed-out house at the Village Underground. "Post-modern" in the sense of beyond defineable genre and with a dose of irony thrown in, and not quite beleiving what is in front of your eyes.Of course, there have always been interesting musical mixes in Brazil, especially in Bahia in the North-East where they come from. The state has been a Read more ...
Peter Culshaw
In the days around WOMAD there have been plenty of media about how the “hostile environment” towards migrants has created all sorts of problems for artists attempting to get here from around the world. Certainly, we are being denied some of the hottest new acts - like the wild blue-haired Moonchild Sanelly from South Africa or the hottest new act from Nigeria, Chicoco Sounds. WOMAD have just signed a new 12-year deal at Charlton Park, however - and if you wanted to find the spiritual centre for the liberal, tolerant, positive globalism currently under threat, WOMAD would be a Read more ...
Tim Cumming
Even seasoned veterans can suffer from programme amnesia over the four days and nights of rock, pop, dance and traditional music from around the world to be found at WOMAD, such is the array of choices across its 10 stages, ranging from the main arena through to the Ecotricity stage in Charlton Park’s leafy Arboretum – also home to the World of Words and Taste the World tents, the gong bathers and tarot readers in the World of Wellness.Most of us clearly knew where and when we were when Leftfield headlined on Friday night, reproducing their 1995 classic Leftism live and drawing one of the Read more ...
Joe Muggs
He's known for his myriad collaborations – Public Image Ltd, Primal Scream, The Orb, The Edge, Can, all the way through to recent work with singers PJ Higgins and Hollie Cook – but Jah Wobble really deserves attention in his own right. A cosmic Cockney of immense erudition, he has created some extraordinary fusions of global sounds, ambient, electronica, post-punk and more. Perhaps the ideal illustration of his modus operandi is the incredible footage of him performing “Visions of You” with Sinead O'Connor and his band The Invaders Of The Heart, or maybe even better the interview Read more ...
Thomas H. Green
Summer’s here and the time is right for dancing in the street. To vinyl. Only theartsdesk on Vinyl doesn’t just cover music for dancing, it covers every style of music imaginable (with a good showing for pop this month). Whatever your taste, from the heaviest rock to the lightest ambient music, theartsdesk on Vinyl will review it along the way. Enough intro, though. More juice. Let’s head to the largest, tastiest monthly review showcase on the planet. Dive in!Kali Uchis Isolation (Rinse/Virgin)Seems everyone knows about Kaliu Uchis – she's been on a Gorillaz album (and they're on here too), Read more ...
Kieron Tyler
Music from Sudan is overshadowed by the country’s recent history. At the end of June 1989, Colonel Omar al-Bashir assumed control and it became a one-party state. Shariah law was introduced. Osama Bin Laden was resident in capital city Khartoum from 1991 to 1996. Tension between the mostly Muslim north and mostly Christian south undermined any facade of stability al-Bashir sought to impose. The south was declared independent in 2011. Conflict in Darfur, in the west of the country, left 300,000 people dead and led to just over 3 million displaced people.These are, of course, headlines. True Read more ...
Tim Cumming
Essaouira, on Morocco’s Atlantic coast, is the place of winds. Day or night, hot or cold, year in, year out, the “Alizee” blows, and it blows. In the local folklore it is not from the ocean but a grumbling resident of the medina – perhaps protesting the town’s rapid recent expansion, its port’s modernisation and the loss of legendary Chez Sam, the restaurant once beloved by an Othello-filming Orson Welles.But for the 21st edition of the Gnawa Festival in Essaouria the Alizee drew breath and slept, if fitfully, through four days and nights of intense trance music featuring the ghimbri bass Read more ...
Mark Kidel
Hot in the burning footsteps of Bargou 08, last year’s subtle but daring mix of traditional Tunisian sounds and electronic beats and textures, Sofyann Ben Youssef launches a new project under the name of AMMAR 808, Maghreb United. There is a great deal more fire and confidence in this new album, which plunges deeper into the rich sonic universe of the Maghreb while taking a few more risks with the contemporary electronic and rock elements that are deftly combined to create a beguiling whole.Traditional popular music from the Maghreb works with distortion – the snare on the bendir frame drum, Read more ...