sat 25/01/2025

Wagner

Fidelio, Welsh National Opera, Cardiff

In fact Giuseppe Frigeni’s production and sets have already been seen in Bordeaux, so perhaps it’s more that the novelty by now has worn off. Either way, it’s a miserable affair, devoid of movement or dramatic tension, obscure in its...

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Mattila, Berlin Philharmonic Orchestra, Rattle, Royal Albert Hall

My abiding memory of the Berlin Philharmonic’s second Prom under Sir Simon Rattle on Saturday will be of 6,000 people listening with rapt, or at any rate silent, concentration to Schoenberg, Webern and Berg. Has it ever happened before? Perhaps...

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Keenlyside, Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert Hall

Boy, did I want to enjoy this Prom. On paper it should have been the highlight of the season. Young Canadian conductor Yannick Nézet-Séguin has been making his mark in London as principal guest conductor of the London Philharmonic Orchestra with...

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Orchestra of the Age of Enlightenment, Rattle, Royal Albert Hall

In 1860 Wagner sent a full score of his recently published Tristan und Isolde to Berlioz, inscribing it: “To the great and dear composer of Roméo et Juliette, from the grateful composer of Tristan und Isolde.” The bonds between these two works go...

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Die Meistersinger at the Proms, BBC Four

Two birthday parties kept me away from the Albert Hall yesterday (though I'll confess that in the end I treacherously skipped the second and stayed glued to the TV's delayed relay). That, and a slight fear that the concert performance of Wagner's...

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A feast fit for the Mastersingers: Wales objects

Mean-minded Beckmesser (Christopher Purves) assails Bryn Terfel's noble Sachs in the WNO production

Bit of a tizzy in Cardiff after Welsh National Opera decided to push the boat out for its biggest show in years. Richard Jones's new production of Wagner's Die Meistersinger von Nurnberg starring Bryn Terfel in his toughest challenge to date wowed...

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Rigoletto, Welsh National Opera, Cardiff

Watching and hearing this revival of WNO’s now eight-year-old production of Verdi’s Rigoletto, it’s hard to remember he composed it only a year or two before La Traviata, that most psychologically believable of all his operas. In Rigoletto nothing...

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Die Meistersinger von Nürnberg, Welsh National Opera, Cardiff

Only those who think the burnt-out question of Wagner and the Nazis can still be brought to bear on his operas could be disappointed by Richard Jones's life-enhancing new production. Not a swastika in sight, not a hint of anti-semitic caricature for...

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Classical Music CDs Round-Up 9

Zoltan Kodály devised the hand signals which accompany the UFO's five-note signature  in Close Encounters of the Third Kind

This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable...

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European Festivals 2010 Round-Up

Istanbul, Turkey, 3-30 JuneThe 38th annual music festival in the jewelled city of culture-clash continues its strong classical showing with Radu Lupu and Lang Lang, the Borodin Quartet and Riccardo Muti conducting the Vienna Philharmonic. Equally...

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Stephen Fry on Wagner, BBC Four

Is there anywhere Stephen Fry will not go? I mean in documentaries. We’ve had Fry on depression and Fry on America, Fry on HIV and Fry on endangered species. Movingly, we’ve had Fry on who he thinks he is, an odyssey in which he discovered that much...

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Guillaume Tell, Chelsea Opera Group, QEH

Swiss artist Fuseli's depiction of the oath on the Rütli, grand finale to Rossini's Act Two

Was Rossini, credited with the unsinkable comment that Wagner had "beautiful moments but bad quarters of an hour", hoist by his own petard in his last and grandest opera? For while Wagner, at least in performances as well-paced as the one I heard of...

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