thu 09/01/2025

Wagner

theartsdesk in Bayreuth: Wagner in the Laboratory

Richard Wagner has probably only himself to blame if his operas have become a laboratory for the testing-to-destruction of the intellectual preoccupations of that Opera Führer of our time, the stage director. Wagner it was, after all, who...

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Tannhäuser, Bayreuth Festival

'Tannhäuser' at Bayreuth: replaces Wagner’s 13th-century troubadour castle on the Wartburg with an AVL biogas plant

In 1981, when I last came to Bayreuth, the festival still seemed to be a battleground between the German Left and Right, between the blame faction and the guilt faction, between the commie East and the fat-cat West. Plus ça change. Without quite...

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Siegfried, Longborough Festival

Longborough has its Mozart (this season a not wildly exciting Così fan tutte), and it has its Verdi (this year Falstaff). But its real heart is in Wagner, and in particular The Ring, now – in its third year – up to Siegfried. Wagnerites infest the...

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Die Walküre: The Madness of an Extraordinary Plan, Hallé, Elder, Bridgewater Hall, Manchester

In Act Zero of Manchester International Festival's 'Walküre', Wagner took to the stage himself

The Hallé Orchestra, enlarged for the occasion with harps, anvils, horns and such, was in its place on the platform. Sir Mark Elder made his entrance like a surgeon about to embark on a complex and energy-draining heart bypass operation. And the...

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Das Rheingold, Opera North

After years of planning, Opera North's Ring cycle gets under way. The orchestra pit at the Leeds Grand Theatre is too small for Wagner's oversized orchestra. So this is a concert staging, to be repeated in the coming months at The Sage Gateshead,...

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Barenboim, Staatskapelle Berlin, Boulez, Royal Festival Hall

What next - Boulez and Daniel Barenboim in Tchaikovsky and Rachmaninov? The two numbered Liszt concertos are probably as far as they're going to go in lacier romantic repertoire, and last night it didn't feel far enough to justify the predictable...

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Tristan und Isolde, Opéra de Lyon

In the thicket of it: Wagner's lovers (Clifton Forbis and Ann Petersen) caught in flagrante by King Marke (Christof Fischesser)

Travelling by Eurostar, or plane, to the continent and buying a ticket, all for less than the cost of a Covent Garden stalls seat, might entice if you wanted to see a certain opera, singer or conductor. But to go so far for the look of a staging?...

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Apocalypse Now

More phantasmagorically beautiful than it ever had any right to be given its subject, Francis Ford Coppola’s Apocalypse Now begins as a nightmare, or a delirium, with thup-thup-thupping helicopters ghosting in and out of the frame in front of the...

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Rambert, Cardoon Club/ Roses/ Monolith, Sadler’s Wells

Another of Paul Taylor's masterpieces: 'Roses', in rehearsal

Paul Taylor's Roses is called Roses because, well, because it is. There are no roses here, no flowery sentiment, no overwrought angst and emotion. This, one of Taylor’s most beautifully serene works, is the smell of roses on a still May evening:...

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European Festivals 2011 Round-Up

Be different - take a festival break in Europe instead of the UK, and catch a different landscape. While artists in both new music and classical are constantly circling the world in search of more picturesque settings, you can find your alternative...

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Die Meistersinger von Nürnberg, Glyndebourne Festival Opera

Nuremberg's beloved Hans Sachs (Gerald Finley) addresses the midsummer crowds

So the world didn't end yesterday as predicted, and Wagner's divine comedy about the meaning of art has weathered the ironic apocalypse following Hitler’s misappropriation. Bayreuth reels, but we Brits are lucky to have two stagings in under a year...

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Brewer, LPO, Jurowski, Royal Festival Hall

Christine Brewer: Heroic model of a Strauss soprano, soars in the Four Last Songs

In a London Philharmonic season playing safer than before, principal conductor Vladimir Jurowski has earned the right to a few meat-and-two-veg programmes. Even in a concert containing more than a handful of your hundred best tunes, Wagnerian...

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