tue 07/01/2025

Wagner

Q&A Special: Conductor Wolfgang Sawallisch on Strauss and Wagner

In many ways the most well-tempered of conductors, Wolfgang Sawallisch (1923-2013) brought a peerless orchestral transparency and beauty of line to the great German classics. Even the most overloaded Richard Strauss scores under his watchful eye and...

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Die Meistersinger Act Three, Hallé, Elder, Bridgewater Hall, Manchester

The “Mastersingers of Manchester”, about 350 of them, were gathered together by Sir Mark Elder to celebrate the Wagner bicentenary with this performance of Act Three of Die Meistersinger von Nürnberg in its entirety. He also pulled in about 200...

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Q&A Special: Conductor Sir Simon Rattle

Sir Simon Rattle (b. 1955) and the Orchestra of the Age of Enlightenment (est. 1986) have been together from the beginning. Founded by period-instrument musicians eager to run their own affairs rather than play obediently for conductor-managers like...

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Der Fliegende Holländer, Zurich Opera, Royal Festival Hall

Much more regularly than the seven years it takes the Flying Dutchman's demon ship to reach dry land, the Zurich Opera steamer moors at the Southbank Centre. None of its more recent concert performances up to now has branded itself on the memory as...

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Maestro or Mephisto - The Real Georg Solti, BBC Four

The one thing you can rely on when a programme is billed as "The Real" something-or-other is that that is exactly what you won't get. This film, commemorating the centenary of the birth of the great Hungarian conductor, did a thorough job of tracing...

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theartsdesk in Dublin: Your City, Your Stories

Irish theatre generates high expectations. So much so, that if there isn’t a premiere of a play by one of Ireland’s leading playwrights – Sebastian Barry, Enda Walsh, Marina Carr, Frank McGuinness, Martin McDonagh, Conor McPherson or Mark O’Rowe –...

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Leopold Trio, BBCSO, Wigglesworth, Barbican Hall

The prospect of adventuring from one unpredictable day to the next in the course of Michael Tippett’s Triple Concerto, and from dawn to twilight in just over an hour’s orchestral music from Wagner’s Ring, seemed very much weighted in the English...

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Theorin, Hallé, Stenz, Bridgewater Hall, Manchester

It is considerate of Manchester’s two professional symphony orchestras to have organised their opening Wagner celebration salvoes so that they dovetail so neatly. The BBC Philharmonic opened their season three weeks ago with the Wesendonck Lieder,...

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Hahn, BBC Philharmonic, Mena, Bridgewater Hall, Manchester

Wagner was not averse to highlights being plucked from the mighty Ring, even though it is an all-encompassing drive-through drama. Perhaps it’s as well, since the bicentenary celebrations of his birth are getting up steam and concert planners are at...

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Götterdämmerung, Longborough Festival

Every production of Wagner’s Ring is a challenge. But to stage it in a smallish converted barn seating 500 with little or no stage machinery, which is what the Longborough Festival plans to do in a year’s time, might strike one as a particularly...

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Die Walküre, Opera North

This works as well as it did last year – a no-frills approach to Wagner that helps far more than it hinders. Forget fat ladies wearing Viking helmets. Here the intimacy, the surprising humanity of Die Walküre come to the fore in what seems more and...

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Tristan und Isolde, Welsh National Opera

Welsh National Opera has a good track record with Wagner. Its Meistersinger of two summers ago is already the stuff of legend (and alas not likely to return to reality); farther back one recalls a more than respectable Parsifal, a notable Ring cycle...

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