Vienna
Classical CDs: Mandolins, trumpets and hot soupSaturday, 01 February 2025
Reynaldo Hahn: Piano Quartet, Piano Quintet, Songs Karim Sulayman (tenor), Kaleidoscope Chamber Collective (Chandos)I’ve been a fan of the Kaleidoscope Chamber Collective for some time, having heard them in concert and on their excellent... Read more... |
Classical CDs: Vitamins, kings and magic spellsSaturday, 23 November 2024
Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony)Who’d have thought that Igor Levit and Christian Thielemann would be such effective partners? Levitt is one of the most... Read more... |
The Third Man rides again - 75th anniversary of Carol Reed's noir classicFriday, 06 September 2024
It was originally released in Britain 75 years ago this month, making its debut in a small cinema in Hastings on 1 September 1949, and quite a few people will tell you that The Third Man is their all-time favourite film. Carol Reed’s noir classic... Read more... |
Visit from an Unknown Woman, Hampstead Theatre review - slim, overly earthbound slice of writer's angstSaturday, 13 July 2024
Who was Stefan Zweig? It's likely that it's mostly older folk who studied German literature at A-level who have encountered this superb Viennese writer in his native language, though his short story from 1922, Letter to an Unknown Woman, eventually... Read more... |
Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - three flavours of ViennaMonday, 22 April 2024
Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming from Vienna.For a start, there’s the classical tradition of Mozart, Beethoven and those who aimed to be... Read more... |
Classical CDs: Herd girls, mojitos and mariachiSaturday, 10 February 2024
Paavo Berglund: The Warner Edition (Warner Classics)Jean Sibelius’s presence looms over this box like a friendly giant. Paavo Berglund (interestingly, one of the few left-handed conductors to have achieved international fame) recorded the... Read more... |
Roderick Williams, Nash Ensemble, Wigmore Hall review - sunshine and serenityMonday, 21 November 2022
The Nash Ensemble’s concerts dedicated to “Beethoven and the Romantics” not only trace the flowering of the Romantic spirit in music from the Vienna of the 1800s through a continent and across the century. They also give a place at the top table for... Read more... |
Mayerling, Royal Ballet review - a masterpiece of storytelling, darkly grippingSaturday, 08 October 2022
Although the loss of its 96-year-old royal patron can hardly have come as a surprise, Covent Garden has been slow to register it. The gold-embroidered ERs on those luscious red velvet stage curtains remain in place, and when Wednesday night’s... Read more... |
Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delightMonday, 06 December 2021
Measure for Measure may be the quintessential Shakespeare “problem” play, but just what has earned it that epithet remains a puzzle. Each generation approaches the matter from its own perspective. The developments of recent years, #MeToo most of all... Read more... |
Der Rosenkavalier, Garsington Opera review - musical marvels, drama less often fulfilledFriday, 18 June 2021
Whatever else happens on the country opera scene this summer, the golden rose award for sheer chutzpah goes to the ever-ambitious Garsington team in pulling this off in no small style. Planning any production of Richard Strauss and Hugo von... Read more... |
Netrebko, Met Stars Live in Concert online review - flashy performance from operatic powerhouseTuesday, 09 February 2021
Though the global pandemic has brought about an unprecedented degree of isolation, it’s also, in unusual ways, brought us together too. Visiting New York’s Metropolitan Opera House is currently an impossible dream - the house is still completely... Read more... |
Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zealSaturday, 02 January 2021
“Without a care” (Ohne Sorgen, the title of a fast polka by Josef Strauss performed here with deadpan sung laughs from the players) was never going to be the motto of a Vienna Philharmonic concert without an audience. Introspection and even sadness... Read more... |
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