TV drama
Adam Sweeting
Fantastic! A new drama series in which the hero isn't a detective. Instead, William Travers (James Purefoy) is a criminal barrister who (after some sort of traumatic, nervous-breakdown-provoking experience we don't know much about yet) has moved from the pressure cooker of the London legal industry to the ostensibly more laid-back environs of Ipswich. He used to specialise in murder cases, but now he swears he's given them up.Purefoy makes rather a good barrister. He radiates middle-class solidity and a sense that he really would like to do the right thing by his clients, while commanding the Read more ...
Adam Sweeting
In a week unfeasibly packed with new drama across the BBC and ITV, the three-part Exile may prove to be the one that lingers longest. It was a thriller and a detective story, but what gave it its formidable grip was the way the central mystery was intricately entwined with the painful personal story of Tom Ronstadt (John Simm) and his father Sam (Jim Broadbent).Simm's character was a burnt-out journalist from the fictional London-based Ransom magazine. Until he got the sack, he had specialised in high-octane sleaze, his dirt-digging zeal cranked to a frenzy by drink and drugs. His father Read more ...
Adam Sweeting
As the makers of The Kennedys discovered recently, turning history into TV drama can be like locking yourself in the stocks and inviting all-comers to hurl coconuts at your head. This dramatisation of the 1950s Manchester United team and its traumatic near-destruction in the 1958 Munich air disaster has been duly lambasted by Sandy Busby, the son of former Manchester United manager Matt Busby, and others who were affected by the real-life events.But it never set out to be a documentary (though writer Chris Chibnall seems to have stuck pretty faithfully to the facts), and it's difficult to Read more ...
Graham Fuller
Seven works are collected on this sampler of the formidably prolific Plater’s television writing - a soupçon from a broth that is rich, flavoursome, and usually satisfying. Though omitting anything from The Stars Look Down, The Good Companions, Get Lost! and Selwyn Froggitt, among other series he wrote for ITV, the set fully demonstrates Plater’s affinity for the common man, his sensitive approach to the class struggle, and his taste for cryptic humour.
A Jarrow-born Humbersider, Plater (1935-2010) is considered a Northern dramatist, but the earliest play contained here, Brotherly Love ( Read more ...
Adam Sweeting
So Monroe reached the end of series one, and I still couldn't read what its tone was supposed to be. Some artsdesk readers have expressed enthusiasm for the theme tune, but I find its jogging Celtic jauntiness symptomatic of Monroe's wider problems. Obviously you can't expect too much from a bit of title music, but surely it should give you a clue as to whether the show is a hard-hitting drama about life and death or a sitcom?Quips and badinage abound when Monroe (James Nesbitt) and his team are in action, and staff and patients alike are lucky to survive the barrage of one-liners Read more ...
Adam Sweeting
Read Adam Sweeting's review of "Intelligent Design", the last-ever episode of LewisAlthough its steepling body count is almost enough to rival the trail of carnage in The Walking Dead (which rose from the grave on 5 last night after its original appearance on FX last year), at least Lewis never underestimates the value of a good education. This episode, "Wild Justice", was a crossword puzzle of literary clues, all taking their cue from a lecture delivered at St Gerard's college entitled "Justice and Redemption in Jacobean Revenge Drama".There were recurring appearances by John Webster's Read more ...
Adam Sweeting
It's unlikely that this soap-esque miniseries about America's most notorious political clan will stir up the kind of furore in Britain that has engulfed it in the States. Over there, merely to mention the Kennedys seems to conjure up visions of a lost Eden (well, Camelot) in which America stood square-jawed against the Russians, won the race to the moon and policed the planet with its colossal Arsenal of Democracy. Add in the horrific assassinations of JFK and his brother Bobby and the obliteration of all that glamour and promise, and it's a great shining myth that even Hollywood has never Read more ...
Adam Sweeting
Will Silk make it to series two, or will it feel the wrath of BBC One's mad axeman, Danny Cohen? The former, we fervently hope. Despite some implausible incidents and occasionally silly plotlines, Peter Moffat's battling-barristers drama reached the end of its first series looking stronger than when it started.Much credit for this must go to Maxine Peake's superb portrayal of Martha Costello, the pugnacious girl from the north country pitted against Rupert Penry-Jones's smooth and superior Clive Reader, as both of them strive for that coveted elevation to QC. It was difficult not to feel Read more ...
Adam Sweeting
Now nearing the end of its sixth series, Wild at Heart has quietly parked itself in the middle of the Sunday-evening schedules, where it goes about its task of hoovering up ratings with single-minded efficiency. Last week's debut of South Riding on BBC One was considered a triumph with 6.6 million viewers, but Wild at Heart pipped it with 6.8 million. The week before it scored over seven million.How does it keep doing this? Evidently Stephen Tompkinson, playing Bristol vet Danny Trevanion who has transplanted himself to the Leopard's Den game reserve in South Africa, has a loyal legion of Read more ...
Adam Sweeting
Horror and dismay have greeted BBC One controller Danny Cohen’s decision to axe detective drama series Zen, after the network aired a solitary three-part series in January which pulled a very respectable 5.7m viewers per episode. Shot amid succulent Italian locations in Rome and the surrounding countryside, Zen won plaudits for Rufus Sewell’s performance in the title role (and it appeared that Sewell in a range of stylish Italian suits exerted an aphrodisiac effect on a sizeable number of viewers), while his leading lady and former Bond girl Caterina Murino lent an aura of Italian Read more ...
Adam Sweeting
You can see why the BBC's drama gurus wanted to have a go at remaking South Riding, which last came around in 1974's hit version from Yorkshire Television. It has drama, romance, social conflict, lofty ideals and looks a bit like a parable for our cash-strapped times. Processed through the screenwriting circuitry of Andrew Davies, TV's novel-adapter par excellence, it has emerged as a superior soap tailored with mercenary expertise for that demographic sweet spot that is 9pm on a Sunday night.Winifred Holtby's 1936 novel, which was published the year after its author's death, is a story of Read more ...
Adam Sweeting
The legal drama has become a staple of stage and screen, for a variety of excellent reasons. All of human life really is there, from love and hate to good and evil, crammed into the claustrophobic cockpit of the courtroom. Adding an extra squirt of kerosene to an already explosive mix is the fact that, as Dr Gregory House likes to say, “Everybody lies.”The latest cab on the telly-lawyer rank is Silk, BBC One’s sizzling new six-parter from Peter Moffat. A former barrister himself, Moffat has carved out a prestigious legally orientated screenwriting career, which has taken him from Kavanagh Read more ...