TV drama
Adam Sweeting
Since Nashville and country music are one giant soap opera, it's amazing nobody turned Tennessee's Music City into a TV series before. No matter. Here we are with series two, and it's as deliriously cheesy and melodramatic as ever.The first series ended with veteran country star Rayna James (Connie Britton) and her alcoholic guitarist/former lover Deacon Claybourne hurtling into a cataclysmic car crash. Series two opened amid the wreckage and the squeaking of tortured metal, with flashbacks to when Deacon and Rayna were young and in lurve (bravo for a splendid decades-rewinding job by the Read more ...
Andy Plaice
“I like it when you’re a bastard,” George Gently growled at his sidekick, halfway into the first episode of this sixth series set in 1960s Northumberland, reassuring us that the partnership is very much back on when all appeared to be lost the last time around. And what a terrific opener it proved to be.The cliffhanger for series five left the inspector (Martin Shaw) and his Detective Sergeant John Bacchus (Lee Ingleby) at the hands of a gunman in Durham Cathedral. Both were shot – in Bacchus’s case emotionally shot too – and we picked them up a year later trying to resurrect their working Read more ...
Adam Sweeting
The annual reappearance of The Good Wife is always a cause for celebration. Why they persistently park it in the twilight zone of More4 remains one of the enduring mysteries of our era, since it's one of the best shows on TV, but the only question that need concern us is: will season five be as good as the ones that came before? On the evidence of this opener, yes indeed, so much so that American critics have been hailing it as the best ever,Change is in the air at Chicago's upmarket law firm Lockhart Gardner. Not only does Alicia Florrick (Julianna Margulies) have to be mindful of her new Read more ...
Andy Plaice
Such is the level of confidence that the Silent Witness producers have in their new ensemble that star turn Emilia Fox barely lifted a scalpel in the latest instalment of the BBC’s long-running crime series. Either that or she needed a night or two off, and who could blame her? It's now in its 17th series, and Fox has stuck it out for more than half of them. And with four dead bodies to look at this week, it’s a high pressure job that you’re just bound to take home with you.So step forward the other lot: new guy Thomas Chamberlain (Richard Lintern), research whiz Clarissa Mullery (Liz Carr Read more ...
David Benedict
It’s costume drama meets adventure story, it’s got smouldering manhood and heaving-bosomed women with sex, swordfights, politicking and even beautifully lit Prague doubling for 17th-century Paris, but the question hanging over the BBC’s lavish new Sunday-night primetime series The Musketeers is: what exactly is it? And then Hugo Speer’s Captain Treville loses patience and barks: “You three, my office, NOW!” and it hits you: this is Charlie’s Angels in thigh-length boots.Okay, we’re not in Seventies LA but there’s almost as much product on the (artfully arranged) hair of our three heroes who Read more ...
Adam Sweeting
If it ain't broke don't fix it, and writer Heidi Thomas obviously has no intention of tinkering with the Call the Midwife formula. Virtually nothing has changed, except that there's a new character, Sister Winifred, while Chummy (Miranda Hart) is now living with her husband PC Noakes (Ben Caplan) and has a baby son. However, you can't keep a born midwife down, and Chummy's return to the Nonnatus House mothership by the end of the episode was a foregone conclusion.To be fair, the scenery has been altered slightly, because the nuns and midwives have moved out of the old Nonnatus House into a Read more ...
Adam Sweeting
As Benedict Cumberbatch's Sherlock reached the end of its latest brief span, Timeshift [****] surveyed the history of dramatic interpretations of Baker Street's finest with a wry eye, in a narrative sprinkled with nutritious facts and anecdotes. The account by Margaret Robinson from the Hammer Films art department of how she designed the latex horror mask for The Hound of the Baskervilles (the title role was played by a Great Dane called Colonel) was notably priceless.Aided by zesty interviews with Christopher Lee, Tim Pigott-Smith, PD James and more, and pinned together by an outrageously Read more ...
Adam Sweeting
Having brought us to the end of Homeland, Channel 4 are hoping lightning will strike twice by introducing another American series based on an Israeli original. Where Homeland was the American version of Hatufim, Hostages is derived from Bnei Aruba, made by Israel's Channel 10, who sold the format to CBS before the original had even been completed.Not that this is another war-on-terror saga, unless a theme of that nature should happen to pop up later in the series. This time, the plot revolves around an elite surgeon, Dr Ellen Sanders (Toni Collette), and her family. As the first episode opens Read more ...
Jasper Rees
Why has Nordic noir been such an addictive novelty? Yes the plots are great, the locations moodily cool, the flat dialogue enigmatic. But in the end it’s all about gender. The detective who is a genius at work but clueless at life – we’ve seen it all before in a suit and tie and a battered mac. What’s different in equal-opportunity Scandinavia is that the dysfunctional crimebusters are beautiful bug-eyed Valkyries. Up north it’s the blokes who are the sidekicks.First there was Sara Lund in The Killing. However much work she needed to do on her empathy skills, Saga Norén of the Malmö police Read more ...
David Benedict
“Her most devastating surprise ever.” Thus spake The Guardian, a quote happily slapped across the cover of the first paperback edition of Agatha Christie’s 1967 thriller Endless Night. While I wouldn’t go quite that far – that honour goes to her still startling, genre-busting The Murder of Roger Ackroyd (1926) – it’s a compelling little chiller. Small wonder that ITV wanted it for their franchise. Just one tiny problem: it’s a crime novel without a detective. Step forward screenwriter Kevin Elyot who, like an invisible mender, has satisfyingly woven Julia McKenzie’s Miss Marple into Christie’ Read more ...
Adam Sweeting
They've had Ray Winstone all over Sky this Christmas, gamely plugging this new dramatisation of J Meade Falkner's rumbustious crowd-pleaser, Moonfleet. Ray's theme is that we urgently need more quality drama with broad appeal on TV and shouldn't keep relying on worn-out cliches about drug dealers and murderers. His character in Moonfleet, smuggler and pub landlord Elzevir Block, is from the hard-but-fair school, prepared to fight it out with the men from the Revenue but also capable of unbending loyalty and protective, fatherly feelings towards the orphaned John Trenchard.Winstone is the best Read more ...
Adam Sweeting
No definitive answers to what was "the best" of 2013 of course, and I daresay opinions will differ wildly. For instance, despite the plaudits showered on it elsewhere, I felt that Broadchurch stretched itself too thin after showing initial promise. An increasingly acute allergy to serial killer dramas meant I couldn't get too involved with Tony Grisoni's Southcliffe, let alone The Fall, with its extended, voyeuristic murder scenes. Being Netflix-free (he confesses sheepishly), I haven't caught up with House of Cards yet, or the conclusion of Breaking Bad, but obviously a profound shift in our Read more ...