TV drama
Mark Sanderson
Only the final 60 seconds of this first episode of Apple Tree Yard could have been described as a psychological thriller. We know Dr Yvonne Carmichael is in the dock – the genetic scientist was shown handcuffed in a prison van right at the start – but we don’t know what she is supposed to have done. The remaining 55 minutes comprised a familiar tale of middle-class adultery and low-lit longing. Seen from the viewpoint of the female protagonist (who provides the voiceover) this is very much “one for the ladies”.Dr Carmichael (Emily Watson) has just finished addressing a Select Committee at the Read more ...
Adam Sweeting
The big surprise of this new-season opener of Homeland was that black ops specialist Peter Quinn (Rupert Friend) didn't die at the end of series 5 after all, despite the fact that we last saw him apparently moribund in his hospital bed, having penned a poignant adieu to sometime paramour Carrie Mathison. But, after surviving a hefty dose of sarin gas, he isn't the man she used to know.The action has moved from last season's Berlin to New York, where Carrie (Claire Danes) is working at a Brooklyn-based foundation which provides assistance for Muslims, such as those who may find themselves Read more ...
Adam Sweeting
The arrival of this oppressively atmospheric 19th-century historical drama is being trailed as the BBC's bold attempt to break the Saturday night stranglehold of soaps and talent shows. No doubt they were encouraged by the success of all those Saturday night Scandi dramas on BBC Four, and if Taboo falls short it won't be because of a lack of stellar names.Front and centre is Tom Hardy, starring as the previously-presumed-dead James Keziah Delaney who suddenly reappears in London in 1814 at his father's funeral. Hardy is also co-creator (with his dad Chips) and co-producer of Taboo with his Read more ...
Adam Sweeting
Historic unsolved murders have become their own mini-genre, with the likes of Cold Case lurking in the small print of the schedules and Silent Witness still going strong in its 20th series. A hit the first time out in 2015, Unforgotten is back with a new investigation of another mystery cadaver.This time, the deceased was dredged out of the River Lea in north-east London, having been crammed into a suitcase (post-mortem, one hopes). Detectives Cassie Stuart (Nicola Walker) and Sunny Khan (Sanjeev Bhaskar) were promptly down on the riverbank, poking at the mysterious plasticky skin of the Read more ...
Veronica Lee
We're back at Friday Street, the crumbling cop shop on the wrong side of Manchester, where DI Viv Deering marshals her squad of anarchic misfits to fight crime. Paul Abbott's rude but not crude police comedy drama was a great hit first time round and managed to be riotously unPC while unravelling a complicated serial murder case. And, as with the late, great Cagney and Lacey, some of the best scenes were in the ladies' loo; two of Deering's closest aides are women (played by Elaine Cassidy and Alexandra Roach).At the end of the first series we learned that Deering's husband was the killer and Read more ...
Adam Sweeting
The most surprising thing about ITV's latest period drama is that they've scheduled it for Monday nights. Since you could soundbite it as a mash-up of Mr Selfridge and Downton Abbey, you'd have thought The Halcyon was a shoo-in for that peachy Sunday-night slot.But no, the latter niche will be filled (from next Sunday) by the returning Endeavour, while The Halcyon must fight its way through the choppier waters of the working week, hoping that harassed commuters will still be seeking a bit of historic escapism after another day of trench warfare on the railways. And it may be in luck, because Read more ...
Jasper Rees
Sherlock’s back in the here and now, and not before time. Twelve months ago, Benedict Cumberbatch’s Holmes laid down his mobile phone to return to Edwardian London for a plate-spinning deer-stalking mind-warping one-off. The Abominable Bride, though good in parts, caused a mass outbreak of head-scratching. Had Team Gatiss/Moffat fallen a little too in love with metatextual rebooting and gone and got lost in their own hall of mirrors?It now looks as if they thought so too. The fourth series began with a story that, by Sherlockian standards, played a unusually straight bat. It began at the Read more ...
Matthew Wright
Yorkshire-born screenwriter Sally Wainwright has carved a distinguished niche for herself as chronicler of that brooding, beautiful region’s social and familial dramas. After the romance of Last Tango in Halifax and the gritty panorama of Happy Valley, she has settled on perhaps the quintessential troubled Yorkshire family, with awesome bleakness on the side: the Brontës.Despite a difference of 150 years in setting, To Walk Invisible is not only a seamless progression from Wainwright’s previous work, but the story comes, ready-made, both achingly sad and also driven by a passion that can’t Read more ...
Adam Sweeting
If there's one big question hanging over the television industry, it's "how long can the old broadcast networks survive in the new era of subscription and downloading services?" No doubt there will be a variety of answers, with different hybrid arrangements and partnerships springing up to deliver programming across multiple formats. From the viewer's point of view, it's a pain to have to keep subscribing to multiple providers such as Netflix or Amazon, not to mention all the extra devices we now have sticking out of the back of the TV. On the other hand, have viewers ever had it so good? Read more ...
Jasper Rees
A year ago to the day the BBC laid on a festive slaughter of Agatha Christie characters. And Then There Were None had the look of a well-dressed abattoir as her victims toppled like ninepins at the hands of an invisible slayer. The scriptwriter Sarah Phelps has returned to the queen of crime for this year’s two-part Christmas murder mystery. The source for The Witness for the Prosecution is a mere 23-page story in which there’s really only house room for one corpse. It belongs to the unfortunate Emily French (Kim Cattrall), a hot-to-frot society dame of a certain vintage who has a weakness Read more ...
Lisa-Marie Ferla
The best thing about a year without Doctor Who? It’s been a year since we last heard people (adults) complain that the show’s increasingly labyrinthine, convoluted plots were too complex for children.But the best thing about this year’s Christmas special? It was a self-contained, fast-paced hour which perfectly captured the childlike wonder and good fun that has always been at the heart of a show about a time-travelling space alien.Everything else was present and correct for this festive feastIn what was perhaps a nod to the show’s ever-increasing popularity on BBC America, The Return of Read more ...
Mark Sanderson
So this is Christmas – and what have they done? Scheduled a detective drama that begins with a family being carved up with an axe. Ho ho ho! While Maigret’s Dead Man was no doubt intended to provide a healthy corrective to the festive feel-goodery of Call The Midwife on BBC One, it goes too far. We could have done without the details of torture (a candle-flame to naked breasts) and bloody execution. At least it doesn’t show them (the details, not the breasts).Nor is there any sign of Noël in the rues moyennes de Paris (Hungary once again standing in for France). Happily, though, this is a Read more ...