TV drama
Adam Sweeting
The mystery remains of why they keep tucking away The Good Fight on More4, as they did with its illustrious predecessor The Good Wife. No disrespect to 4’s ancillary channel – now seemingly the designated last resting place of Grand Designs – but it’s like hanging a sign on the door saying “niche viewing, please knock quietly before entering”.In fact The Good Fight, having hit the ground running in series one, has stormed into series two swinging like a champ. Its finely tuned blend of character and beautifully detailed milieu accompanies a feeling of seamless inevitability in the plotting, Read more ...
Adam Sweeting
When ITV scheduled this new series of The Durrells for mid-March, they probably didn’t imagine it would coincide with the return of the Beast from the East, with its blizzards and plummeting temperatures. Under these deep-frozen circumstances, what could be more reassuring than to batten down the hatches and take a trip to the glittering Mediterranean and the mountains, blue skies and historic architecture of Corfu?Profundity is not the ambition of Simon Nye’s dramatisations of Gerald Durrell’s books. In our age of knotty and treacherously-plotted thrillers, full of mutilated corpses and Read more ...
Jasper Rees
To Belgium for the latest continental instalment of murder really rather unpleasant. 13 Commandments, yet another crime drama brought to Channel 4 under the auspices of Walter Presents, began with the grizzliest manner imaginable. A man arrived at an airport, and was greeted reverentially by a driver who ferried him to a terraced house in a run-down street. There two thugs delivered a young woman into his possession. He drove her off to an abandoned house, tied her up, donned gloves and slit her throat. You rather hoped the camera would not show the last detail, but no, it panned just low Read more ...
Adam Sweeting
Read Adam Sweeting's review of the Below the Surface FinaleAfter recent experiences with the likes of McMafia, Troy and Collateral, mysteriously moribund affairs apparently designed by a committee of box-ticking zombies, many a viewer will turn with relief to another dose of good old Scandi drama. Terrorist thriller Below the Surface isn’t exactly Denmark’s finest hour, but it has enough intrigue and tension to justify its place in BBC Four’s ever-popular Saturday night import slot.In outline, the setup is none too complicated. A group of lethally efficient and heavily-armed terrorists have Read more ...
Jasper Rees
In a revelatory interview for the Royal Court’s playwright’s podcast series, David Hare admits to a thin skin. In his adversarial worldview, to take issue with him is – his word – to denounce him. He’s quite a denouncer himself, of course. In Collateral (BBC Two), the denunciations were directed at something rotten in the state of, in no particular order, the Church of England, the Labour Party, the British Army, the Fourth Estate, the security services, the body politic, the establishment, old Uncle Tom Cobbleigh and all. Somewhere in there there was also a police procedural. This has been a Read more ...
Jasper Rees
When you’re hot, you’re hot. In the past two years Mike Bartlett has had the following works staged or broadcast: Wild, a play about Edward Snowden at Hampstead Theatre; Albion, a three-hour neo-Chekhovian state-of-the-nation play at the Almeida; an episode of Doctor Who, a TV version of his play King Charles III, 10 hours of Doctor Foster, and now the hospital drama Trauma on ITV. Of the last three he was also executive producer, as he is of Press, a six-hour BBC One drama he’s been writing about the newspaper industry.It’s an astonishing rate of productivity, to compare with the Read more ...
Adam Sweeting
It says something about the state of television that sooner or later every actor has to play a cop or a spy. Latest in line is Carey Mulligan, starring as DI Kip Glaspie in David Hare’s new four-parter Collateral.This is, on the face of it, a thriller. The wheels of detection spun into action after the puzzling death of Abdullah Asif, a pizza delivery man who’d just delivered a quattro formaggi to harassed mother of two, Karen Mars (Billie Piper). Karen indignantly pointed out that the pizza in question lacked its requested additional topping, though this did not prove to be the motive for Read more ...
Tom Birchenough
McMafia has taught us to recognise one thing – you might call it the “Norton stride”. As the charismatic Alex Godman, James Norton has been advancing, confidently at screen centre, towards one challenge after another, and they have been coming (mildly put) from all sorts of unexpected quarters. He’s dealt with everything by pressing onwards, ignoring advice from all and sundry.Quite who he was propelling ahead to meet at the end of this final episode of Hossein Amini and James Watkins’s series was left a mystery. But if Vladimir Putin himself had slipped into shot, smiling lopsidedly, arm out Read more ...
Adam Sweeting
Happily, there’s hope for Spiral junkies – as series six ends, we bring you news that series seven has just gone into production. This is just as well, because these last dozen episodes have been an object lesson in how to make TV drama for the mind and body, nimbly evading cop show genre-pitfalls to bring us carefully-shaded characters operating within a Venn diagram of overlapping grey areas. Big kudos, yet again, to showrunner Anne Landois.Looking back at publicity photos from previous series of Spiral (the first one was shown on BBC Four in 2006), it’s shocking to see how much the cast Read more ...
Owen Richards
Despite horror’s omnipresence in cinema, British television has been somewhat deprived of jump scares. Every couple of years there’s an anomaly, such as Sky’s The Enfield Haunting or ITV’s Marchlands, but nothing has caught the public’s imagination – not since the innovative but controversial one-off Ghostwatch. Enter the BBC and Netflix with their new six-part series Requiem, promising to be the most terrifying show ever broadcast on the Beeb.Either the worst is yet to come, or the terror bar has been set very low; episode one brought little innovation and even less tension. There were the Read more ...
Adam Sweeting
No doubt McMafia has its strengths, but it’s like a mug of Horlicks compared to the grappa-with-aviation-fuel blast of Gomorrah (Sky Atlantic). The Naples-set organised crime drama takes no prisoners. It gives no quarter, and expects none.As a latecomer to Gomorrah, I needed to do a bit of homework before I began to get the hang of what’s going in series three. However, if you’re au fait with the first two seasons, you’ll know that the piece hinges on the tumultuous history of the Savastano dynasty, a powerful Camorra family accustomed to lording it over the unlovely streets of Naples’s Read more ...
Jasper Rees
Talk about laughter in the dark. With every successive episode, the fourth series of Inside No 9 (BBC Two) has perceptibly turned a shade blacker. "Zanzibar" was a festive farce mashing up half the plots of Shakespeare from Macbeth to A Comedy of Errors. "Bernie Clifton’s Dressing Room" was a mournful reunion with a twist featuring a failed comedy double act. "Once Removed", told in reverse like Pinter’s Betrayal, featured a murder hit gone hilariously wrong. The fourth episode, "To Have and to Hold", featured no clever-clever tricks and actorly flourishes. Instead it worked its way Read more ...