thrillers
James Saynor
The Refugee Movie is rapidly becoming a genre unto itself, with elements of suspense and humanism woven together into something that’s very properly cinematic.Films like Io Capitano and Green Border, tracking the tragic migrant trail to and through Europe, prick consciences and sweat palms in equal measure, but those two fine examples from last year were made by European directors on helicopter missions, as it were, to raise consciousness and to mine fresh seams of character.To a Land Unknown is a story of Palestinian refugees actually made by a Palestinian, Mahdi Fleifel, and it’s an Read more ...
Graham Fuller
There's a tension in Alfred Hitchcock’s early films between misogyny and condemnation of the patriarchal suppression of women. The suppression was inherent in the original sources from which The Pleasure Garden (1926), Easy Virtue (1927), Champagne (1928), The Manxman (1929), Blackmail (1929), Juno and the Paycock (1930), and The Skin Game (1931) were adapted. Unconscious or not, the gynophobia that also flickers in these films is shared by The Lodger (1926), Downhill (1927), and Rich and Strange (1931). That it's intensified in Hitchcock's mature work, culminating in Psycho (1960) Read more ...
Adam Sweeting
It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns caper, penned by Joe Barton (of Giri/Haji and The Lazarus Project fame).Set in a seasonally Christmassy London, it’s a twisty and fairly daft yarn about a dead Chinese ambassador, his missing daughter who has a heroin habit, a ruthless professional trigger man with a sentimental streak, and some murky Westminster chicanery. Then throw in the CIA and watch it all go off.Keira’s character, Helen Webb, is married to the Defence Secretary, Wallace Webb ( Read more ...
graham.rickson
That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the producers fired two directors (Bryan Forbes and Don Taylor) in succession before hiring Richard Lester in desperation. His quest to salvage Juggernaut in a just a few weeks mirrors events in the film, its protagonists attempting to defuse a set of bombs planted in the bowels of a transatlantic liner.Lester’s masterstroke was to call in Alan Plater to help him rewrite the original script, the end result as much a political thriller as a disaster movie, following Read more ...
Harry Thorfinn-George
A woman sits at her computer. She copy-pastes an address into a search engine. She goes to street view. She zooms in. Click. Opens a new tab. Click. Searches a name. There are no lines of green code on a black screen or indecipherable programmes that we associate with sketchy online activity. Instead the woman is doing the kind of amateur sleuthing that anybody with a computer and internet connection can do. Red Rooms' portrayal of an aspect of everyday life that too often feels stilted on the big screen is one of the many things this Quebecois thriller gets right. It Read more ...
Justine Elias
Don’t think too hard about the narrative absurdity of Trap, the new movie wriitten and directed by M Night Shyamalan. There’s a serial killer called The Butcher on the loose in Philadelphia and though the FBI doesn’t know their quarry’s name or what he looks like, they muster what looks like hundreds of agents, SWAT teams, and private security to bring him in. If the mystery man is just one guy among thousands of fans at a pop concert, well, so what? Arrest ‘em all and let the FBI profiler (Hayley Mills) sort ‘em out. It’s not giving much away to reveal that Trap’s deadly mystery man doubles Read more ...
Adam Sweeting
The question Korean director Jason Yu is asking in this eerie little spine-tingler (his debut feature) is “how well do you know your partner?” He may also be inquiring whether or not you believe in life after death, while planting nagging seeds of doubt about the competence of the medical profession.A ride both disturbing and sometimes darkly comic, intensified by an edgy and neurotic soundtrack, Sleep has chosen for its claustrophobic battleground the apartment of married couple Hyun-su (Lee Sun-kyun, from the Oscar-blitzing Parasite, who shockingly killed himself last year) and his wife Soo Read more ...
Adam Sweeting
Showing over four consecutive nights, Night Caller is a stripped-down psychological thriller which steadily boils up to a conclusion which is both shocking and tragic.Robert Glenister turns in a meticulously controlled performance as Tony Conroy, a former schoolteacher now scraping a nocturnal living as a cab driver in Liverpool (you’d never guess the show was filmed in Dublin). A haunted and lonely character, broken by his failed marriage, he becomes fixated with the small-hours radio talk show hosted by Lawrence Brightway (Sean Pertwee, pictured below), whose relaxed, sandpapery voice makes Read more ...
Saskia Baron
While Ryusuke Hamaguchi’s Evil Does Not Exist doesn’t cast a spell as strongly as his Oscar-winning hit Drive My Car, it is a thought-provoking film well worth seeing for anyone with an interest in ecology or a penchant for subtle thrillers. Hitoshi Omika plays Tamuki, a widowed dad who spends his days looking after his young daughter and doing odd jobs in Mizubiki, a village high in the mountains but only a few hours away from Tokyo. Its rural isolation – deer wander in the woods nearby, drinking water comes from a well – means that life is pretty simple for the Read more ...
Nick Hasted
This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-Hollywood conviction.Alice (Chastain) and Céline (Hathaway) are friends and neighbours, bonding over their eight-year-old sons Theo (Eamon Patrick O’Connell, pictured bottom with Hathaway) and Max (Baylen D. Bielitz). They team up, too, over Alice’s desire to return to work in journalism, inevitably dismissed by respective husbands Simon (Anders Read more ...
Mert Dilek
Stranger Things has shown us over four seasons that the alternate dimension known as the Upside Down can be the seat of many things: terror, mystery, camaraderie, compassion. As it turns out, it can spawn great theatre, too, for Stephen Daldry’s much-anticipated stage production of the prequel to the Netflix mega-hit has finally summoned its demonic energy to take the West End by storm.In this intensely cinematic and technically stunning show, a spirited ensemble breathes ambitious life into a villain origin story that feels at once epic and intimate – and with no shortage of wow factors. Read more ...
James Saynor
“Everything is legal if you have the money,” states the world-weary protagonist of this new film by the Mexican-American director Amat Escalante. And in the wilds of central Mexico, where the movie is set, the comment is unlikely to be questioned. Lost in the Night features characters lost at pretty much any time of the day in a slick, grim, ramifying desert mystery that never quite hits the escape velocity of thriller. At the start, the mother of young labourer Emiliano (Juan Daniel García Treviño) is disappeared by the cops for campaigning against a local mine, and the main Read more ...