techno
Thomas H. Green
A long time ago, in a galaxy far, far away called the late 1990s, there was a scene known as “big beat”. It consisted of club culture sorts making music closer in flavour to rock, and easier to drink beer to than house and techno.It gave us both Fatboy Slim and Chemical Brothers, as well as a thousand long-forgotten acts (with apologies to those still listening to Hardknox and Boom Boom Satellites). But perhaps the most intriguing artist was Death In Vegas. Their seventh album is Spartan, stern, crafted, enigmatic and dripping with Berlin-esque cool.Death in Vegas is now just DJ-producer Read more ...
Thomas H. Green
VINYL OF THE MONTHEmily Saunders Moon Shifts Oceans (The Mix Sounds)It’s de rigeur nowadays, if you love music, to love Joni Mitchell. She is, of course, a great soul, but her music never connected here. That said, I have a favourite Joni Mitchell song. It’s the 1975 number “The Dry Cleaner From Des Moines”. I also have a soft spot for the parent album, Mingus. Mitchell was accompanied on it by Herbie Hancock, Wayne Shorter and Jaco Pastorius. A red hot line-up. Jazz fusion usually goes down like cold sick round here but Mitchell's foray is the exception to the rule. A decade ago Emily Read more ...
caspar.gomez
Photographer Finetime and I have our first pints outside Dalton’s, a bar on Brighton seafront, at almost exactly midday. They are Beavertown Neck Oil IPA at 4.3%. The sun is out, glinting off the sea. Feels like the calm before the storm.Quarter of an hour later, the singer Luna Roja (pictured left) takes to the small indoor stage. She tells the small crowd that she wants her music to “connect South America and spaghetti westerns”. With long straight black hair, she’s clad in a powder blue fringed jacket, pale jeans and a cowboy hat. Her guitar adds the Morricone twang but the songs mostly Read more ...
Thomas H. Green
Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the reviews. Then check your local record shop! See you amongst it.THEARTSDESK ON VINYL CHOICE CUT FOR RECORD STORE DAY APRIL 2025Marianne Faithfull Burning Moonlight EP (Decca)A fitting and thoughtfully put together final release from an icon. Marianne Faithfull, who died in January this year, aged 78, was a one-off singer and creative, also a proper 1960s countercultural heavyweight, a woman who lived the best and worst of bright, fast hedonism. Read more ...
Thomas H. Green
VINYL OF THE MONTHRattle Encircle (Upset! The Rhythm)Rattle are an unusual band. Consisting of Nottingham duo Katharine Eira Brown and Theresa Wrigley, their set-up is two drum kits, with which they build simple hypnotic patterns then add repetitive vocals over the top. They don’t sound like anyone else. Well, perhaps a little like the more outré work of femme-centric post-punk bands such as The Raincoats, The Slits, The Au Pairs, and ESG. It’s not music that most will put on to chill out to or bounce around to – it’s too spooked and odd for either – but it also has a weird power, almost like Read more ...
Thomas H. Green
Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew her head off. Vanessa and Al K first caught Fat Dog at the Rockaway Beach Weekender in Bognor Regis Butlins in January ’24. The tightly choreographed, manic show was the best thing all weekend.I first saw Fat Dog on the packed-to-capacity slope of Strummerville at Glastonbury last year. There was a wild frenetic buzz in the air. First exposure to Fat Dog’s unlikely, frenzied musical gumbo sent all our brains reeling and our feet moving. But Read more ...
Joe Muggs
Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand all to some degree or other had a dose of the vaudevillian and a bit of party “woohoo!”, BP adhered way more to the seriousness, alienation and introspection of their post-punk inspirations.This certainly didn’t do them any harm in the first instance – they were, frankly, huge – but maybe stopped them having quite so much crossover appeal, and you’re less likely to hear them now on Noughties nostalgia shows on mainstream radio and suchlike.It did, Read more ...
Mark Kidel
Purveyors of extraordinary energy and euphoria, Underworld never miss a beat. The new album – 30 years on from their debut, and their exposure in Danny Boyle’s Trainspotting – once again features music that will always be better live, in the midst of a bouncing throng, ablaze with smiles of joy, than on the best stereo at home, or state-of-the-heart cordless headphones.Karl Hyde and Rick Smith recommend that listeners avoid shuffle mode, as this new offering is programmed as a sequence, raising a storm, driven by the electronic bass drum, pulsating synths and Underworld’s trademark Read more ...
Joe Muggs
I made a terrible mistake when I first got this LP: I played it on my laptop speakers. That’s not the straight up foolishness you might think, mind – after downloading something for review I’ll often play it quietly in the background while I catch up on admin, because it can be a good way of getting the general shape of an album, an overview as it were, before properly diving into it. But for this album in particular that really didn’t work.Sam Shepherd aka Floating Points is a virtuoso producer – and one of the world’s best DJs, which has taken him on a consistent upward trajectory parallel Read more ...
Thomas H. Green
As a live sensation, Fat Dog have been the talk of the year. The London five-piece offer a dementedly energized night out. Performative concerts, tight as zip-wire but hedonistic and loose round the edges. They’ve developed a solid rep for sending audiences nuts. Consequently, there’s a hungry new fan-base salivating for their debut album, WOOF. Coming in at just over half-an-hour, it captures their battering zing; short, sharp and ballistic.Fat Dog’s sound is rooted in proto-techno crunch akin to the movement once known as Electronic Body Music, which is to say bands such as Front 242, Read more ...
Thomas H. Green
VINYL OF THE MONTHMike Lindsay Supershapes: Volume 1 (Moshi Moshi)Solo debut from Mike Lindsay, a founder member of tunng and also half of psychedelic duo LUMP. It’s a good thing when music is hard to describe. Opener “Lie Down” sets up the stall, a catchy but weird slice of poet-pop, wherein wonky dance rhythms, abstract jazz, lyrics about mundanity and shouts of the title phrase, including contributions from singer-songwriter Anna B Savage, add up to a wild frolic. With plenty of woodwind, lyrics about toast and Sunday roast, an inability to musically settle down anywhere “normal”, the Read more ...
Thomas H. Green
Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno DJ. Although, in fact, he has lived in Amsterdam since 2009. He is also a producer of repute. His Red singles of the mid-Nineties are regarded as groundbreaking productions.He followed these with the albums Archive One in 1996, Devil’s Advocate in 2003, and The Desecration of Desire in 2017. The Red Series and Archive One have recently been reissued.Clarke was born and raised in Brighton, the offspring of a technology-loving father and a disco-loving mother. He would not characterise his childhood as especially happy. He ran away Read more ...