Tate Britain
David Hockney, Tate BritainWednesday, 08 February 2017
As the UK prepares for a particularly severe cold snap, the opening of David Hockney’s major retrospective at Tate Britain brings a welcome burst of Los Angeles light and colour and Yorkshire wit and warmth. The exhibition, which opens in the lead-... Read more... |
Best of 2016: ArtThursday, 29 December 2016
Before we consign this miserable year to history, there are a few good bits to be salvaged; in fact, for the visual arts 2016 has been marked by renewal and regeneration, with a clutch of newish museum directors getting into their stride, and... Read more... |
Paul Nash, Tate BritainMonday, 31 October 2016
In Monster Field, 1938, fallen trees appear like the fossilised remains of giant creatures from prehistory. With great horse-like heads, and branches like a tangle of tentacles and legs, Paul Nash’s series of paintings and photographs serve as... Read more... |
Turner Prize 2016, Tate BritainThursday, 29 September 2016
While the Turner Prize shortlist can reasonably be expected to provide some sense of British art now, the extent to which British art can or should attempt to reflect a view of British life is surely a moot point. Art that is socially or politically... Read more... |
Bricks!, BBC FourWednesday, 21 September 2016
The wilder shores of contemporary visual art are now ephemeral or time-based: performance, installation, general carry-on and hubbub. But once upon a time – say, the 1960s – it was the nature of objects, pared down to essentials, and often made from... Read more... |
Painting with Light, Tate BritainThursday, 12 May 2016
Today we amuse ourselves with Facebook clips of talking cats, but in the 1850s they had stereographs, pairs of identical photographs that, viewed through special lenses, become suddenly and gloriously three-dimensional. Vistas open up as if by magic... Read more... |
Conceptual Art in Britain 1964-1979, Tate BritainSaturday, 16 April 2016
The exhibition starts promisingly. You can help yourself to an orange from Roelof Louw’s pyramid of golden fruit. Its a reminder that, for the conceptualists, art was a verb not a noun. Focusing on activity rather than outcome, these artists were... Read more... |
Generation Painting 1955-65, Heong Gallery, CambridgeTuesday, 09 February 2016
The individual colleges of the University of Cambridge can call, when needed, on an astonishing international network of alumni for expert advice, consultation and financial support. Such is the backing for an exquisite new public gallery on the... Read more... |
Artist and Empire, Tate BritainFriday, 27 November 2015
There are some wonderful things in this exhibition, and that’s no surprise: the British Empire endured for over 500 years and at its peak extended across a quarter of the world’s land mass. Preparing an exhibition of corresponding reach must have... Read more... |
Susan Philipsz: War Damaged Musical Instruments, Tate BritainSunday, 22 November 2015
Tate Britain’s Duveen Galleries are currently filled with a hauntingly beautiful sound installation by Susan Philipsz (main picture). The Scottish artist won the Turner Prize in 2010 for a sound piece that didn’t really work at the Tate. Intended to... Read more... |
Susan Hiller, Lisson GallerySunday, 15 November 2015
This is Susan Hiller’s first exhibition since her Tate retrospective in 2011, and as it includes work from the 1970s to the present, it can also be seen as a retrospective of sorts. But since the selection was obviously governed by what was... Read more... |
Frank Auerbach, Tate BritainSaturday, 10 October 2015
A finely honed and spacious selection dating from the 1950s to now, looks in acute focus at the work – a scatter of drawings, a print, but almost entirely paintings – of Frank Auerbach, (b 1931). An only child, he came without his family, from... Read more... |
