standup comedy
Jasper Rees
There’s just the one joke with Lee Nelson. When I caught a short slice of him earlier this year the joke more than filled the available slot. Nelson has since been granted his own show on BBC Three. Now that he’s out on tour, the question arises of how much celebration of chavs, benefit cheats, petty tea-leaves and other totally amoral representatives of Broken Britain you can stomach before the grin starts to get a little fixed.In the world view of Lee Nelson, a chirpy south Londoner in a baseball cap and knee-high kecks, women are all happy slags, especially the ones in the front few rows ( Read more ...
Ismene Brown
The annual Dance Umbrella festival is mostly for the dance industry to talk to itself, I’ve come to feel, with a timetable so closely packed that only Londoners, and specifically those in the tight roaring circle of the know, will get to sample much of it. Then you get two such stand-out evenings as Akram Khan’s and Jonathan Burrows’ in town within a week of each other, two of the major talents in the world, who come running at the idea of theatre from opposite ends - the one spectacular and melodramatic, the other offbeat, mischievous stand-up dance-comedy.Given that there is a large border Read more ...
Jasper Rees
Ten years ago Ben Elton (b 1959) would have needed no introduction. When still very young he became the mouth of a bolshy new generation of alternative comedians, as they were then known. Saturday Live - later Friday Night Live - was consciously modelled on the American template, and seemed very cutting edge. In fact all its alumni soon migrated to the mainstream: Stephen Fry and Hugh Laurie, freshly down from Cambridge, played Jeeves and Wooster. Harry Enfield became the face of BBC One sketch comedy. And what of Elton? His career went centrifugal.He co-wrote two game-changing sitcoms - The Read more ...
graeme.thomson
Call a comic surreal and you hand him or her a licence to be as self-indulgent as they desire. Think of Vic Reeves, who long ago started believing that the mere proximity to one another of words like "bacon", "kazoo" and "Manama" was sufficiently hilarious to bring down the house. Ross Noble is, we are frequently told, a surreal comedian. His new show certainly contains enough references to "dwarves in sombreros" and "shaven suicide monkeys" to ensure that its title, Nonsensory Overload, comfortably adheres to the terms of the Trade Descriptions Act.
As befits a show with a get-out clause Read more ...
Veronica Lee
It will come as no surprise that a critic should instantly become a fan of a comic whose debut show at the Edinburgh Fringe (for which Alun Cochrane received a Perrier Award nomination) was a show titled My Favourite Words in My Best Stories. Anyone who loves words is a hit with me - we’re ploughing the same furrow after all, just in different ways.In fact, the first time I tried to see that show in 2004 I was the only person at a London preview; there had been a misunderstanding between his promoters and the venue, and Cochrane and I had turned up for a gig that no one else knew was Read more ...
Veronica Lee
It takes a very talented comic indeed to warm the main room at the Leicester Square Theatre, a venue that is situated beneath a Catholic church and which, vampire-like, can suck the life out of even the most buoyant of audiences. Fortunately, Jason Byrne has enough energy to wake the dead or, in this case, a few hundred damp souls who have come in from a rainy London town outside.The Irish comic starts his show as he means to go on - with the gags coming apace and a delightfully surreal set-up that involves Davina McCall exercise steppers and skipping ropes. Byrne’s greatest skill is riffing Read more ...
Jasper Rees
Nowadays, stand-ups who can fill the Enormodome grow on trees. But once upon a time, before comedy was the new rock’n’roll, that sort of thing didn’t happen. Then David Baddiel and Rob Newman played Wembley Arena. It feels like a long time ago. While Newman’s career wandered off the map, Baddiel became exceptionally celebrated as, in effect, Frank Skinner’s straight man. He last did stand-up in 2003, and that was a corporate gig to a roomful of bankers he deliberately offended. Last night he stepped back before an audience to – as he more than once insisted - try out some stuff. Read more ...
Ismene Brown
Mindful that Dara Ó Briain ticked off one of my colleagues for revealing a punchline of his in his show, I can lumber without fear into reporting Rich Hall’s outing at the Wilde Theatre, Bracknell, as punchlines aren’t really what his comedy is all about. Morose as he looks on TV, on this very early date in an exhaustive 63-gig tour over the British Isles between now and December - I mean, Cambridge, Taunton, Dublin on consecutive days, or Hartlepool, Dundee, Durham (what is he travelling in? A helicopter?) - Hall had the audience on his side within seconds of starting.So he won’t be winning Read more ...
theartsdesk
With the charm-cum-cheek of a naughty schoolboy, Patrick Monahan is an instantly likeable presence whose latest show, I Walked, I Danced, Iran, is a lop-sided but very funny hour-and-a-bit of observational comedy. Monahan is a veteran of several Fringes and a regular on The Paul O’Grady Show on Channel 4. His physical verve is dampened only slightly by ligament damage, caused by “pratting about” at the previous evening’s show but his pronounced limp doesn’t stop him sliding down the stairs from the balcony to make his arrival, although he does retreat to a stool at several points.Patrick Read more ...
theartsdesk
When Sarah Millican won the If.comedy newcomer award two years ago, it was with one of the most accomplished shows I had ever seen at the Fringe - by newbie or veteran - and now the South Shields stand-up has made critics reach for the superlatives again with another hour of superbly crafted comedy.Sarah Millican, The Stand ***** Entitled Chatterbox (a name she was given at school but a quality that, she slyly tells, she is now making a living from), is on the face of it Millican talking away to the audience about the everyday concerns of her life. But it’s much more than that as makes Read more ...
Veronica Lee
Comic Greg Davies has made us wait for his solo debut - he’s in his early forties, appeared at the Fringe as part of sketch group We Are Klang for a few years and more latterly has been starring in The Inbetweeners on Channel 4 as Mr Gilbert. Before that he was a drama teacher in a secondary school for 13 years. But boy, was it worth the wait.Greg Davies, Pleasance *****Firing Cheeseballs at a Dog is a run-through of his life so far, done as a sort of classroom lecture, complete with blackboard and chalk, and a book with short stories he dips into from time to time, including one about how Read more ...
theartsdesk
Rob Rouse is one of those hugely likeable comedians guaranteed to make you laugh and so it proves with The Great Escape, prompted by his family’s recent move to the Peak District, an expertly crafted autobiographical narrative with lots of fresh observational comedy thrown in for good measure.Rob Rouse, Underbelly ****
Although the Peak District has a slightly lower crime rate than south London, Rouse tells us drily, there’s still plenty going on that would shock their previous neighbours, including dirty dancing by septuagenarians at weddings and a bit of dogging in the local layby. Rouse Read more ...