standup comedy
kate.bassett
The award-winning Australian comedian Sam Simmons is shuffling around in a pair of bread loaves. He's wearing them like slippers and trying to take bites out of them at the same time. Indeed, his tremendously silly show, Fail, is essentially a shambles. This is the overarching joke: it's his absurd non-sequiturs and his tongue-in-cheek, shamateur performance style that reduce his audience to spasms of laughter.The persona adopted by Simmons here is that of a fortysomething loser-going-on-raving-loony. Bobbing around maniacally, belly sticking out, he sports a flat cap on his balding pate, a Read more ...
Veronica Lee
It must be the beautiful British weather that has attracted a bunch of American comics to UK shores recently. Just before Las Vegas legend Rita Rudner starts a short season at the Leicester Square Theatre in London and hot on the heels of his Curb Your Enthusiasm sometime colleague Jerry Seinfeld (who recently did one night at the O2 in Greenwich and of whom more later) comes Jeff Garlin. He plays “fat fuck” Jeff, Larry David’s agent in the HBO sitcom, which, I’m delighted to report, returns in a new season on the BBC later this summer.Garlin makes a point of his girth from the off, telling Read more ...
Veronica Lee
Jerry Seinfeld, acclaimed New York stand-up and star of the eponymous American sitcom co-created with Larry David, last performed in the UK 13 years ago. He’s currently doing a brief European tour and, while keen fans were quick to snap up tickets at the O2 in London, there were noticeably bare areas in the vast arena last night. Lots of British comics have managed to sell out the O2 (some repeatedly), but those unsold seats should come as no surprise; ticket prices started at £75 and went up to an astronomical £300, so the burning question must be - was he worth it?For presentation, a Read more ...
Jasper Rees
It’s been more than two and a half years since the third series of Jack Dee’s comedy about a comedian. Everyone in Rick Spleen's world looks a little bit older, a mite more pinched and drawn, as if proximity to the man about the house is draining the blood out of its occupants. Time has not at all been kind to Rick himself (but then, when was it ever?). His temples are awash with grey, his skin is sallow with failure, and his self-important delusions seem ever more steeped in bitterness and malignity. I for one have missed him dreadfully.Lead Balloon is shot on location (pictured below) and Read more ...
Veronica Lee
Even if you are not of an age to have watched Monty Python’s Flying Circus or Fawlty Towers when they were first broadcast by the BBC, you will have heard of John Cleese. And if you are remotely a fan of comedy, you will hold Cleese in high regard as he is a writer, performer and actor of great talent, and this show, an overview of his life and career, proves it beyond argument.It’s waspishly titled The Alimony Tour and Cleese’s emotional baggage gets an enthusiastic airing for fully the first 10 minutes, during which he explains the show’s origins in his $20 million divorce from his third Read more ...
Veronica Lee
You don’t see much ventriloquism these days. It’s a comedy form mostly associated with variety and Victorian music hall - although it goes back at least to the Greeks - and gives a lot of people the heebie-jeebies. I know several people who can’t watch Michael Redgrave’s chilling performance as the unbalanced ventriloquist Maxwell Frere, who believes his dummy is alive, in the 1945 Ealing horror film Dead of Night. And it’s Psych 1.01 to appreciate there may be some serious emotional issues in performers who can express themselves only through an inanimate doll - the words “multiple”, “ Read more ...
Veronica Lee
Many of you will know Ed Byrne from his appearances on BBC shows such as Mock the Week and Have I Got News For You, where his sardonic take on current affairs marks him out as a sharp-tongued and quick-witted comic. Now he’s touring with a new show, Crowd Pleaser, which I saw at the Anvil in Basingstoke; like his previous live work, it’s another well-constructed evening of smart observational comedy.The Irishman’s live material tends to be more personal than the kind he does on TV, although here there are some intelligent political references - for instance, to the limits of democracy when Read more ...
Veronica Lee
It takes a certain something to make a roomful of white people get their funk on. I feel I have dispensation to make that ridiculous generalisation because Lenny Henry, famously born in Dudley to immigrant Jamaican parents, addresses the whiteness of the room the minute he comes on stage at Bromley’s Churchill Theatre, and by the end of this biographical show - part comedy, part music - the entire audience is on their feet, strutting their stuff to “Sex Machine” and “Ain’t No Stopping Us Now”.Henry’s ethnicity plays a big part in Cradle to Rave: A Musical Journey, as well, of course, his Read more ...
Jasper Rees
Misery and comedy have always been happy bedfellows. The sad clown, the stand-up who falls down offstage – we know who we’re talking about. But for all their problems, comedians don’t generally make a habit of turning medical pathology into material. Until now. Ruby Wax has crafted an entire show out of her depression. Anyone who has seen her glorious documentary interviews with Pamela Anderson and Imelda Marcos, to name a couple, might have guessed she is manic. But a depressive?Wax (b 1953) was diagnosed while pregnant with her third and youngest child. She went into the Priory and has been Read more ...
Veronica Lee
Jimmy Carr, a comedian who has more than once got into hot water over jokes that some find offensive, does a very strange thing for the encore of his latest show, Laughter Therapy - he gives a lecture cum homily on the limits of offensiveness, and how anything is permissible if the audience allows it. “I know my jokes are cruel and brutal and unacceptable,” he says. “But they have only one purpose - to make you laugh.”That’s rich, that is. Carr, a Cambridge graduate and a very bright bloke, can’t get himself off the hook that easily, even with this show’s disclaimer, “Not to be taken if you Read more ...
Jasper Rees
The multiplatform franchise might sound like a modern concept - the film that leads parallel lives as video game, TV spin-off, T-shirt and toy. But no, ‘twas ever thus. Entertainment moguls have always known how to squeeze every last dime out of a popular hit, none more than The Green Hornet. Created in Detroit as a radio drama in 1936, it has buzzed across the decades and the genres, from film to comics to television to fiction and back to comics again. It’s now returned to the big screen with a bang. And a nod and a wink.The Green Hornet was conceived as a different kind of superhero. By Read more ...
Veronica Lee
It was a year when comics at opposite ends of the scale - offensive or annoyingly bland - were taking up room on our television screens and selling out ever-larger arena tours. And the depressing rule of thumb (with a few honourable exceptions) that the blander the comic, the bigger the venue, held true in 2010, so thank goodness there were some terrific shows by talented performers in medium-size theatres. As it happens, the most memorable show I saw all year was in a small venue at the Edinburgh Fringe (the American Bo Burnham).Jimmy Carr and Frankie Boyle (incidentally, who both ban Read more ...