thu 28/11/2024

spoof

Edinburgh Fringe 2024 review: Joe Kent-Walters

Joe Kent-Walters has been given the DLT Entertainment Best Newcomer Award in the 2024 Edinburgh Comedy Awards, and deservedly so, for Joe Kent-Walters is Frankie Monroe: LIVE!!!! The show is a blast.It's set in a working men's club in Rotherham...

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The 39 Steps, Trafalgar Theatre review - return of an entertaining panto for grown-ups

Before the Plays That Went Wrong and the multi-role six-hander Operation Mincemeat, there was Patrick Barlow’s adaptation of The 39 Steps: four actors on a collision course with feasibility.Barlow is a comedy hero for creating the National...

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Jazz Emu, Soho Theatre review - delightfully daft musical spoof

Jazz Emu bounds on to the stage, launching into a song that talks about the importance of team work and how he has no ego. But strangely enough, Knight Fever is all about him, a Jarvis Cocker-esque synthpop charmer.He tells us we are gathered not in...

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Clinton Baptiste, Touring review - spoof clairvoyant on great form

Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4. Alex Lowe has since developed him through Clinton Baptiste’s Paranormal Podcast and his live shows, and now he's...

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Six Chick Flicks, Leicester Square Theatre review - funny, frenetic and feminist spoof

Spoofing movies or movie genres has been done before, but Six Chick Flicks goes the extra mile. It's a funny, frenetic and feminist take-down of the kind of movies that are aimed at woman, but pretty much always written and/or directed by men. It's...

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Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teeth

In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point...

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Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

The show begins before the audience troops into the theatre; the walls of the staircase leading to it are plastered with images of Kate Berlant, its writer and performer; we file past her (sitting by the doorway with a sign saying “Ignore me”) and a...

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The Crown Jewels, Garrick Theatre review - star laden comedy fails to sparkle

At first, it’s hard to believe that the true story of Colonel Blood’s audacious attempt to steal The Crown Jewels from the Tower of London in 1671 has not provided the basis for a play before. After two hours of Simon Nye’s pedestrian telling of the...

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Robin Hood. The Legend. Re-written, Regent's Park Open Air Theatre review - no bullseye for new take on familiar characters

After the pantos, the movies (epic, camp and animated) and the television series, is there anything new to be mined in the story of Robin Hood? Probably not, as this messy, misjudged show takes that hope and fires an arrow through its heart.We’re in...

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Crybabies, Soho Theatre review - sharp sci-fi spoof

Crybabies – a sketch group comprised of Michael Clarke, James Gault and Ed Jones – were nominated for best newcomer for Danger Parade, a brilliant parody of Second World War adventure stories, at the 2019 Edinburgh Comedy Awards. Their second...

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'Weird Al' Yankovic, London Palladium review - deep dive into his original songs

The most striking thing at the London Palladium for the last night of “Weird Al” Yankovic's mini-tour of the UK was the number of youngsters in the audience. I don't mean young adults, but children, who were there with their parents and even...

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A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc again

At this time of year you can't move for productions of A Christmas Carol, Dickens' seasonal morality tale. Some are brilliant, some so-so, but this one by the power-crazed impresario Mr Swallow, whose ambition always exceeds his talent, is a joy....

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