soul music
peter.quinn
Bringing together the most talented choirs, vocalists and musicians from across London and the UK, iGospel's two-day Sing Inspiration! Festival came to a close in spectacular fashion. Lurine Cato opened the concluding "Gospel & Soul" concert, showcasing her impressive five-octave range on “You Revive Me”, the first single from her forthcoming debut album. With one, ever higher, key change after another, Cato's deluxe pipes made some better-known pop singers sound like common-or-garden pub belters.Call-and-response sections with the audience can often be slightly tuneless, let's-get-this- Read more ...
Kieron Tyler
Whether it’s the British troupes which inspired It Ain’t Half Hot Mum or Bob Hope’s visits to Vietnam, the armed forces have long recognised that entertaining the troops is central to keeping on-going campaigns on an even keel. In 1971, the US army went a step further, using bands of serving soldiers both to entertain and as a recruitment tool. For the bands, it was also a way of avoiding being sent to Vietnam. The East Of Underground Hell Below box set, which collects the albums the army released, is more than a musical artefact. It offers a window on an until-now barely known aspect of Read more ...
joe.muggs
It's the effortlessness that does it. So many singer-songwriters strain like billy-oh to make obvious their artistry, their auteurship, their emotional authenticity, when behind it all they're doing something really quite ordinary. This album, on the other hand, veritably glides out of the speakers, full of light, air, easy wit and endless hooks so perfectly and simply realised you'd swear you'd been whistling them to yourself half your life – yet the emotional weight and musical depths hidden behind its inviting surfaces are devastating. After all, the opening lines of the album are "I used Read more ...
joe.muggs
It's understandable that people get put off leftfield dance music, given how much micro-genre delineation and dog-in-a-manger protectionism there can be in underground scenes. It can seem a shame sometimes, but then again, these are part and parcel of the fertile creativity and passion that exists around the music, so it's swings and roundabouts. However, there are some areas you're guaranteed not to find frowning chin-strokers, and one of those is inhabited by Brighton label Tru Thoughts, which consistently produces music that's friendly, welcoming and veritably insists you forget nitpicky Read more ...
howard.male
With an expensive-looking camera in one hand and a cigarette in the other, Spanish singer Buika’s sepia-tinted CD cover photo is making eyes at me, making it hard for me to think of a bad word to say about this career-so-far summation. I don’t know about the camera, but that cigarette may well be a valuable tool in Buika’s trade, helping her voice to achieve that sandpaper surface texture. It’s a voice which perfectly contrasts with the occasionally overly tasteful piano-led arrangements which grace material which embraces flamenco and jazz as well as R&B and Latin dance rhythms.From a Read more ...
mark.kidel
The Dreamer is the relatively low-key swansong from one of soul’s greatest divas, a mountain of barely restrained power, who inspired and influenced several generations of singers. Why some musicians survive lives of excess and others don’t is something of a mystery. While Janis Joplin, for whom Etta James was the ultimate vocal and performance model, crashed early in her wild career, James has soldiered on, in spite of serious heroin addiction and a number of illnesses that would have felled most women of her age.James has always manifested irrepressible energy, an intense force field that Read more ...
Adam Sweeting
Not only was Channel 4's Top Boy a brilliant slice of TV drama, but it delivered a neat little pay-off over the closing credits with Charles Bradley's track "The World (Is Going Up in Flames)". An anguished chunk of classic soul, sung by Bradley in a gutsy James Brown-style rasp, it sounded at least 40 years old, but in fact it was only released in 2007 on Daptone Records' subsidiary, Dunham.Bradley's story could make a thrilling TV biopic of its own. Born in Gainesville, Florida in 1948 and raised in Brooklyn, Bradley experienced a miserably impoverished childhood, but yearned to Read more ...
graeme.thomson
There are two fundamentally opposing schools of thought on Florence Welch and her mysterious machine. For the believers, her music belongs to the tradition of questing, modernist pop with a pagan trim of the kind Kate Bush made before she started writing 14-minute songs about having sex with snowmen. To the naysayers, on the other hand, she’s both shallow and contrived, a paint-stripping belter desperate to lend her sub-Siouxsie Sioux shtick gravitas by grafting on a skin of borrowed poses and studied weirdness.Neither view quite nails it. In reality, Welch makes occasionally stirring but Read more ...
joe.muggs
Joker, aka 22 year old Bristolian Liam McLean, is one of the most individual talents of the dubstep/grime generation. His long run of dancefloor-directed single releases, some originally recorded when he was in his early teens, showed natural gifts for finding the funk in the sparsest rhythms and for frazzlingly catchy melodic synth riffs which meant his productions leapt out of DJ sets wherever and whenever they were played. Now, following a quiet 18 months, his debut album shows that he's not content to rest on his laurels.The Vision is a high-gloss affair. McLean has always been a Read more ...
joe.muggs
This is a strangely kaleidoscopic approach to documentary. A selection of recently unearthed footage and interviews which shows the Black Power movement in the USA through the eyes of idealistic Swedish film-makers, now re-edited and framed with the voices and music of both modern and veteran black radical cultural figures, it provides a disorienting, shifting set of superimposed viewpoints of a period in which in any case change seemed to be the only certainty.The footage itself is gripping and often truly eye-opening, particularly when it's at its most ordinary. The stories of dramatic Read more ...
Thomas H. Green
With Cliff Richard it’s tempting for commentators and critics to pull a conceptual double bluff. Cliff is regarded as naff, safe and beloved of grannies, so restating that angle and sneering is tired - it was tired 40 years ago. So what to do? Dig around his back catalogue for a corner to be fought? (I’m Nearly Famous and Wired for Sound are the usual contenders.) Make the valid case that he was the British stepping stone between rock’n’roll and The Beatles? Or simply quote the stats – upwards of 200 million records sold, a national treasure, etc?It doesn’t wash, any of it. Cliff and the Read more ...
Kieron Tyler
By 1977, disco was a cliché to be mocked. But a few years earlier, before its ubiquity, disco was a liberating music uniting minorities on the dance floor. Funk, too, became a cliché, little more than a reductive musical cypher. Two new reissues celebrate these genres when both were still vital, still able to surprise. Disco Gold: Scepter Records & The Birth of Disco is exactly what its title says it is, while Darondo’s Listen to My Song: The Music City Sessions collects A-grade funk that had languished in the vaults until now.Disco wasn’t just the place to dance, but the music, too: a Read more ...