soul music
Kieron Tyler
Neil Young: Live at the Cellar DoorCrosby, Stills, Nash & Young had fallen apart in summer 1970 and Neil Young was left to promote After the Gold Rush, his third solo album from August that year. He hit the road on his own after "Only Love Can Break Your Heart" had nudged the singles’s chart. As 1971 unfolded, the tour would be billed Journey Through the Past – he was playing recent songs alongside material from his earlier albums, including those made with The Buffalo Springfield.Live at the Cellar Door catches Young in Washington D.C during a series of dates over 30 November to 2 Read more ...
joe.muggs
Dev Hynes's path of artistic development is one of the most pleasing in 21st century music. The flamboyant black indie-kid risking life and limb to ride the local buses growing up in Hackney, who channeled his frustration at the lack of a place for him in the world through the awkward, aggro, occasionally inspiring but awfully named early 2000s electro-punk trio Test Icicles, has since then through sheer force of will carved out a space within the music world where he can be himself.Hynes clearly adores the whole aestheticHis sophisticated indie singer-songwriter guise Lightspeed Champion had Read more ...
Kieron Tyler
Brenda Holloway: The Artistry of Brenda Holloway / Various Artists: ERA Records Northern SoulAs the home of the Motown empire, Detroit dominated American soul music in the Sixties. Yet the label’s boss Berry Gordy bowed to the inevitable and opened a Los Angeles office in November 1963. The West Coast’s home of film was taking over as America’s music business hub. Brenda Holloway was among Motown’s first California signings and spent her time with the label shuttling between LA and Detroit, recording in both cities. ERA Records was Los Angeles born, and competed with Motown on its new turf. Read more ...
Kieron Tyler
“We grew up like animals,” says FAME Studios’ founder Rick Hall of his upbringing. “That made me better… I wanted to be somebody.” He did become somebody, and in the process put Alabama’s Muscle Shoals on the map. This film tells the story of how a small city birthed some of the greatest American music of the 20th century, and of the ripples which subsequently spread. The Rolling Stones recorded there in 1969. Five years earlier they had released their version of Arthur Alexander’s “You Better Move On”. Hall was behind the original, his first production.Tucked just inside the north-west Read more ...
James Williams
"We got 42 years of music to lay on you" is an audacious opening statement for any live band, but when the speaker is Phillip Bailey, lead singer in the current reincarnation of the legendary Earth, Wind & Fire, it is a statement of intent. Playing at the palatial Albert Hall in support of their new album Now, Then & Forever, the current line-up of young session players, complementing the core trio of Bailey, bassist Verdine White and drummer Ralph Johnson, proved without a shadow of a doubt that they still have the energy and skill to hold a crowd enraptured.This is one of the first Read more ...
kate.bassett
The setting is Dublin. We're talking modern-day and down-at-heel in this major new musical which has a deliberately scruffy look – with a launderette glowing in the dark and a concrete, four-storey housing block hulking upstage. The adaptation is by Roddy Doyle himself, based on his 1987 comic novel.As many will also remember from the 1991 big-screen version of The Commitments, Doyle’s young protagonists are scraping by in Ireland, with no scintillating job prospects. But then they get together, form a band, work hard at it and wow a guy who has a recording studio. Though looking set to go Read more ...
Kieron Tyler
Various Artists: Classroom ProjectsIt starts with a plummy voice: “The poems, the words and the music on this record all come from children at primary schools, boys and girls of eight, nine, 10 and 11 years old.” Although the introduction to Classroom Projects sounds like a BBC continuity announcement from a lost era, what follows is more than entertainment. This collection of tracks from albums made by and for British schools is enlightening. Compiled here are music concrête, folk, chamber experiments and songs written about road safety. All of it is amazing.An important release, Read more ...
peter.quinn
Gregory Porter's Blue Note debut provides one of the biggest sugar rushes of auditory pleasure you'll hear this year. Grounded in jazz but heavily seasoned with the blues, gospel and soul, it's a superbly paced album, ranging from the poetic tableaux of ballad “When Love Was King” to the unstoppable, hand clapping moto perpetuo of the title track.There are many other gems amongst the album's 14 tracks, including the singular intimacy of opener “No Love Dying”, the heartfelt plea of “Musical Genocide” and the soulful melodicism of “Movin'”. With a baritone voice that evokes heartbreaking Read more ...
Kieron Tyler
Sly & the Family Stone: Higher!Sly & the Family Stone’s hits “Dance to the Music”, “I Want to Take You Higher” and “Stand!” delivered a sharp wake-up call to the American charts in a period when psychedelia meant new styles of pop were becoming less concise and the mellow vibes of Laurel Canyon were about to begin reducing energy levels. Sly Stone’s gang showed that music could go to fresh places without losing vitality and precision. The case doesn’t need to be made that Sly Stone – born Sylvester Stewart in 1943 – is one of America’s greats, but Higher! makes it anyway with Read more ...
joe.muggs
This is an incredibly hard album to work out. One major clue comes, though, with its second track, “Maxim's 1”, the backing for which is a dead ringer for a lost track from Cocteau Twins's 1990 Heaven or Las Vegas album. Not that any of the rest of the album sounds like Cocteau Twins, but it does hit a very similar magic formula. That is, though it ostensibly comes from an “indie” milieu, it has vast sonic ambition closer to the biggest pop/soul/R&B records of its time than to any guitar-wrangling mitherers, but it is also psychedelically alien to the point of indecipherability.Los Read more ...
Kieron Tyler
R Stevie Moore: Personal AppealIt’s a brave person who whittles down the output of R Stevie Moore to one CD. Since 1969, he’s made at least 175 albums, a significant proportion of which he committed to cassette tape. There are also a similar amount of singles, live albums and collaborative efforts. Handily, the British label Care in the Community has taken up the challenge and, instead of releasing a compilation which darts off all over the place stylistically, has issued a disc which unfolds as a unified album. No mean feat considering that the tracks on Personal Appeal originally Read more ...
Lisa-Marie Ferla
It’s been a few years and a handful of albums since Booker T Jones did the well-played heritage artist comeback thing, which has to be the only reason that Sound the Alarm has not been greeted with the hype you would expect. It’s his first on Stax Records, the Memphis label where Jones & the MG’s spent much of the 1960s as the house band, since 1962’s Green Onions.Paying homage to those roots, as well as building on the many intriguing collaborations Jones has been involved with throughout much of his long career, Sound the Alarm features contributions from a range of contemporary talent Read more ...