soul music
Kieron Tyler
Various Artists: Popcorn GirlsAlthough the sole single by troubled American televison and film star Tuesday Weld seems an unlikely dance floor filler, 1962’s cute and gently shuffling “Are You the Boy” became a staple with one of continental Europe's most important and longest-lasting dance music subcultures. Weld sang flat but what mattered for Belgium's Popcorn scene was the rhythm: a mid-tempo, almost-martial two-step which could accompany the “slow swing” dance which gripped the country in the late Sixties and continues to do so.Like Northern Soul – its closest cousin – Popcorn is a Read more ...
Russ Coffey
Laura Mvula, despite her exotic-sounding name, is a quintessentially British artist. Not just because of where she comes from – Birmingham – but also how she stays humble and understated while dripping with talent. Her story is equally endearing. Mvula was working as a receptionist when her debut, Sing to the Moon, was released. Overnight, her world was turned upside down and over the next year she was nominated for nearly every major award going, taking home two MOBOs and one Urban Music Award.Still, Mvula is not ostensibly an r’n’b or soul artist. Her voice may owe a debt to the gospel she Read more ...
joe.muggs
Just in case anyone thought the hype surrounding Gloucestershire-born Spanish/Jamaican singer FKA Twigs was based only on her unique looks, startling styling and slightly silly videos, this album begins with her voice alone. It too is utterly singular, a choirboy-like chant layered over itself like some New Age confection, before the sci-fi whirrs and booms of "Preface" remind us that we're in the currently hyper-fashionable territory of reconfiguring US R&B through the prism of British soundsystem music post-dubstep and grime.That voice is way upfront in the mix throughout this album. Of Read more ...
joe.muggs
As dance music once more sweeps the mainstream, we're returned to the situation of the 1990s where singer and song can seem to become a little detached. Parades of “featured vocalists” deliver refrains for the producer teams who are queueing up to repeat the success of Route 94, Clean Bandit, Duke Dumont and above all Disclosure. And as the field gets more crowded, so the requirements for the singers to sit back, know their place and deliver the simplest hooks become more pressing.Some new generation singers do manage to step into the spotlight of course. Rita Ora parlayed her big hit with DJ Read more ...
Adam Sweeting
The fall of super-cyclist Lance Armstrong is a subject fit for Euripides or Shakespeare. It has also worked pretty well for director Alex Holmes, who managed to round up virtually all the key players caught in Armstrong's vortex of deceit for this unflaggingly gripping documentary [****].Though the feats of Bradley Wiggins and this weekend's Tour de Yorkshire have brought a sense of cheery optimism to the British public's view of cycling, Armstrong's story (and the climate of drug-assisted skulduggery in cycling which prompted it to happen) can hardly fail to leave any onlooker nursing a Read more ...
Jasper Rees
It’s presumably just a freak of scheduling that on the night the Rolling Stones threw up the bunting across town, an artist to whom they owe a whole heap of thanks was hosting a party of his own. Bobby Womack was the songsmith who co-supplied the scruffy young covers band with their first number one. “It’s All Over Now” was released by the Stones in July 1964 only a month after The Valentinos’ original version. Not that the song made it onto Womack’s setlist for the first two nights at the Forum. Instead a Sunday congregation was treated to an evening of two contrasting halves, and a pair of Read more ...
Kieron Tyler
Various Artists: NME C86, The Motown 7s Box – Rare and Unreleased Vinyl Volume 2With music – or anything really – few things develop or evolve neatly, and British grassroots music from the mid-1980s is a case in point. When, in 1986, the NME issued a cassette tape of 22 current and (hopefully) up-and-coming bands the stylistic jumps it presented were jarring. Beefheart-style herk-jerk sat side-by-side with Sixties-derived jangle pop. Dance-music polemicists battled it out with bands saturated in far too much of The Fall.The C86 cassette caught the rag-bag nature of what infested pub Read more ...
Kieron Tyler
Various Artists: Holland-Dozier-Holland - The Complete 45s Collection, Invictus, Hot Wax, Music MerchantAs Holland-Dozier-Holland, Lamont Dozier and brothers Brian and Eddie Holland wrote and produced for The Four Tops, Marvin Gaye, The Supremes and every other top-flight Motown act between 1962 and 1968. Their credit was behind “Baby Love”, “Nowhere to Run”, “Reach Out I’ll Be There”, “Where Did Our Love Go” and many other classics. But that wasn’t enough for the trio. At Motown, they increasingly felt, as the book with this package puts it, “overworked and under-appreciated”. Splitting from Read more ...
Kieron Tyler
Various Artists: Philadelphia International Records – The CollectionThe O’Jays’ “Love Train”, The Jacksons’ “Show You the Way to Go” and McFadden & Whitehead’s “Ain’t No Stoppin’ Us Now” share an undeniable power. All make the body move and have a potency which could be devotional. Each is also about going forward and could slot into a church service. Despite being products of a musical production line, these were more than simple pop records.All three were issued by Kenny Gamble and Leon Huff’s Philadelphia International Records and are heard on Philadelphia International Records Read more ...
Tim Cumming
Did you know that Chaka Khan has her own brand of gourmet chocolate she calls Chakalate? Or that she recently extended a helping hand to the media's favourite punchball, Lindsay Lohan, after they spent some time in the same rehab centre (Chaka for prescribed meds following a foot operation)? What you need to know is that she is back in London, a high-megawatt superstar letting it rip in the intimate confines of the city's most famous jazz club, taking the stage at 7.45pm for the first of two shows each night for three nights, behind her the crack British jazz-funk band Incognito, and in front Read more ...
Kieron Tyler
Wayne Cochran: Goin’ Back to Miami – The Soul Sides 1965-1970With his dyed-blond pompadour, Wayne Cochran looks bizarre enough. But once he opens his mouth, the weirdness level is kicked into orbit. He sounds exactly like a wild cross between James Brown and Otis Redding. Although white, his soul music is not the smooth or sweet blue-eyed fare of a Len Barry or a Righteous Brothers. Goin’ Back to Miami convincingly makes the case for Cochran as a soul great.The compilation opens with the self-penned 1966 single and title track (watch a slightly fuzzy looking TV performance on the next Read more ...
Kieron Tyler
Various Artists: Chicago Hit Factory – The Vee-Jay Story 1953-1966According to the book accompanying this 10-disc tribute to the Chicago independent label, “in one month alone in 1964 Vee-Jay records sold 2.6 million records. Two years later the company was bankrupt.” The reason for it flying so high in 1964 was a deal made in 1962 when the label began licensing material from Britain’s EMI. The prize then was yodelling popster Frank Ifield, whose “I Remember You” Vee-Jay got into the US Top 10. Along with Ifield, they got an unknown quantity called The Beatles. When 1964 arrived, Vee- Read more ...