Soho Theatre
Veronica Lee
Considering where Motion Sickness ends up, Ivo Graham's new show begins a million miles away, as he talks about his love of trains and his favourite train company, Chiltern – or “The Chilt”. But don't be fooled by this quotidian fare; what begins as a seemingly aimless wander down a path of nothing very much packs an emotional punch by the end of the hour.Graham has previously made much gentle humour out of his thoroughly English, middle-class existence. His USP (not quite so unique, but we'll let that pass) is that he was Eton and Oxford, rather clever but witty and self-deprecating enough Read more ...
Tom Birchenough
Underground Railroad Game is scabrous theatre – in every sense. To start with, Jennifer Kidwell and Scott R Sheppard’s two-hander is as down and dirty as anything you’ll find on the London stage at the moment, with one sex scene that’s belly laugh-out-loud funny, another which creates a silence of unease that chills the house.But it’s scabrous in the original sense, too, about a wound that doesn’t heal, the scab that has formed over it only precarious protection against the original hurt. That hurt, of course, is slavery, the legacy of which simply has not gone away for America, even a Read more ...
Veronica Lee
Flo and Joan are sisters (Nicola and Rosie Dempsey: they have borrowed their stage names from their nan and her sister) and you may have recently seen them on television doing advertisements for Nationwide. Others may know them from social media, and their runaway hit “The 2016 Song” about music fans' annus horribilis with the deaths of David Bowie and Prince. If you like either iteration, you will love this hour-long show, called The Kindness of Stranglers.Nicola, always deadpan, is at the keyboard, while the chattier Rosie adds a bit of percussion on a shaker or triangle. The chat Read more ...
Veronica Lee
Simon Evans, at 52, is far too young to be a grumpy old man, but he’s doing his best to prepare for the role, with this amusingly dyspeptic standup show at Soho Theatre about the ageing process, and how the evolutionary model appears to be moving backwards. According to his show Genius, things really aren’t getting better, at least in terms of human intellect and those who lead us.He starts by talking about the perils of ageing, about his thinning hair, senior moments and losing his spectacles. So far so predictable, but Evans has a breezy conversational style and a pleasingly original take Read more ...
Veronica Lee
Fern Brady is a young Scot with plenty of provocative opinions – on politics, society and relationships – with a delivery that can only be described as dry as a desert. It means that some pieces of information – as well as a few gags – take some time to pass through the “Is she joking?” filter. In Suffer, Fools she likes to confound audiences with two pieces of information she relates in fairly quick succession; she studied Arabic and Islamic history at Edinburgh University, and she put herself through college by performing at the city's “titty bars”.Brady neatly fillets those men who Read more ...
Veronica Lee
New Zealand comic Rose Matafeo is a fan of romcoms and has decided she is destined to appear in one at some point in her career. As she explains, it's not possible – as a mixed-race woman – to play the film's heroine, but she is surely a shoo-in for the role described in show's title, Sassy Best Friend; after all, she has the wild hair, the specs and the perky personality that such a character demands.This is a breezy but wry set-up for an hour of comedy that subtly examines race, feminism and mental health as Matafeo explores her teenage anxieties and how she has (mostly) overcome them as an Read more ...
Veronica Lee
Hannah Gadsby was awarded best show (jointly with John Robins) at the 2017 Edinburgh Comedy Awards for Nanette, which had already been given the equally prestigious Barry award at last year's Melbourne Comedy Festival. Gadsby draws us in gently, telling us that Nanette was so titled before she really knew what the show was going to be about, and she named it after meeting an unfriendly and unhelpful barista in smalltown Australia, in one of those places that she – a lesbian who is sometimes taken for a man – feels really unwelcome in.That's probably the lightest moment in Nanette's 80 minutes Read more ...
Veronica Lee
“I don't want to talk about Donald Trump,” Andrew Maxwell tells us as he comes on stage at the beginning of Showtime, because no matter what comics make up about the US President, he then goes and does something more weirdly comic, more comically weird, than they could ever invent.Instead the Irish standup, who has lived in the UK for the greater half of his life, muses on Brexit and beyond, seeing the world through a resident's eyes – but with the sharp observation of someone who will always remain an outsider.Daftness always quickly follows the seriousTalking of which, this keen European Read more ...
Veronica Lee
The Edinburgh Fringe is usually the high point of the year for comedy, but in truth it wasn't a solid five-star year – although there were some stand-out performers. And if the test of good comedy is the shows that stay with you, and which you want to see again, then a few are definitely up there.Chief among that group was Hannah Gadsby's Nanette, an astonishing piece of work that she says is her valedictory show. That's because making comedy for other people from her life and experiences as a gay woman growing up in a deeply conservative and homophobic Tasmania – many of them painful or Read more ...
Veronica Lee
A fair few Edinburgh Fringe shows are just that – things that work perfectly in the “let's do the show right here” spirit that permeates the festival, in a tiny (and often grotty) venue that adds hugely to the vibe. That's all well and good during August, of course, but come later in the year when a show moves beyond the festival confines it can lose much of its spark.So it's a delight that Rob Kemp's The Elvis Dead, which was a word-of-mouth hit before it deservedly gained a best newcomer nomination in the lastminute.com Edinburgh Comedy Awards, has made the journey south for a late-night Read more ...
Veronica Lee
It's not often the publicity material for a comedy show has a health advisory attached. If you are allergic to eggs you may have to give Natalie Palamides' show Laid – which won best newcomer at the lastminute.com Edinburgh Comedy Awards at the Fringe in August – a miss, and that would be a shame.It is by turns delightful and disturbing, as Palamides – a Los Angeles-based actress and writer from Pittsburgh who appears as Buttercup in The Powerpuff Girls – explores motherhood, fertility and many things beyond as she brings her playful but knowing character to life. Literally, as at the start Read more ...
Katherine Waters
In David Ireland's new hour-long two-hander – a co-production between Soho Theatre and west London's Orange Tree – two strangers, Janet and Dermot, meet for a casual hook-up arranged over the internet. The glitch, or at least surprise: she appears dressed as a mouse. That opening gambit won't surprise those who saw Ireland's earlier Royal Court entry Cyprus Avenue, in which protagonist Eric is so convinced his granddaughter is Gerry Adams that he scrawls a beard on her face to prove himself right. And in this considerably more modest entry, Ireland's penchant for Read more ...