Soho Theatre
Veronica Lee
Sikisa is a new name on the comedy scene, but trust me you'll hearing and seeing a lot more of the south Londoner with Barbadian roots. Twerk in Progress, her in-progress version of her debut show Life of the Party, is a winning mixture of autobiography and social comment.She is an energetic performer and barely pauses for breath in the hour – even in the dance breaks she's exerting herself across the balloon-strewn stage – as she delivers her thoughts on house parties, feminism, dick picks and much more.Sikisa is, she tells us, the life and soul of parties, and the show is about the Read more ...
Gary Naylor
We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really only sees the descriptions, too, and that the aesthetic and artistic elements barely register. The maid has been given the evening off – it’s soon obvious why – and an art dealer flits about nervously waiting for his client to arrive with a view toward arranging a significant purchase. The artist is Black; everyone else, indeed, Read more ...
aleks.sierz
Is gig theatre the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around your body like a crazy electric current, but amid the joyous nerve reactions does the music speak louder than the words?These questions won’t bother many in the young audiences that are targeted by the Soho Theatre as it stages Bangers, a “mixtape play” written by Danusia Samal and directed by Chris Sonnex, and featuring original music by Duramaney Kamara, Samal and Sonnex, but they are worth asking. After all, this is meant to be a new writing theatre.Bangers comes to this venue’s sweaty studio Read more ...
Tom Birchenough
The title of James Fritz’s play is allusive, oblique even. I assume it refers to how, in the aftermath of a catastrophe such as an erupting volcano, it’s the lava that spreads outwards, changing the form of the surrounding landscape. It’s not the epicentre of the disaster, but its adjoining regions, where the impact of what has happened can begin to be assessed.Indeed “Time since impact” is almost the first phrase projected onto the back wall of Amy Jane Cook’s set, where new texts appear beneath the five chapter-like headings that divide the action, following the stages of grief – denial, Read more ...
Veronica Lee
Spoofs of children's entertainment is a rich area for comics – whether it's the permanently drunk Jeremy Lion (Justin Edwards), or the permanently disappointed Funz and Gamez (Phil Ellis) – as they create adult fun in a seemingly innocent world. And now Ed MacArthur and Kiell Smith-Bynoe take an interesting new tack with String v SPITTA.We are at Anastasia's sixth-birthday party in her luxurious home in Kensington in London, where all the oligarchs live. Mr String (MacArthur) and MC SPITTA (Smith-Bynoe) are appearing as a double for the first time, as they had become embroiled in a turf war. Read more ...
Veronica Lee
Catherine Bohart had a more eventful lockdown than most, as it marked the end of a five-year relationship and what she describes as a sort of breakdown followed. To add insult to injury, the break-up came not along after she and her girlfriend, fellow comic Sarah Keyworth (whom she doesn't name in the hour), had launched You'll Do, a podcast about – you've guessed – love and relationships.This Isn't For You describes the pain of that time, but Bohart is such a positive presence, and lands the gags so well, that it's rarely downbeat. It is, however, occasionally reflective as she questions Read more ...
aleks.sierz
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of emotion to write well about. But it’s the central subject of Amanda Wilkin’s Shedding a Skin, and she describes it beautifully. This 2020 Verity Bargate award winning one-woman show, which has also been shortlisted for the Susan Smith Blackburn prize, had a sell-out run in the summer of 2021, and now the Soho Theatre brings back this heartwarming story, whose effect is heightened because the playwright herself takes centre stage. Wilkin plays Myah, a mixed-race thirtysomething who loses her Read more ...
aleks.sierz
Black women often find themselves subject to a double dose of prejudice. Pressure. They face everyday racism as well as sexism. It’s called misogynoir, and Queens of Sheba is a short show dedicated to calling it out. In as joyous and energetic way as possible. First staged in 2018, and subsequently revived several times nationwide, Jessica L Hagen’s debut play has been adapted by Ryan Calais Cameron and now visits the Soho Theatre in London.The show was loosely inspired by a particularly grotesque incident which happened in September 2015, when two women from a group of four were turned away Read more ...
Veronica Lee
Imitation is the sincerest form of flattery, they say. I'm not sure One-Woman Show, written and performed by comic, writer and actor Liz Kingsman, is an imitation of a solo show that catapulted another female actor-writer to worldwide fame, but it's imitation-adjacent in a spot-on spoof kind of way.The elephant in the room for this wickedly funny hour is Phoebe Waller-Bridge's brilliant, zeitgeisty and deservedly lauded Fleabag, a play that I loved on its debut at the Edinburgh Fringe in 2013; it previewed at this theatre and later had a successful post-Fringe run on the same Soho stage. How' Read more ...
Veronica Lee
Well, this is a first: a comedy show with footnotes. Alfie Brown tells us at the top of the hour that he'll be stepping out of his routines from time to time to explain why the gag he's about to tell, or has just told, isn't offensive. It's a clever touch, one of several in Sensitive Man.Brown is perhaps taking a sensible precaution over being misunderstood because he's a contrarian comic who is happy to tackle sensitive subjects – unplanned parenthood, racism and paedophilia in previous shows – and here he delves into mental health and white male privilege.There's more material about Read more ...
aleks.sierz
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped companies put single actors into simple playing spaces to deliver good stories for audiences that just wanted to visit playhouses again. But this theatre form, which is relatively inexpensive and often immune against the pingdemic, does have its limitations. If the essence of drama is conflict between two or more characters, the absence of the other people on stage can often defuse the emotional force of the story. In Ifeyinwa Frederick’s new monologue, Sessions, which arrives at the Soho Theatre Read more ...
Veronica Lee
During lockdown most of us were caught in a Groundhog Day existence of sleep, eat, exercise with Joe Wicks, take part in a Zoom quiz, bake banana bread, repeat – or variations on that theme. So a comic doing a show talking about his lockdown experience is taking a risk that it might not be the most scintillating hour – and so it proves with Ahir Shah's Dress.Shah says he chose the title because he saw the pandemic as a dress rehearsal for the apocalypse, or more prosaically, married life, and the show is bookended with him telling us about the end of one relationship at the beginning of Read more ...