Soho Theatre
Veronica Lee
Catherine Bohart opens by telling us that we're seeing her at the beginning of a long tour – before her energy flags, she says. It's difficult to believe, however, that the Irishwoman ever performs at anything less than full throttle, and so it proves here with Again, With Feelings, a show about where her life is at the moment.She's 35 and very definitely not where she thought she would be – and certainly not where her parents might have hoped; married, with kids and owning a house. Instead Bohart is unmarried, child-free and her living arrangements... Well she fills us in on those, as she Read more ...
Veronica Lee
Jessica Fostekew is ageing fast. Actually, she's not, but having recently reached 40 she says that's how she feels. And for an hour she describes to us the signs, from despising litterbugs to gaining a political viewpoint that may not chime with her peers.Even if the comic is concerned about her “accelerated ageing”, Mettle is not a downbeat show, far from it; Fostekew has far too much natural ebullience for that, and she gives a very physical performance as she acts out some passages, not least when she expertly deconstructs one of Lizzo's songs.Mettle follows in the vein of previous shows Read more ...
Veronica Lee
Tatty Macleod, whose debut show is about the differences between the French and the English, has a confession to make: she's not French. She not even half English/half French, despite having lived her life between the two countries. But she's definitely bilingual and, as befits having a foot in both cultures, is well placed to compare her dual countrymen and women.It's a very good premise for Fugue, even if for most of the show Macleod – who first came to prominance on social media – doesn't detain us with anything much deeper than “the English are like this, the French are like that”.But she Read more ...
Pandemonium, Soho Theatre review - satire needs a shot of Pfizer's finest to revive tired storylines
Gary Naylor
In 2020, throughout the country, many people’s lives were affected adversely by an ever-present threat to our already fragile society. Though most got over it, many people still bear the cost every day, sapping them of energy, making them cough and splutter frequently, instilling a longing that it would just go away and stay away. Like many, I have been suffering from “Long Boris”, the affliction reactivated last week with his appearance as the Covid Inquiry Variant spread far and wide. And such topicality ought to work in favour of Armando Iannucci’s first venture on to the stage, Read more ...
David Kettle
You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new characters, or even a major technological development.But behind all the japes, attitude and theatrical playfulness, there are broader, more human issues being explored here. Carleen and Crystal are urban 20-somethings who’ve done well with their amusing musings for online consumption via a platform that feels very much like YouTube ("Questions I Read more ...
aleks.sierz
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance is one of the themes of Boy Parts, the acclaimed debut novel by Eliza Clark, first published in 2020 and now adapted as a monologue for the stage by Gillian Greer.Playing in the main space at the Soho Theatre (currently also expanding into Walthamstow) and co-produced with Metal Rabbit, both great advocates of the capital’s new writing, this psychological thriller features Aimée Kelly and raises some disturbing questions about gender stereotypes and the relationship between art and life.The story Read more ...
Veronica Lee
It's takes a confident comic performing only her second show in English – her second language – to joke near the top of the hour: “I didn't know I wasn't as funny in English.” Urooj Ashfaq also told us she would get upset if the audience didn't like her – but she shouldn't worry. Her confidence proved to be justified.Ashfaq performed her enjoyable UK debut Oh No! in London as a preview for her first run at the Edinburgh Fringe this month. It's an hour of storytelling about her life, family, dating and the things she likes. And some of the things she dislikes.This sort of material could Read more ...
Gary Naylor
Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb into the narrative. The temperature in the room plummets, a real coup de théâtre is effected and I'm still processing it. Yep, they went there. After garnering awards at the Vaults Festival (that’s not research, they tell you and they tell you why too), Aarian Mehrabani, Chloe Palmer and Samuel Brewer (pictured below) bring their meta- Read more ...
Veronica Lee
Crybabies – a sketch group comprised of Michael Clarke, James Gault and Ed Jones – were nominated for best newcomer for Danger Parade, a brilliant parody of Second World War adventure stories, at the 2019 Edinburgh Comedy Awards. Their second show, Bagbeard, was another critical success at last year's Fringe and is now having its second run at the Soho Theatre. It's a lot of fun.“This is a story of hope, love – and monsters,” says Jones at the top of the show. Like his compadres he plays several roles, necessitating super-quick costume changes behind the on-stage cloth. Bagbeard is a sci Read more ...
Veronica Lee
At this time of year you can't move for productions of A Christmas Carol, Dickens' seasonal morality tale. Some are brilliant, some so-so, but this one by the power-crazed impresario Mr Swallow, whose ambition always exceeds his talent, is a joy.Nick Mohammed – deservedly brought to an international audience as the nice-then-nasty Nate in Ted Lasso – appears in A Christmas Carol-ish as the vain, preening Mr Swallow, trying to underpay everyone on stage. In the opening scene his sidekick, Mr Goldsworth (David Elms), discovers Mr Swallow has forgotten to buy the rights – so it's no longer Read more ...
aleks.sierz
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need foodbanks and the stats are hitting all-time lows. So a new play about a junior doctor facing the stresses of the job is certainly timely.In fact, Nathan Ellis was inspired to write Super High Resolution, now given a powerful and moving production at the Soho Theatre, because his sister, Dr Tamsin Ellis, almost quit her job. Yes, she was that desperate. And you can tell: the writing is personal and committed — this is a play that feels like it has been wrenched from the heart.In this story, which is Read more ...
Veronica Lee
A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two and it would be very close to mine) but this array of wildlife forms an important part in Kim Noble's latest show, Lullaby for Scavengers. I warn you, it takes a strong stomach to sit through it – and I have to confess I had to shield my eyes at several points. The show comes with a content warning for a reason.It's an intricately plotted multimedia show, where Noble operates the equipment with the help of said dead squirrel (perhaps one that he Read more ...