singer-songwriters
Joe Muggs
I had high hopes for this show. After all, Eska Mtungwazi is pretty much the only singer on earth I’d go out of my way to hear sing Joni Mitchell songs.Not only does she have the necessary vocal range and control, but her own sole solo album sits exactly in the right intersection of folk, jazz and experimental songwriting to suggest she’s got the stylistic fluidity to carry it off. And she’s an amazing performer. She may have only made that one album in 2015, but her work with everyone from Grace Jones and UNKLE to Tony Allen and Matthew Herbert over many years has demonstrated that she’s one Read more ...
Barney Harsent
Not even a worldwide health epidemic could stop the meteoric rise of the Irish singer, who has managed to crack America, achieve national treasure status in his homeland and rack up streaming figures that could actually pay his winter gas bill. Not bad going.He’s managed it by being a broad strokes performer with film-star good looks and big, big voice – colossal emotion with a rough-edged burr. His appeal is deep and wide, capturing the hearts and imaginations with simple songs that render universal emotions in popular, comfortable colour schemes and Sonder, his second album, does little to Read more ...
Nick Hasted
Taylor Swift’s transitions have become imperious, from the woody hush of her collaborations with The National’s Aaron Dessner, Folklore and Evermore, to the remade reclamations of her early work. Working at pace, she has assembled an impregnable coalition of critical acceptance and creative range.Her contemporary country roots remain in her focus on relatable personal stories, pushed now into a hyper-realm of total fame and universally pored-over relationships, dropped like paper trails in her lyrics. She confesses with wry assertion, a female star taking everything in her messy stride. Like Read more ...
Joe Muggs
Beth Orton has never rushed her music. Her first four albums came one every three years, then since 2002 it’s averaged at a five year gap each time. So it’s no wonder also that there can be stylistic schisms from one to the next.In contrast to its rootsy, bluesy predecessors, her last record, 2016’s Kidsticks, was a clattery, electronic affair co-produced with Andrew Hung of synth noisemongers Fuck Buttons while living in LA. It felt like she was experimenting her way into a new sound that could evolve into a whole new phase of creativity.But, it turned out, the hyperactive energy of that Read more ...
Tim Cumming
Celebrating, if that is the right word, his 75th year, Loudon Wainwright III offers us his 26th studio album in 52 rollicking years, Lifetime Achievement. Though he does have one Grammy on the shelf, for 2009’s double set, Charlie Pool Project, awards made from polished metals have not littered his life path or career trajectory. Captivating songs packed with home truths, razor-sharp wit and hilarious asides, however, do litter that career, along with a family crisis or two, and Lifetime Achievement has more than enough to satisfy all long-term fans, as well as drawing in new ones who may Read more ...
Thomas H. Green
Throughout the 1990s and the first decade of this century, Ben Harper achieved global stardom, although the UK was a territory where he never achieved lift-off. By contrast, in the US, Australia and much of Europe, he’s regarded as a heavyweight (he’s won three Grammys!).His career has combined the earnestness of Sixties/Seventies singer-songwriter political activism, with lively musical eclecticism, and, sometimes, a blander middle-of-the-road vibe redolent of his pal Jack Johnson. His latest album showcases the rawer end of his appeal.Bloodline Maintenance is Harper’s first “proper” album Read more ...
Nick Hasted
Neil Young put Toast to one side in 2001, dismayed at its blue emotional terrain. Depicting his marriage to Pegi Young hanging by a thread, it was recorded with Crazy Horse in San Francisco’s Toast studio, where Coltrane once worked, but rats now crept in from the alley. “Toast was so sad that I… couldn’t handle it,” Young said recently, its sound “murky and dark”.Dumped with his many “lost” albums, Toast now joins Homegrown (taped 1975, released 2020) and Hitchhiker (1976, 2017) in a restored discography. Convening Booker T and The MG’s and Horse guitarist “Poncho” Sampedro in a different Read more ...
Thomas H. Green
American singer-songwriter Damien Jurado is both prolific and enigmatic. His latest album follows too many to count (OK, not really, I think this is his 20th). On his own label, it's as opaque as anything he’s done, and that’s saying something.There are 12 songs, at least half of them around the two-minute mark, all opaque and mysterious, but also often fascinating. “What is he singing about?” the listener asks themselves, a sense of what’s going on elusive but also, tantalisingly, almost within reach.A concept album, then? Kind of. There’s a very loose thematic of films sets. Possibly. Or Read more ...
peter.quinn
An artist with a myriad of strings to his bow – gifted wordsmith, multi-instrumentalist, captivating storyteller – what enables James Vincent McMorrow’s singularly personal songs to take flight is the fact that he’s also a supreme melodist.The Less I Knew is chock full of killer chorus hooks, with album opener “Hurricane”, in which McMorrow’s gloriously harmonised vocal line is supported by the additional ear candy of Alex Borwick's horn parts, being a case in point. Borwick also supplies some driving mandolin work on “Heads Look Like Drums”, as well as engineering and mixing the Read more ...
Mark Kidel
I'm at the New Theatre in Oxford. Elvis Costello is playing through the final stages of his 2022 UK tour. The venue is full of memories: I saw The Kinks and Tom Jones here in the 1960s and then The Who in the early 70s. On my left, there’s Paul Conroy who first introduced me to Elvis in 1977 – when he was involved in launching his career at Stiff Records – and on my right, Tom Webber, a super-talented 22 year-old singer from Didcot, Paul’s latest passion, and according to many veterans who have heard him, a potential new star, for whom Paul has come out of retirement to manage, along with his Read more ...
Thomas H. Green
In these meta times when everything – EVERYTHING! – is ironic, a smirk to be replayed forever on a screen, the last thing we expect is a hippy, a proper real-life hippy, preaching oneness and love. Even yoga sorts these days mostly go on about their own “wellness”, rather than the cosmic inference of it all. Nick Mulvey’s previous albums were lightly marinaded in Baba Ram Dass and ayahuasca revelation but, with his third solo album, New Mythology, he’s gone full mystic.After creating some of the most gorgeous, original singer-songwriter music of the last decade he doesn’t let empyrean Read more ...
Liz Thomson
“Songs are what feelings sound like,” Mary Gauthier told medics from Brigham & Women’s Hospital as she participated in the Frontline Songs post-Covid initiative that aimed to help doctors, nurses and first responders process their pandemic trauma. No stranger to loss and trauma herself, Gauthier had earlier worked with Songwriting with Soldiers, a programme that led to her last (Grammy-nominated) album, Rifles and Rosary Beads (2018).Gauthier’s ninth studio outing, Dark Enough to See the Stars, is as empathetic as anything she’s written. Music in its highest form, she believes, “is Read more ...