singer-songwriters
Lisa-Marie Ferla
It is sometimes hard to be enthused by midweek gigs. Last night was one of those occasions, at least for the 30 seconds I thought I was going to be watching most of the show on the iPhone screen of the six feet of beard that planked itself in front of me just in time for the music starting. Those are the nights you need, as Sharon van Etten might say, “something that’s hard to describe”. Something that changes your mood, and makes you smile, and doesn’t happen all of the time. Something fun.If you’re at all familiar with Tramp, the third album from Brooklyn-based van Etten which came out at Read more ...
Russ Coffey
Regina’s Spektor’s kooky New York piano gal shtick sure divides audiences. For every person who finds her a perfect antidote (I refuse to say adorkable) to all that’s mainstream and soulless, there is someone else who wants to punch her on the nose for singing “on the Braa-dio-uh-oh” instead of “on the radio.”Mind you, it’s not all icing sugar. She might have started her career sounding like an ad man's idea of a pixie dream girl, but time has proved she really means it. Still, it can get a bit syrupy, no? Well, last night it didn’t. Thumping out power chords and belting out slogans like “ Read more ...
Adam Sweeting
Back in Britain for the first time in 13 years, Tom Petty and his indestructible crew seemed delighted to be playing at the Albert Hall, and taken aback by the frenzied reception from the audience. They have a soft spot for Blighty, since this was where their debut album first started making waves in 1977 after being initially ignored in the States, but their long absence seemed to have had the effect of turning them into long-lost legends. Peter Bogdanovich's epic documentary about the band, Runnin' Down a Dream, has probably played its part too.Petty himself, now bearded and almost Read more ...
Lisa-Marie Ferla
When your albums tend to drop into a frenzy of anticipation after gaps of six or seven years, the creation of a certain mythology becomes inevitable. So much has been written in certain circles about Fiona Apple since the release of 2005’s Extraordinary Machine - an album which itself seemed certain to never see the light of day at one point - that it has become impossible to distinguish the music from the character - reclusive, frustrating, challenging.And yet the opening track to Apple’s fourth album (its poetic full title - The Idler Wheel is wiser than the Driver of the Screw and Whipping Read more ...
howard.male
The solid, shiny band sound on New Yorker Mike Doughty’s most recent solo album Yes And Also Yes was a reason to get very excited about the prospect of him visiting the UK to do some live concerts. But then a couple of weeks ago a new live double CD The Question Jar Show turned up in the post featuring just Doughty accompanied by celloist Andrew Livingstone. It’s a diverting enough listen but it did look like last night might turn out to be a pat-arse rather than kick-arse kind of show.Then when Doughty took to the stage alone, the heart really sank. But the man who made one of the best rock/ Read more ...
Thomas H. Green
Rumer has recently returned to public life. Her new album, Boys Don’t Cry, is a collection of songs from the Seventies by male singers such as Townes Van Zandt, Leon Russell, Tim Hardin and Jimmy Webb. Her interpretations, as with her 2010 debut album of original material, Seasons of my Soul, are coated in the icing of classic easy listening – the smoothness of The Carpenters or Carole King springs to mind – yet there’s the kernel of something pointed, heartfelt, even painful, at its core.
Seasons of my Soul sold well – over 500,000 copies – and Rumer was taken to the bosom of the Jools Read more ...
Lisa-Marie Ferla
It's been six years since Regina Spektor released Begin to Hope, a festival-friendly breakthrough album with a poppy sheen that easily loaned itself to mobile phone network marketing campaigns and the like. Six years then since the Moscow-born Bronx-raised artist, a tiny human beatbox with a shock of curls, took the kooky-girl-with-piano shtick into the mainstream. And yet, as this follow-up to 2009's Far makes clear, there's only so much of what makes Regina Spektor, well, Regina that can be major-label sanitised.What We Saw from the Cheap Seats begins simply enough: a poppy, piano-and-vocal Read more ...
graeme.thomson
My, what strange and wondrous treasures await the record producer given exclusive access to the private vaults of a Beatle. He will, for instance, find entire radio programmes preserved on multi-track tape, and recordings of F1 cars roaring past at some unspecified race track. He will stumble upon a humbled Fab being given his very first sitar lesson by Ravi Shankar, and be privy to a brief musical moment beamed in across the decades from a room at the Jaipur Palace Hotel. There will be a few decent songs, too.One day every last 1/4 inch of this eccentric audio trove may well be exposed to Read more ...
theartsdesk
Carole King: The Legendary DemosLisa-Marie Ferla For one whose appreciation of Carole King, the songwriter, has never truly been distinguishable from her appreciation of Carole King, the performer, a listen to the treasure trove that is The Legendary Demos is a curious exercise indeed. Perhaps it’s the presence on this collection of early cuts of six tracks that would later appear on Tapestry, King’s 1971 breakthrough in her own right, but even with the knowledge that many of these recordings were put together as showcases to be pitched to other artists, it is hard to dissociate them from a Read more ...
graeme.thomson
Norah Jones is back. New haircut, new sound, new producer. The first of these, while very nice, needn't concern us too much. The second, meanwhile, is largely a result of the presence of the third, the ubiquitous Brian “Danger Mouse” Burton, who is working so hard these days I'm starting to suspect there might actually be two of him: Danger and Mouse. The daughter of legendary Indian musician Ravi Shankar and US concert promoter Sue Jones, Geethali Norah Jones Shankar was born in Brooklyn and raised in Texas. She emerged - seemingly fully formed - in 2002 with Come Away With Me, one of Read more ...
bruce.dessau
I had a terrible fright last week. While listening to BBC London DJ Robert Elms introduce a track from the new Paul Weller album, Sonik Kicks. What I heard sounded remarkably like Oasis. It seemed that the man who once influenced Noel Gallagher was now so bereft of ideas he was reduced to ripping off Noel Gallagher. To my relief Robert Elms followed the track with an apology. He had pressed the wrong button and had played a Noel Gallagher track by mistake.If you've got enough hair to make it stand up at 53, why not flaunt it?By contrast Sonik Kicks actually sounds fresher than anything by Read more ...
mark.kidel
Laura Marling has a way, in mid-song, of arching her head back as far as it will go, as if she were opening herself up to the heavens. She’s never been one to let herself go on stage, at least not physically: there are no unnecessary histrionics, just a surrender to the extraordinary force that pours through when she stands and delivers.Bristol's Colston Hall, she told the audience after her opening number, means a great deal to her: this is where her dad brought her at 14 to see her first ever live gig. “Who was playing?” someone shouted from the audience. “Ryan Adams!” she answered. “ Read more ...