singer-songwriters
Barney Harsent
Initially released to coincide with Record Shop Day (we’re in the UK so yes, it’s a shop, thanks very much), we’re a little late out of the blocks with the Miracle Legion frontman’s latest solo venture, but then, The Possum in the Driveway is an album that benefits from a little time to bed in and take root.Compared to 2013’s Dear Mark J Mulcahy, I Love You, Possum feels like a daring and deliberate attempt to reach further and broaden scope: to play many parts. “Stuck on Something Else” opens the album with a hushed reverence before Mulcahy’s voice takes hold: bold, purposed and drenched in Read more ...
Thomas H. Green
There’s nowhere to go with this one, is there? Like any music writer, I want to come at James Blunt afresh. I’d love to say, “No, put your prejudices away, this album is actually alright and here’s why…”, but even the most accomplished sophist would, I suspect, find this impossible. That said, there’s not much quality difference between the better tracks here and those on Ed Sheeran’s well-loved, hugely successful Divide. The Bee Gees-like “Heartbeat”, with its simple guitar motif, underplayed drum tattoos and subtle, catchy tune is the best song on The Afterlove and I’d as soon listen to it Read more ...
Russ Coffey
Conor Oberst's 2016 LP, Ruminations, was seen by many as both a triumph and milestone. A triumph because of the acclaim it attracted; and a milestone because it finally packed the emotional punch the singer-songwriter had been promising for years. The album was recorded in Nebraska during a particularly dark period in the artist's life - the combination of a brain cyst and a false accusation of rape. Armed with just a piano and a guitar, he compressed his emotions into a state of almost exquisite angst. Now, he's recorded the songs all over again.Salutations is, apparently, how Oberst Read more ...
Matthew Wright
Fin Greenall’s career is developing as a reverse mirror image of musical history. Originally a DJ and electronic music pioneer working on the edge of contemporary performance, for the past decade he has been on a journey into the acoustic and American past. His last release, 2014’s Hard Believer, had tinges of blues alongside some resonant Americana. Sunday Night Blues Club is billed as the real thing – his first “purely blues” album – but is it?Like Hard Believer, this contains some very evocative soundscapes, executed with seeming authenticity and style. Obviously, the argument about Read more ...
Russ Coffey
Laura Marling's new album is called Semper Femina - two words the singer-songwriter also has tattooed on her leg. It's Latin for "always a woman". Despite having the motto inscribed on her flesh, Marling claims to find it hard to write intimately about other women. Hence the singer describing her recent spell in Los Angeles as a particularly "masculine time" causing her now to look "specifically at women". Full marks for ambition, some might feel, but might she be overthinking it?If the underlying rationale can seem a tad laboured, the music is anything but. Fans will be familiar with Read more ...
Kieron Tyler
50 is titled to mark fifty years of touring. Now 75, Michael Chapman released Rainmaker, his first album, in 1969. Though well-known devotees have never been lacking – Bowie recruited Mick Ronson after hearing his playing on a Chapman album; Elton John wanted Chapman for his band – his lengthy presence has not brought Chapman the stature of contemporary and similarly idiosyncratic British singer-songwriters like Roy Harper or John Martyn. Yet, he endures.The swift follow-up to 2014’s The Polar Bear is ample evidence why. 50 opens with the atmospheric, energised and rolling “A Spanish Incident Read more ...
Kieron Tyler
French Pictures in London was a bolt from the blue. Issued in June, four decades after being recorded, it was a previously unknown, unreleased album better than most mid-Seventies rock offerings. It was also better than about 99 percent of albums retrospectively hailed as classics. However, it had escaped attention and its maker was barely heard of.It wasn’t meant to be this way. In 1975, A&M Records paid for the sessions and the album’s master tape was passed to pop star and Bensick’s fellow Ohio native Eric Carmen, who was meant to get it to music industry bigwig Clive Davis, the then Read more ...
Kieron Tyler
Five new albums released over the year have dominated 2016: Marissa Nadler’s Strangers (May), Mikko Joensuu’s Amen 1 (June), Jessica Sligter’s A Sense of Growth (July), Arc Iris’s Moon Saloon (August) and Wolf People’s Ruins (November). Next year, it’s likely Foxygen’s Hang (out in January) will be amongst those doing the same.But Amen 1 is the one casting the darkest, longest and most inescapable shadow. One defined by an overarching sense that this is an unfiltered expression of emotion. What’s heard is what was felt. Marrying this to a classic melodic sensibility in the Jimmy Webb Read more ...
Kieron Tyler
Anthologie 1953–2002 is a monster. A 20-disc set spanning almost 50 years, it tracks one of France’s most beloved singers and songwriters. Gilbert Bécaud died in December 2001, but songs from his posthumously released Je Partirai album are included. Fitting, as his music lives on and the release of this box set marks the 15th anniversary of his death.Outside France, Bécaud is less well known. Though his “A Little Love and Understanding” single charted in Britain in 1975, he did not make a Charles Aznavour-style crossover to mainstream recognition in the Anglophone world. He’s never been given Read more ...
Lisa-Marie Ferla
Rachael Yamagata likes to take her time. Tightrope Walker comes a full five years after the American songwriter’s last release, and it’s an album that demands to be listened to with as much care as clearly went into its creation. Like the French daredevil Philippe Petit, for whom her latest album was apparently named, slow and steady wins the race for Yamagata: it’s there in its staid, rhythmic opener and title track; and it’s there in the atmospheric, but no less deliberate, “Money Fame Thunder”, which closes proceedings with another nod to its central character.Best known for the sort of Read more ...
Liz Thomson
After four years, Martha Wainwright is back with her fourth solo album. While she’s been away she’s turned 40 and now says that on this outing she’s “a songwriter, but also just a singer and interpreter. This is perhaps the essence of who I truly am.”Wainwright is, of course, folk royalty: the daughter of Kate McGarrigle (whose loss understandably dominated Come Home to Mama in 2012) and Loudon Wainwright, sister of Rufus. All have washed the family laundry in full public view. Her aunt is Anna McGarrigle, one of an eclectic range of writers who share the album’s credits: novelists Merrill Read more ...
Kieron Tyler
Man & Myth, released in September 2013, was Roy Harper’s best album in two decades. The live shows which came on its back were stunning. Amongst this activity – instead of building on the momentum – he was arrested and charged with historic sexual abuse. Police had contacted him about allegations in February 2013. Following an innocent verdict, all other charges were dropped in November 2015.Of the ordeal, Harper said “I have now been acquitted on all the charges that were brought. This case should never have gone as far as this, or taken so long to resolve. I lost my livelihood and I Read more ...