singer-songwriters
Barney Harsent
Gary Barlow’s Music Played By Humans is, in all but name, a Christmas album. Mixing big-band jazz, Latin and pop, it’s an assortment box of bubbly, broad-based business bangers deployed by the Take That veteran with help from a host of showbiz pals. Michael Bublé, Barry Manilow, Chilly Gonzales, Alesha Dixon, Beverley Knight, James Corden… these are big boots to put on the ground.It’s got “Secret Santa” written all over it – and not just because it’s a precision-built, one-size-fits-all, weapons-grade gifting opportunity for work acquaintances and pissed aunties alike. No. It’s Read more ...
peter.quinn
Oh to have been in the beautiful surrounds of Cadogan Hall last night – not just to have experienced the gorgeous wall of sound, heartfelt artistry and musical camaraderie at first hand, but also to have been able to show our appreciation for a concert which takes months of preparation.Social distancing measures saw the EFG London Jazz Festival Ensemble reduced from its customary 40-plus musicians, but while the textural palette may not have been quite as luxuriant as usual, the slightly leaner charts provided their own rewards. This was a necessarily different Jazz Voice, but even a computer Read more ...
Sebastian Scotney
Singer/pianist/songwriter/entertainer Joe Stilgoe responded remarkably rapidly to the new circumstances of March 2020. Even before the first nationwide lockdown was declared, he had started doing a series of daily performances on YouTube: “Stilgoe In The Shed”. Back in July, 67 online shows later, gigs were starting to come in again. So to mark what felt like the end of that period, he spent just one day in producer James McMillan’s studio, and recorded an album of a selection of the songs he had performed in his online shows.SEBASTIAN SCOTNEY: What are your thoughts about the new lockdown? Read more ...
Liz Thomson
When Katie Melua arrived on the scene in 2003, a graduate of the BRIT School and a protégé of Mike "Wombling" Batt, I was somewhat underwhelmed. Another one in a long list of tepid female singer-songwriters that were pleasant enough, but… Then I pitched up, without too much enthusiasm, to review her Christmas concert at Westminster Central Hall with the Gori Women’s Choir in December 2018 and was both moved and impressed.Album No 8 is her first outing in four years – In Winter, recorded in Georgia, was her first post-Batt album following a six-album contract. By then, of course, Melua had Read more ...
Thomas H. Green
Emma-Lee Moss has a lovely voice. It conveys an ache, a longing, but is sweet too, and well-mannered. Combine this with an aptitude for literate, thought-provoking lyrics and hooky songs, and Emmy the Great is quite the package. It’s a mystery, then, why she has not been critically and commercially elevated to the status of peers such as Laura Marling and KT Tunstall. Her fourth album is a delight, rich in imagery and ideas. It confirms her as an artist always well worth following.That April / 月音 is so enjoyable is a pleasing surprise. Moss’s last album, Second Love, was a misstep into more Read more ...
Mark Kidel
Sufjan Stevens is an artist of remarkable ambition. His 80-minute long new album, with 15 beautiful and poetic songs, belongs to a long line of pop experimentation that runs through from The Beatles and George Martin’s Stg Pepper’s Lonely Hearts Club Band to Björk’s own highly literate and endlessly inventive mix of dance music and daredevil sonic exploration. He's as much at home baring his soul as he is evoking the turmoil of our times.The Ascension takes us on a rollercoaster of a journey, fuelled by the richness of analog keyboards – in this case a range of Prophet synthesisers whose Read more ...
Sebastian Scotney
“Produced by Tommy LiPuma.” That phrase has appeared on just about every Diana Krall album since the summer of 1995, when the Cleveland-born mogul arrived at the GRP label – it would be his sixth and last music industry affiliation – and promptly signed the Canadian singer-pianist.The four words appear again in the credits for each of the twelve tracks of This Dream of You. They are the album’s anomaly. And also, sad to say, its problem.It is an anomaly because Lipuma, with 33 Grammy nominations and 5 Grammys to his name, and 75 million albums sold, passed away Read more ...
Liz Thomson
Music has never been more important than in these dark, dislocating and death-stalked days, fear and grief visiting us in ways once unimaginable. The lack of live music – the lack even of the possibility of live music in the near future – is an absence keenly felt. However much we love to listen in the isolation of our own headphones, nothing can ever replace the communal concert event.Many musicians have brought their art direct into our homes, but I suspect Mary Chapin Carpenter has touched more hearts than most with her series of Songs from Home which began on 18 March with “Edinburgh” and Read more ...
Liz Thomson
Suzanne Vega sprang to fame 35 years ago, her eponymous debut one of the last albums we bought in vinyl before the advent of that new-fangled format of aluminium aspic. From it came “Marlene on the Wall”, the video an MTV hit. “Luka” and “Tom’s Diner”, from Solitude Standing, Vega’s second outing, cemented her reputation: drawn from real life, each were unusual chart successes – the first told from the point of view of an abused child, the second a cappella. Vega was the first woman to headline at Glastonbury. Vaclav Havel was a fan and she was a presidential pick for a concert celebrating Read more ...
Thomas H. Green
Declan McKenna covers many bases. He’s a good looking, teen-friendly pop star who first made waves aged only 15, but he’s also a politically engaged lyricist with aspirations in the region of Bowie and Dylan. His best songs, then, combine chewy, lyrical bite with adventurous, sonically smart 21st century pop. Just last year he released the single “British Bombs” which raged admirably against its subject matter, but his new album, his second, is out of balance, its songs and themes overwhelmed by ear-frazzling over-the-top production.The lyrics offer an opaque vision of a world collapsing in Read more ...
Lisa-Marie Ferla
The title, translated from the Portuguese, is “now” – an immediacy that, on first listen, seems apt for Bebel Gilberto’s lush and loose Agora. Originally scheduled for a May release, the Brazilian singer’s first album in six years sings with a creative freedom one imagines slowly returning to Rio as it emerges, tentatively, from coronavirus lockdown: in interviews, Gilberto has spoken of quarantining in the city through the worst of the pandemic.If the release isn’t quite what Gilberto was imagining, neither was the album itself. Much of it was recorded in 2017 and 2018 with indie producer Read more ...
Thomas H. Green
During the first decade of this century Conor Oberst was critically anointed as a successor to the likes of Bob Dylan, Neil Young and Leonard Cohen. It didn’t seem to make him very happy. His project Bright Eyes, with musical prodigies Nate Walcott and Mike Moggis, twisted and turned through varying musical styles, as if purposefully evading easy definition, while Oberst’s lyrics became increasingly bleak and opaque. Bright Eyes now return, after nine years of absence. Oberst is no happier, but his cryptic, committed, broken-voiced melancholy is a good fit for these times.Bright Eyes' last Read more ...