Shostakovich
Belcea Quartet, Wigmore HallSaturday, 02 November 2013
Pure, unorthodox genius: the terms apply both to the three works on the Belcea Quartet’s programme – Haydn at his most compressed, Britten unbuttoned and sunny, Shostakovich hitting the tragic heights – and, if the term “genius” can be applied to re... Read more... |
Classical CDs Weekly: Brahms, Shostakovich, TchaikovskySaturday, 19 October 2013
Brahms Beloved: Symphonies 2 & 4, Clara Schumann Lieder Orchestra Sinfonica di Milano Giuseppe Verdi/John Axelrod, with Indra Thomas, Nicole Cabelle (sopranos) (Telarc)There’s a glut of Brahms symphonies on disc this autumn, with live... Read more... |
Hallé, Elder, Bridgewater Hall, ManchesterFriday, 04 October 2013
A “world premiere” of music written by Benjamin Britten just over 70 years ago? Whence this treasure trove of long-lost musical gold? Well, under the title of An American in England, in 1942 Britten wrote the score for a BBC/CBS co-produced series... Read more... |
theartsdesk in Stavanger: A touch of FröstSunday, 01 September 2013
Three great pianists, one of the world’s top clarinettists and two fine string players in a single concert: it’s what you might expect from a chamber music festival at the highest level. What I wasn’t anticipating on the first evening in Stavanger... Read more... |
Prom 21: Hope, BBC National Orchestra of Wales, SøndergårdTuesday, 30 July 2013
The “Turning Point” in Colin Matthews’ so-named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it - whatever it is - is going. That Matthews did actually stop... Read more... |
Ma, LSO, Tilson Thomas, Barbican HallThursday, 13 June 2013
What rare luxury. A three-concert series from the London Symphony Orchestra and their Principal Guest Conductor Michael Tilson Thomas is lure enough, but add three collaborations with Yo-Yo Ma as soloist and you have to rope off a special area in... Read more... |
Classical CDs Weekly: Scodanibbio, Shostakovich, Nigel KennedySaturday, 04 May 2013
Stefano Scodanibbio: Reinventions for string quartet Quartetto Prometeo (ECM)Stefano Scodanibbio (1956-2012) was an Italian double bass player and composer. As a bassist, the likes of Brian Ferneyhough and Iannis Xenakis wrote for him. On this... Read more... |
Ballet Black, Linbury Studio Theatre, Royal Opera HouseSaturday, 02 March 2013
Ballet Black open their eighth Linbury Studio Theatre season with a quadruple bill of new works which looks promising on paper but less so in actuality. The evening begins with Robert Binet’s EGAL, the title being a (now obsolete) Middle English... Read more... |
Gerstein, Philharmonia Orchestra, Gardner, Royal Festival HallMonday, 18 February 2013
You don’t have to live under a totalitarian regime to write music of profound anguish. I was driven to argue the point at a Shostakovich symposium when an audience quizzer took issue with my assertion that Britten could go just as deep as the... Read more... |
Classical CDs Weekly: Mompou, Shostakovich, StravinskySaturday, 16 February 2013
Volodos plays Mompou Arcadi Volodos (piano) (Sony)This is excellent, and a brilliant introduction to an under-appreciated composer. Frederic Mompou spent most of his long life in Barcelona, dying there aged 94 in 1987. The piano pieces... Read more... |
Galina Vishnevskaya on Britten and his War RequiemFriday, 14 December 2012
One of Russia’s greatest and most inspirational sopranos, Galina Vishnevskaya died on 11 December at the age of 86. To the world at large, she will probably be most famous for taking an heroic stand alongside her husband, cellist and conductor... Read more... |
Concerto/ Las Hermanas/ Requiem, The Royal BalletMonday, 19 November 2012
With a reputation as the prince of unflinching emotional catharsis, Kenneth MacMillan emerged from the Royal Ballet’s triple bill marking the 20th anniversary of his death as a lord of lyricism. The new bill presents MacMillan three ways, his... Read more... |
