Sheffield
sheila.johnston
If Michael Moore's new film were a person, it would be diagnosed with a severe case of Attention Deficit Disorder. His Cook's Tour through the ills of capitalism spans, inter alia: forced repossessions; worker lock-ins; the breadline salaries of airline pilots, some of whom sell blood or use food stamps to pay the bills; a scam, perpetrated by a judge in collusion with a private company, to make money by sending harmless youngsters to a correctional facility; Hurricane Katrina; the election of President Obama; cats flushing toilets - in short, everything but the kitchen sink.Any one of these Read more ...
sheila.johnston
Whoever first made the observation - some say Winston Churchill, others Ronald Reagan - there is something about the outside of a horse that is good for the inside of a man, and a woman. On stage these noble beasts have inspired some highly successful plays, including Peter Schaffer's Equus, recently revived with Daniel Radcliffe, and War Horse, still living up to its name in the West End after over two years (panto horses probably don't count). In cinema, the legacy is more mixed; but not for nothing is the Western, arguably the greatest of film genres, also known as the horse opera. Horses Read more ...
bruce.dessau
"So, we made it eventually." Having postponed this show two weeks ago due to the M1 doubling as a skating rink, Richard Hawley opened not with a song but an apology. It was hardly necessary. The sold-out Royal Festival Hall last night was prepared to forgive Sheffield's second-finest songsmith - after his chum Jarvis Cocker - almost anything.Making it eventually could also apply to Hawley's career. After two decades and little headway he finally hit paydirt with Coles Corner in 2005, bagging a Mercury Award nomination. If he trod a little water with 2007's self-conscious sequel Lady's Bridge Read more ...
sheila.johnston
Upon emerging from Sheffield railway station, one of the first things you clap eyes on is Andrew Motion’s 2007 poem What If? unfurling down the side of one of the university tower blocks and gleaming faintly in the last of the autumn sun. With its exhortation to “greet and understand what lies ahead... The lives which wait as yet unseen, unread,” it’s not a bad incidental epigram for a festival of documentary film-making whose trailer was inspired by the city’s cosmopolitan identity. Doc/Fest opened on Wednesday with Mat Whitecross’s Moving to Mars (pictured below), about a family of Burmese Read more ...