sex
theartsdesk
You may think the very well-presented comic Stuart Goldsmith - clean-shaven and wearing sensible Merrells (“which says I’m not wearing a fleece but I own one”) - is the sort of bloke your mum always hoped you would end up marrying or having as your best friend. His show is titled The Reasonable Man, and Goldsmith is indeed utterly dependable, he tells us, plus he comes from that most nondescript of towns, Leamington Spa. But he would like to break out a bit.Stuart Goldsmith, Pleasance Dome ****
There’s more to Goldsmith, though, than good looks, an extremely likeable manner and a bright Read more ...
theartsdesk
Daniel Kitson only occasionally performs at comedy venues at the Fringe these days - perhaps a late-night spot here and there, though not a full set - but it has become almost a tradition that he writes a new piece for the Traverse each year. On the cusp of comedy and theatre is, surely, storytelling and Kitson, winner of the Perrier comedy award 2002, has become a storyteller of excellence.It’s Always Right Now, Until It’s Later, Traverse *****And so it proves again with this enigmatically titled piece about the glory of being alive. He tells the stories of William Rivington and Caroline Read more ...
theartsdesk
After making her Edinburgh debut last year, Tiffany Stevenson returns with another cracking show, Dictators. Ostensibly it’s about Mao, Hitler, Pol Pot, et al, but in reality she cleverly manages to do a show about the mother-daughter relationship and our obsession with celebrity in the guise of a political theme. Mums, celebs and bastards on the same bill - it's a stroke of genius.Tiffany Stevenson, The Stand ****
Stevenson is hugely likeable and self-deprecating; before she wrote this show, she tells us, “the Cultural Revolution was a pot of yoghurt to me”. But the serious stuff is very Read more ...
Adam Sweeting
Keen to boost its credentials as “the home of intelligent and ambitious drama”, BBC Two has announced details of its dramatisation of Michel Faber’s bestselling novel, The Crimson Petal and the White. Adapted into four 60 minute episodes by playwright and screenwriter Lucinda Coxon and directed by Marc Munden (of The Devil’s Whore and The Mark of Cain fame), The Crimson Petal stars Romola Garai, Gillian Anderson, Richard E. Grant, Chris O’Dowd and Mark Gatiss.Faber’s book is a psychological thriller which probes into the murky underworld of Victorian sexual politics and prostitution. The Read more ...
Veronica Lee
Going to a late-night comedy show at the Fringe is always taking a risk, not least because every drunken fool in the place, with their oh-so-funny heckles, thinks they’re funnier than the performers. And so it proved at the performance I saw of this deliriously funny sketch comedy, performed by five fit young chaps, in which the payoff to one skit involves one of them going buck naked.
Late Night Gimp Fight!, Pleasance Courtyard ****
Ah, but if only the two over-refreshed women in the front row had known that normally the sketch goes on longer and he would have waved his willy directly in Read more ...
Jasper Rees
She glides on the arm of a tail-coated swain into an elegant Belle Epoque drawing room. Music swirls, eyes swivel. And no wonder. Her thin black dress hugs a gamine frame, a look of masculine confidence rests on her face. Gabrielle Bonheur Chanel, better known to all and sundry as Coco, is making an entrance. Another one.There’s been a lot of Chanel about recently. Coco Chanel & Igor Stravinksy dramatises the couturier’s brief and possibly fictional dalliance with the composer in Paris in 1920. It is only the latest episode in the afterlife of the designer credited with changing the lives Read more ...
Graham Fuller
Violet may be the most violent colour in the spectrum, but its emotional equivalent in the cinema of Michael Powell is red, which frequently symbolises overwhelming sexual and artistic desire. Powell fetishised redness - and redheads like Deborah Kerr and Moira Shearer. This isn’t news for fans and scholars of Powell and Emeric Pressburger, his producing-writing-directing partner in the Archers, but the reds that show up on the Criterion Collection’s new Blu-ray editions of Black Narcissus (1947) and The Red Shoes (1948) seem to me to have a fresh lustrous intensity: call it Red-ray.In The Read more ...
alexandra.coghlan
Finding a cheerful Australian film these days is quite a challenge. Having discovered the particular affinity between Australia’s parched and expansive landscape and the genres of horror and misery memoir, the nation’s filmmakers have set about exploiting it with an enthusiasm that reliably finds a pile of corpses – physical or emotional – bloodily heaped by the time the closing credits roll. Beautiful Kate is no exception, but if you can brave its confronting gaze you’ll find one of this year’s most delicate and accomplished films staring back at you.The film opens with lingering shots of a Read more ...
Veronica Lee
This award-winning series, created by Tom Kapinos in 2007, is groundbreaking television even by Showtime’s daring standards. Californication is a dark - very dark - comedy drama about Hank Moody (David Duchovny), a bad-boy writer who has lost his literary mojo, but absolutely not his mojo mojo, as it were; it has nudity a-gogo, frequent sex scenes, recreational drug-taking and frank discussion of sexual matters.
Some have accused it of being a male fantasy writ large - and Duchovny’s admission that he had been treated for that most modern of conditions, sex addiction, appeared to give Read more ...
Kieron Tyler
The arrival of Gainsbourg: Vie Héroique in British cinemas this week – under its Anglo-Saxon title Gainsbourg – assumes that distributors think there’s an audience. Even so, Gainsbourg hardly has the appeal of a Johnny Cash biopic. Or even an Ike Turner biopic. The release continues a process that began in the early 1990s, when a slow, posthumous rise to recognition of Serge Gainsbourg began outside the Francophone world, au delà de l’Hexagon. France might be a non-stop train ride from London, but this particular Gallic cultural icon has taken a while to make a mark over here.Which means that Read more ...
Jasper Rees
Julianne Moore (b. 1960) is a true rarity. It’s not just that her hair flames like no other star since Katharine Hepburn. Or that alone of her generation she seems impervious to middle age’s indignities. There’s something else. Having worked with dinosaurs in The Lost World and a cannibal in Hannibal, she is mainstream enough to be considered a genuine leading lady. But much of her most eye-catching work, often written for her by indie directors like Todd Haynes and Paul Thomas Anderson, is fiercely extreme in spirit. Pornography, incest, erotica of various hues – hers would be bargepole Read more ...
Peter Culshaw
Travelling along at 140kph in a Mercedes in a police convoy on the wrong side of the road with Prince, and Portuguese fado singer and his new protégé Ana Moura in the front, plus the artist’s agent and Rolling Stones sax player Tim Ries, is pretty rock’n’roll, I can assure you. But it was the only way to get to the gig outside Lisbon in time at last week’s Super Rock Festival. Otherwise it would have taken hours as the traffic jammed to a standstill. A lot of disgruntled paying punters didn’t make it, but over 30,000 managed to arrive, with cars trailing back half way to the city. And the Read more ...