sex
Magic Mike's Last Dance review - ludicrous and radical gyrationsSaturday, 11 February 2023
Magic Mike began as a cautionary tale rooted in Channing Tatum’s spell as a teenage stripper, then morphed into a franchise of reality and theatre shows. Now this second sequel brings original director Steven Soderbergh back, and leaps into pure... Read more... |
Smoke, Southwark Playhouse review - dazzling Strindberg updateMonday, 06 February 2023
A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s... Read more... |
The Sex Party, Menier Chocolate Factory review - disappointing detumescenceFriday, 18 November 2022
In the past, playwright Terry Johnson has mixed sex and comedy with hilarious results. His Freudian farce, Hysteria, and his tribute to traditional British Benny-Hill-style comedians, Dead Funny, share a bed of giggling gyrations with his love... Read more... |
The White Lotus, Season 2, Sky Atlantic review - the sizzling hit drama moves to Italy, but with less fizzWednesday, 16 November 2022
Why did Maui work better than Taormina? Mike White’s second series of The White Lotus, which has relocated for its second season from an upscale Hawaiian resort to the fleshpots of Sicily, is still a worthwhile watch, but it’s hard not to wonder... Read more... |
From Here to Eternity, Charing Cross Theatre review - Pearl Harbour musical fails to flyWednesday, 09 November 2022
Whorehouses, gay prostitution and suicide – you can see why James Jones’ bestselling 1951 novel was bowdlerised by the publishers and sanitised into subtext by Hollywood for the Oscar-laden movie released a couple of years later. As the extensive... Read more... |
Her Way review - turning tricks for her son's sakeSaturday, 27 August 2022
Marie (Laure Calamy), the efficient fortysomething sex worker protagonist of the French drama Her Way, doesn’t have life easy, but she calmly works the badly paid street corners of Strasbourg because she can choose her clients, some of them long-... Read more... |
Closer, Lyric Hammersmith review - still sordid and sexy 25 years onFriday, 22 July 2022
Drama is writing in thin air, its content instantly spirited away into unreliable memory, so if a play is to be revived a quarter century on from its first run, it has to say something substantial about the human condition. Patrick Marber's Closer... Read more... |
Blu-ray: In the Realm of the SensesTuesday, 15 February 2022
Publishing this review of In the Realm of the Senses the day after Valentine’s Day feels very strange. Nagisa Ōshima’s 1976 film is about sex and obsession. Sexual games that start with insatiable lust progress to hitting, a choking to... Read more... |
Pam & Tommy, Disney+ review - the infamous sex tape that went globalWednesday, 02 February 2022
The transformation of Lily James, demure star of Yesterday, Cinderella and The Guernsey Literary and Potato Peel Pie Society, into smokin’ beach babe Pamela Anderson is the most memorable thing about Disney+'s uneven eight-part drama. At its core is... Read more... |
The Teacher, Channel 5 review - inappropriate behaviour in the school environmentTuesday, 01 February 2022
Having had her own problems with alcohol and anxiety, Sheridan Smith no doubt felt some kinship with Jenna Garvey, the central character she plays in The Teacher. Evidently a talented educator who inspires loyalty and enthusiasm in her pupils, Jenna... Read more... |
The Holiness of Sex: Leonard Cohen's Biblical TheologyWednesday, 15 December 2021
On hearing that I had recently written a book about Leonard Cohen, someone asked me why I thought Bob Dylan was awarded the Nobel Prize for Literature rather than Cohen. Not being a Nobel prize adjudicator I couldn’t answer the question but I did... Read more... |
The Wife of Willesden, Kiln Theatre review - a saucy ode to BrentFriday, 19 November 2021
Zadie Smith might not be the only writer who can rhyme "tandem" with "galdem", but she’s the only one who can do it in an adaptation of Chaucer. In The Wife of Willesden, her debut play, a modern version of one of the Canterbury Tales, Smith’s... Read more... |
