sex
Jasper Rees
Fifty Shades of Grey is upon us, more or less literally. It's a bit like the clamber-cam POV shot of Jamie Dornan materialising through Dakota Johnson’s spread legs. The teaser campaign has completed its titillating foreplay, and this weekend the fairytale fantasy franchise about fucking and slapping (but please, sir, no fisting) thrusts its entire length into the world’s cinemas. How will it be for you? The morning after, will audiences still be applying Arnica to their assaulted senses?Let’s start with what it’s not. It’s not the worst film in the world. To an extent, it has been rescued Read more ...
Matt Wolf
A New York blizzard so intense that people can't get out the front door traps a random couple who have hooked up online into a rather longer mating dance than they had anticipated. That's the essence of Two Night Stand, the debut film from director Max Nichols (son of the late, great Mike, who died in November) that prolongs a wearyingly cute premise well past breaking-point.That one sticks with the goings-on at all pays credit to the cast of what is essentially a two-hander: the large-eyed Analeigh Tipton and the ever-remarkable Miles Teller, the Whiplash star here cast as a horndog Read more ...
Tom Birchenough
With its combination of a Tom Waits lament and visuals tracking over art works by Viennese modernists like Klimt and Schiele, the opening of Nicolas Roeg’s 1980 Bad Timing stays in the memory – its mood remains just there. The territory is defined gradually: variations on obsession, sexual but not exclusively. One line in the script suggests “lineaments of gratified desire”, though the elements of gratification here remain dubious for all concerned.Bad Timing came at the end of Roeg’s glorious 1970s, after Performance, Walkabout and Don’t Look Now. He came on a variation of the script through Read more ...
Thomas H. Green
Let's face it, we're all fascinated by orgies. The idea of them gets the blood up. Sex Party Secrets promised a window into this netherworld, advising that such events are increasingly popular, that we're becoming a more liberated nation. At least, the rich are. The documentary's hashtag, #POSH ORGIES, lays down the parameters. This isn't about the world of paunchy, middle-aged suburban wife-swapping but, instead, parties that promise high-end glamour and ecstatic release, as recounted by the organisers, alongside the experiences of attendees.Director James Newton does a great job marshalling Read more ...
Sarah Kent
There is nothing erotic or titillating about The Institute of Sexology, an exhibition the Wellcome Collection plans to keep open for a year. Those expecting a display of fertility symbols, fetish objects, kinky clothing or sex aids down the ages will be deeply disappointed. Just about enough objects and images are included to keep you interested, but the bulk of the show is not dedicated to sexual practices but to the 19th- and 20th-century doctors, anthropologists and psychologists who spent their lives studying sexual behaviour. And therein lies the problem. The exhibition format makes Read more ...
Matt Wolf
A peculiar slice of 19th-century cultural life is mined to minimal effect in Effie Gray, a stillborn labour of love that doesn't justify the long slog from screenwriter and supporting player Emma Thompson required to bring this tale to the screen. It's not just that her husband, Greg Wise, is miscast in a part - that of the visionary critic, educator and sometime-painter John Ruskin - for which he's several decades too old. But the saga of the famously unconsummated marriage between Ruskin and his Scottish wife, Effie, in this telling raises more questions than it answers, and one can imagine Read more ...
Tom Birchenough
At the risk of endorsing national stereotypes, I’ll still describe Yann Gonzalez’ feature debut You and the Night as a very French film. Its appearance in Critics’ Week at Cannes last year brought comparisons with Francois Ozon and Pedro Almodovar for a combination of style and sex, arguably at the expense of substance. And you can’t help feeling that the ghosts – it’s a work very much concerned with ghosts and fantasies – of Cocteau and Genet are lurking somewhere too.Gonzalez’ opening scene, as a woman is driven by a mysterious motorcyclist (pictured, below right) away from a figure she's Read more ...
Kieron Tyler
The release of a restored version of 1974’s Immoral Tales on Blu-ray raises inevitable and unavoidable issues: whether the film is pornography, art or arty pornography. Then, there’s the matter of whether its director Walerian Borowczyk was a misogynist; an objectifier of women. Consideration of its qualities as a film can be lost in such debate.Borowczyk (1923-2006) was working to the directive of his producer, who suggested he make a film to capitalise on France’s newly relaxed censorship laws. This had the added benefit of also, via its nudity and sexual themes, hopefully attracting more Read more ...
Katie Colombus
Action film fans should stay away from this Roman Polanski duet. But those who like their sexual politics served in symbolic form will be delighted. Polanski's wife Emmanuelle Seigner stars as an actress, Vanda, and Polanski-lookalike Mathieu Amalric as the writer-director Thomas.It's not entirely an adaptation of the 1870 novella by Leopold von Sacher-Masoch (from whom the word masochism derives), but a version of the David Ives play about the link between sexual obsession, pleasure and pain. Venus in Fur is like a play: the entire 95 minute duration is set within the confines of a Read more ...
Andy Plaice
Wolverhampton today, tomorrow the world. As unlikely as it was, that was the incentive for aspiring prize-winners in this first of three stories from Channel 4 looking at regional beauty pageants which in turn lead to Miss England and beyond.The events themselves pretend to have moved on from the 1970s when beauty contests were screened live on television, attracting huge audiences in awe at the glamour of it all. Whisper it, but you’re not allowed to call them beauty queens any more. As we saw through the eyes of four young women from the West Midlands, vying to become Miss Black Country, Read more ...
Ismene Brown
Sex farce, class comedy, crime thriller, existential tragedy, supernatural shocker - Don Giovanni is, as Jonathan Kent notes about his production in the Glyndebourne programme, a cabinet of curiosities. Mozart's music hurdles to and fro across two centuries, the baroque 18th century and the disorientating romantic depths of the 19th; the characters are either stock (Leporello the comic sidekick, Anna the wronged virgin) or so subtle that they need redefining for every staging and every time (Elvira, and the lothario Don Giovanni himself). But again and again, Mozart’s 1787 opera proves itself Read more ...
Matt Wolf
For an artist who famously can't travel to America, Roman Polanski would appear to have an unstoppable passion for filming small-cast Broadway hits. On the back of Death and the Maiden and Carnage, both of which diminished their stage sources, along comes Venus in Fur, adapted from the David Ives play that had no fewer than three separate New York runs, making a star of its husky-voiced young leading lady, Nina Arianda, who won a 2012 Tony for her work.And in that same role as an actress who gives her director considerably more than he bargained for, Emmanuelle Seigner (aka Mrs Polanski) Read more ...