sex
Nick Hasted
Sex sells, except in the cinema. So although it denies viewers the sight of Karl Glusman’s erect penis swinging towards them across a giant screen in 3D, home video is Love’s natural home. Director Gaspar Noé’s attempt to “make movies out of blood, sperm and tears” which also “truly depicts sentimental sexuality”, as his surrogate Murphy (Glusman) declares, has been overshadowed by further 3D close-ups of a penis ejaculating and entering a womb. But the pounding, excessive attempts at the visionary of his previous films Irreversible and Enter the Void are quieter here. Love begins with a Read more ...
Adam Sweeting
Well, they're saying this was the final episode, but these days you never know how long TV's ratings-hungry marketeers might eke a successful show out for. London Spy 2 would be a major ask, considering how this series somehow spun a bare minimum of content (even though it was shrouded in oodles of atmosphere) out to five episodes. Still, the ending didn't really end, so watch this space. London Spy got off to a flying start, but by the middle of episode three it was a racing certainty that great expectations were unlikely to be satisfied by a meaty and satisfying denouement. Rather Read more ...
Jasper Rees
There’s never been any agreement about translating the participle. Its victory as 1968’s best foreign film is listed on oscars.org as Closely Watched Trains. The novel by Bohumil Hrabal is generally known in English as Closely Observed Trains, and that is the phrase that, in the subtitles, issues from the lips of an official who warns the railway guards in a Czech village station to do their best for the Reich. In either translation it’s a misnomer. Jiří Menzel’s masterpiece, and perhaps the greatest monument of the Czech New Wave, is really about men closely observing women.Václav Neckář Read more ...
Marianka Swain
Teenagers lie – that’s nothing new. But are the activities they’re concealing from anxious parents in this oversharing digital age more extreme, more likely to define their lives and those of the people around them? James Fritz’s 90-minute debut, the first of two Hampstead Downstairs transfers to Trafalgar Studios, dives headfirst into that murky paranoia, with dramatically mixed but thought-provoking results.Di (Kate Maravan, pictured below right) is shocked when 17-year-old son Jack comes home with blood on his shirt. Husband David (Jonathan McGuinness) tries to fob her off with cover Read more ...
Veronica Lee
Revenge dramas are such a guilty pleasure - there's a vicarious thrill in watching a baddie being taken down in a way that we might wish to, but never would, in real life. And boy, but did Gemma take down cheating husband Simon in the closing episode of Mike Bartlett's Doctor Foster. Senior GP Gemma and hip property developer Simon's perfect life, with their perfect house and their perfect son was, of course, anything but - and finally it all came crashing down.Waiting for Gemma to exact her revenge on Simon over his relationship with their friends Susie and Chris's daughter, Kate (a Read more ...
Marianka Swain
Theatre is in the very bones of this bold adaptation, with the Lyric gifted a cameo role: past productions are fleetingly pastiched in a flashback to the era of the venue’s foundation. Laura Wade and Lyndsey Turner translate the vividly immediate first-person narrative of Sarah Waters’ 1998 novel into a world coloured by the experience of their heroine, whose coming-of-age story is sparked by the stage: make-believe illuminating the truth of her sexual identity. Music hall vocabulary creates a stylistic framework for this episodic, picaresque tale, but there are too few glimpses behind Read more ...
Marianka Swain
The major controversy of this revisionist BBC adaptation is not DH Lawrence’s naughty bits, but the lack of them. Gone are the four-letter words and personified genitals – just one half-embarrassed mention of “John Thomas” – while graphic sexual descriptions are replaced by soft-focus, coyly implicit lovemaking. Adaptor-director Jed Mercurio’s desire to avoid the TV trend of exploitative (particularly female) nudity is admirable, but by dismissing the racy passages as “smut” and grasping for an egalitarian, 21st century reading, he’s produced a surprisingly conservative romance.Lawrence’s Read more ...
Tom Birchenough
What exactly do we expect when a drama opens with the declaration, “This is a true story”? The Scandalous Lady W, based on Hallie Rubenhold’s biography Lady Worsley’s Whim, brought us some unusual 18th century marriage shenanigans that ended in one of the most scandalous court cases of the era. But, despite its central legal scenes, “the truth, the whole truth, and nothing but the truth” wasn’t the order of the day.David Eldridge’s screenplay instead adjusted details to strengthen what would have anyway been a very acute commentary on the status of women in society, and particularly within Read more ...
Jasper Rees
Lucky old us. We are now living “in a techno-sexual era”. So claimed this documentary about dating apps which radar-guide you to the nearest available groin. If groins are your thing, that is, and they are by no means everyone’s. We heard about a man who wanted to paint a woman green and “spank you like a big fat avocado”. Another woman was considerably aroused by the sight of a man putting his motor into reverse. We met a puppy fetishist who trusses himself up in leather straps and yaps a lot. This is not to be confused with dogging.The Secret World of Tinder wasn’t really about secrecy at Read more ...
Jenny Gilbert
This 1887 domestic drama by August Strindberg is rarely seen in London, and Abbey Wright’s new production of Laurie Slade’s new version might have seized the opportunity to give this gristly chunk of pre-Freudian sexual polemic a thorough 21st-century shake-up. That chance is missed.Instead of bracing modernity (the play would have startled its first audiences with its naturalism), we’re presented with a historical hybrid of a world in which the characters wear approximations of fin-de-siècle dress, and the arrival of visitors is heralded by sleighbells, yet a husband may speak of his wife as Read more ...
Jenny Gilbert
In the beginning was the Word and, not long after, came a need for ritual purification. “When Adam was banished from Eden, he sat in the river that flowed from the garden. Adam immersed in the water, in the very first Mikvah …”.Goyim audience members will be grateful, as I was, for the gloss on this traditional Jewish practice given by one of the characters in the opening minutes of The Mikvah Project, the first full-length play by Josh Azouz, who is currently on the Royal Court’s writers programme. We were more grateful still for his bringing the ballast of comedy to such topics as faith, Read more ...
emma.simmonds
David Robert Mitchell's second ode to innocence lost is a rather more twisted take on the subject than his first film, The Myth of the American Sleepover. That was a beautifully judged ensemble coming-of-ager which merely teased us with horror tropes. Alongside the titular teen tradition it featured an abandoned warehouse, a Ouija board, a trip down to the basement and a midnight swim. With his chilling follow-up Mitchell goes full horror, presenting us with a STH: a sexually transmitted haunting.It Follows updates Halloween's suburban horror story – where the adults disappear, leaving Read more ...