sat 23/08/2025

Scotland

Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocation

There’s been an incident in Edinburgh. Right near the Scottish Parliament. Several dead, many more injured. Among the witnesses were two of the capital’s young football stars, now clearly traumatised by what they’ve seen. Someone shouting about...

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The Traitors, Series 2, BBC One review - back to the mind-labyrinth

Asking whether there could be an end to melody given only 12 notes to work with, Sergey Prokofiev compared the possibilities to a chess game: “for the fourth move of the White there will be about 60 million variants.”So it is with the basic formula...

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Jekyll and Hyde, Lyceum Theatre Edinburgh review - audacious contemporary resonances

Evil walks among us. But it doesn’t arrive courtesy of mad scientists, bubbling potions and horrifying transformations. Instead, it comes from ordinary people surrendering themselves to their basest desires and resentments. Even worse, doing that...

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Powell and Pressburger: A Celtic storm brewing

“Nothing is stronger than true love,” a young laird says to a headstrong young woman in Michael Powell and Emeric Pressburger’s I Know Where I’m Going! (1945), his voice heard above the sounds of wind and waves. She replies, “No, nothing.”Even as...

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Same Team, Traverse Theatre Edinburgh review - shamelessly unseasonal Christmas cheer

You can keep your Cinderellas, your Aladdins, your wannabe Lord Mayors of London. The way forward with Christmas shows is clearly women’s football – more specifically, a Scottish five-a-side team that competes in the Homeless World Cup.You’ve got to...

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Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized sound

There was something misleading about the opening of this concert. As Andrew John Hozier-Byrne and his band stepped onstage, the stage was lit up by a single spotlight, focused around the microphone that the singer stepped up to. Yet the following...

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CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberance

There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way, for alongside the singing and dancing there was a helping of cheeky...

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MacMillan's Christmas Oratorio, Lois, Williams, RSNO, MacMillan, Usher Hall, Edinburgh – a great composer at the top of his game

It is not every day that a new choral work by a living composer can confidently be labelled a masterpiece. Yet this is what we have here. James MacMillan’s Christmas Oratorio is still sufficiently freshly-minted to be receiving its Scottish premiere...

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Greta Van Fleet, OVO Hydro, Glasgow review - all rock and very little roll

If nothing else, you couldn’t accuse Greta Van Fleet of short-changing fans when it came to costumes or pyro. It felt like every few minutes the Michigan throwback rockers frontman Josh Kiszka was disappearing offstage, only to reappear in a variety...

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Shetland, Series 8, BBC One review - same place but a different programme

The question they’re all asking is, can Shetland survive the loss of Douglas Henshall as DI Jimmy Perez? After all, it was Henshall’s shrewd and quietly anguished performance which gave the show much of its allure. And now there’s no Mark Bonnar...

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FLIP!, Summerhall Edinburgh review - sassy, satirical parable

You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new...

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Maisie Peters, O2 Academy, Glasgow review - conjuring up an enjoyable pop spell

When Maisie Peters first appeared onstage she loudly asked if the crowd were ready for “the best night of their lives”, and given the youthful nature of the audience the ensuing 80 minutes might have lived up to the hype. There were screams,...

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