sci-fi
Joe Muggs
It's genuinely sad that last night's proceedings are not higher on the cultural agenda and that the gleaming new Kings Place auditorium was only half full. But as one of the participants pointed out, 50 years on from C P Snow's Two Cultures, there is still an arts establishment for whom sci-fi means Star Trek, and the ludicrous guff of Independence Day touches more of a nerve than Arthur C Clarke's visionary treatment of the same subject-matter in Childhood's End. The event, the last in a series of science discussions organised by Nature magazine, all began very sensibly with a laying out Read more ...
Adam Sweeting
In space, no-one can hear you snore. The opening two-parter of Defying Gravity introduced us, in a sluggish and tortuous manner, to the six-year mission of the spacecraft Antares, which contains eight astronauts and will visit seven planets, starting with Venus. Everything was meant to be stirring and momentous as mankind took up the baton previously lifted by the likes of Vasco da Gama and Neil Armstrong, to pursue the quest for knowledge and new frontiers. More prosaically, the trade journals tell us that Antares may be brought down by networks pulling the financial plug before it can be Read more ...
Adam Sweeting
Considering that Stargate began as a colossally silly Roland Emmerich movie about ancient Egyptians with magic wands and spaceships, it's proving astonishingly resilient. The Stargate SG-1 TV series created a booming fanbase so eager for more that it spun off Stargate Atlantis. There have been straight-to-DVD movies, computer games, books and animated series. Now here's Stargate Universe, which – judging by this double length opener – creators Brad Wright and Robert S. Cooper might equally well have called Stargate Galactica, Stargate Trek, or even Stargate Lost.Or why not McStargate, since Read more ...