Russia
Tom Birchenough
“Who is Mr Putin?” That was the question being bandied about by journalists and Kremlin watchers in the months after Boris Yeltsin’s out-of-the-blue New Year’s Eve 1999 resignation. Vladimir Putin, ex-KGB operative in East Germany, was prominent in the St Petersburg city administration through the early 1990s; called to Moscow in 1996, he held various Kremlin jobs, before being appointed head of the FSB (the KGB’s successor) in July 1998, and in August 1999 Russia’s prime minister. His 2000 victory in presidential elections came as little surprise, and his assertive, populist tactics ensured Read more ...
Tom Birchenough
It took a relatively little-noticed television documentary, Vlad’s Army, broadcast in Channel 4’s Unreported World strand to confirm that theartsdesk has a readership in Russia. Peter Oborne’s film (the presenter pictured below) caught the pro-Kremlin youth movement, the Nashi, with its defences down, and the result depicted, no holds barred, how politics works there today. Recent events hint, somewhat unexpectedly, that political change in the country is in the air; at the least what had seemed a depressingly predictable certainty before December’s elections now at least now looks up for Read more ...
Ismene Brown
Slava’s Snowshow is a Christmas package you don’t want to have unwrapped for you by someone else's description - it’s a fantastical, childlike, theatrical experience that for many is among the most profoundly delighting of their theatre-going experience, for others an empty whimsy. It's a show of mime, clowning and coups de théâtre, stunningly conceived on the twin themes of snow and the gruelling Russian winters outdoors, where street cleaners live out their lives, vagrants of an outcast kind of peculiarity and optimistic imagination, where brooms and bins are constants in their lives, where Read more ...
theartsdesk
Over the year we have reviewed many a new film and television drama in theartsdesk's Disc of the Day slot. As our series of DVD recommendations comes round to the movies, we have chosen to concentrate not on individual titles but box sets. For completists we suggest everything from Harry Potter to Ken Loach, The Avengers to Tarkovsky. If you want more Chaplin or Eisenstein in your life, here, too, is a good place to start. These collections and collations are a worthwhile investment for serious and playful fans of film and drama alike. The great thing about a box set - be it three discs of Read more ...
Nick Hasted
The Cranes Are Flying begins with the literal rush of young love, as Boris and Veronica skip down a street, giddy with endorphins. They could be infatuated young Americans in the rock’n’roll year of its making, 1957. But this is Moscow in 1941, as a radio announces Russia is at war, and Boris (Alexei Batalov) volunteers for the front. The chaotic crush of women saying goodbye to men, in which Veronica (Tatiana Samoilova) can’t quite reach him, heartbreakingly brings home war’s human cost, as do later scenes of Moscow’s equivalent to VE Day – another visceral spectacle of overwhelming emotion. Read more ...
David Nice
The Royal Scottish National Orchestra's Glasgow concert tonight has had to be cancelled because of what my Scots godson, in far less extreme conditions down in the Borders, once described as "horrifying wind and rain". The programme? The Suite from Rimsky-Korsakov's The Snow Maiden, about a northern people in the grip of extended bad winter weather until the icy heroine should be melted by the rays of love, and the second act of Tchaikovsky's The Nutcracker, where admittedly it's in the first that ballerina snowflakes eventually get tossed around in a storm and the heroine heads off with her Read more ...
David Nice
Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season featured some of the less than inspired recent works Rodion Shchedrin has been dredging by the yard. Yet few would begrudge the palm of deep and original musical thought to this past week’s heroine, Sofia Gubaidulina. Gergiev riveted a quarter-full Albert Hall with her stunning St John Passion and Resurrection at the 2001 Proms, and last night he had a Read more ...
David Nice
What’s not to love about Tchaikovsky’s candid, lyric scenes drawn from Pushkin’s masterly verse novel? ENO’s advance publicity summed it up neatly by promising “lost love, tragedy, regret”. We’ve most of us been there. That does mean that truthfulness to life can count for even more in a performance than good singing. Both burned their way through Dmitri Tcherniakov’s radical Bolshoi rethink, but while there are four fine voices to help Deborah Warner’s surprisingly traditional production along, the truth flickers very faintly here.Warner updates the action, but by less than a century: Read more ...
Tom Birchenough
The Nikolai Ge retrospective at Moscow’s Tretyakov Gallery marks the 180th anniversary of the artist’s birth – not the kind of round centenary or bicentenary landmark that often brings such projects to fruition. But the show is literally a revelation – at its centre are the religious works from the last years of his life, many of which returned only this year to Russia from abroad. A series of pencil drawings based on the Crucifixion show the artist working in a style that seems astonishingly ahead of his time.The last time I visited these exhibition halls, part of the Tretyakov’s “new” Read more ...
graeme.thomson
The next time you find yourself mumbling unkind words about the apathetic youth of today, or else deriding the muddle-headed protests of twonkish Charlie Gilmour types, stop and think about the Nashi. A right-wing Russian youth organisation bankrolled by Vladimir Putin’s shady regime and various big business interests, they practically make you want to raise a statue to any teenager who chooses to spend their daylight hours idling beneath a duvet or playing Robin Hood in the City.The astonishing opening scene of this latest instalment in the ever excellent Unreported World series showed Read more ...
Sam Marlowe
“Smackhead, groin doctor and smut-scribe”: that’s one way in which writer Mikhail Bulgakov is described in John Hodge’s debut stage drama. A kind of wild fantasia spun around incidents from Soviet history, the piece goes on to show how Bulgakov – who was indeed a former physician specialising in venereal disease, and a self-medicating sufferer from nephrosclerosis – his art suppressed, his livelihood precarious and his career stymied, is ungently persuaded to pen a play in celebration of Stalin, and in the process is drawn into collusion in acts of appalling political brutality.A successful Read more ...
graham.rickson
This new production, Opera North’s first, sounds fantastic – Tchaikovsky’s lurid colours are brilliantly painted, and the compact dimensions of the Grand Theatre mean that the big orchestral tuttis have a devastating impact. Richard Farnes’s conducting is faultless – this music really swoons, screams and seduces. And despite the occasionally overpowering volume, Farnes never lets his orchestral playing drown out the singers.The piece is given in an excellent, witty English translation – sung with such clarity that the surtitles feel unnecessary. Tchaikovsky adapted and expanded Pushkin's Read more ...