Royal Albert Hall
david.cheal
When I last saw Paul Weller at the Royal Albert Hall he was becalmed in the doldrums of his career – between the demise of the Style Council and the release of his “wake up and smell the coffee” album, Stanley Road. On stage, Weller was a sheepish figure who only sporadically sparked with enthusiasm for his music; it wasn’t much fun. What a difference nearly 20 years can make: this time around he was confident, assertive, vigorous, alive – an elder statesman of rock who has reached the point where he can fill up a five-night residency at the Royal Albert Hall (of which this was the second Read more ...
Jasper Rees
In their recommendations of the best of this year's BBC Proms, theartsdesk's music writers have been thunderously silent on the only event that will excite a certain section of the audience demographic. I refer, of course, to what will no doubt become the traditional Doctor Who Prom. Or Proms.In 2008 the inaugural Prom featuring music from the flagship BBC One drama was so successful, drawing a sizeable audience on television as well as many junior first-timers to a classical concert, that this time round the ever-inclusive Proms boss Roger Wright has scheduled two of them. So Prom 10 on Read more ...
david.cheal
Earlier this week, when the line-up for Richard Thompson’s Meltdown festival was announced, one name in particular will surely have raised a few eyebrows: Paolo Nutini. Among the appearances by serious old folkies and earnest young Wainwrights and an “evening of political song” that Thompson has planned for his stint as curator of the annual festival on London’s Southbank, a show from this young Scottish singer and songwriter seemed a bit of a lightweight choice; perhaps even a controversial one.With two hit albums to his name and a fascinating back-story – he was spotted when he made an Read more ...
edward.seckerson
“If you feel like singing along... don’t.” Michael Ball knows his audience – I mean, really knows his audience - and only he could turn a rebuke into a well-timed gag. About that audience: the age range is a good half-century but at its heart are the hardcore Ballites, the mums and grandmums who adopted the fresh, smiley, dimple-faced, leading juvenile 25 years ago and have been on his tail ever since.The defining moment for them was probably a number called “Love Changes Everything” from the Andrew Lloyd Webber/Charles Hart show Aspects of Love. Not one of Lloyd Webber’s best numbers ( Read more ...