ROH
Woolf Works, Wayne McGregor, Royal BalletTuesday, 12 May 2015
On my way to the Woolf Works opening last night, I made the mistake of reading The Waves, Virginia Woolf’s most experimental novel. It was a mistake because even the briefest immersion in Woolf’s prose was a thousand times more exhilarating than the... Read more... |
Antonacci, ROHO, Pappano, Royal Opera HouseTuesday, 05 May 2015
Few conductors would think of putting Bernstein’s comic-sexy Fancy Free ballet and the orgasmatron of Scriabin’s The Poem of Ecstasy together in a concert's second half. In fact I’ll wager, without research, that it’s never been done before. Yet as... Read more... |
ATTHIS, Linbury Studio TheatreFriday, 24 April 2015
I do wish that arts institutions would stop using the word “immersive” when they simply mean “staged”. Just to be clear, there is nothing “immersive” about Netia Jones’s new staging of Georg Friedrich Haas's song-cycle ATTHIS at the Royal Opera... Read more... |
La Fille mal gardée, Royal BalletSaturday, 18 April 2015
In 1803 they called it Filly me Gardy. Today British ballet lovers refer to it by a single coded syllable: “Fee”. But translating its title is, for audiences at least, the only hard thing about this three-act romcom by Frederick Ashton. The rest is... Read more... |
The Four Temperaments/Untouchable/Song of the Earth, Royal BalletSaturday, 28 March 2015
After the second piece of last night's triple bill, Hofesh Shechter's Untouchable in its world premiere, my friend asked me why it had been put on the programme with the first piece, George Balanchines 1946 Four Temperaments. He wondered if there... Read more... |
Die Zauberflöte, Royal OperaSunday, 01 March 2015
Mozart’s The Magic Flute is one of those operas, like Verdi’s Il trovatore and all the mature Wagner masterpieces, which need a line-up of equally fine singers but rarely get it in the compromised world of the opera house. With Christiane Karg and... Read more... |
Der fliegende Holländer, Royal OperaFriday, 06 February 2015
Like the Dutchman himself, Tim Albery’s Der fliegende Holländer makes its inevitable return to the Royal Opera House. Unlike the Dutchman, however, this production has broken free of its cycle of repetition. Perhaps expectations have changed,... Read more... |
Tristan und Isolde, Royal OperaTuesday, 09 December 2014
Eternal love is in the air, not seasonal fluff, at the Royal Opera this December. Later in the month Verdi’s most ecstatic duet, in Un ballo in maschera, will find his Riccardo and Amelia briefly playing Tristan and Isolde, very much in the shadow... Read more... |
L'Elisir d'Amore, Royal OperaWednesday, 19 November 2014
“Watch out for the dog!” instructs Covent Garden’s programme for its latest revival of L’elisir d’amore. These creatures do have a way of stealing shows, but the canine who dashed across the flat Italian cornfield after Dr Dulcamara’s decrepit lorry... Read more... |
Glare, Linbury Studio TheatreSaturday, 15 November 2014
Søren Nils Eichberg’s new opera Glare is advertised as a “taut” thriller. It’s actually a short thriller. Big difference.The question of whether or not opera – a medium that wouldn’t win any prizes for sprinting – can successfully pull off a... Read more... |
Idomeneo, Royal OperaTuesday, 04 November 2014
God-sent sea monsters and divinely ordained human sacrifices don’t wash well with opera updated. The favoured contemporary take on the post-Trojan War myth of Mozart’s Idomeneo, which may even have originated in the last Covent Garden production 25... Read more... |
Cassandra, Ludovic Ondiviela, Royal Ballet, Linbury StudioFriday, 31 October 2014
Madness is a favourite trope of opera, less so of ballet. There’s Giselle, but her insanity lasts only a few minutes. There’s Kenneth MacMillan’s delusional Anastasia, who believes she's the daughter of the last Tsar of Russia, but the advent of DNA... Read more... |
