rock
Adam Sweeting
Not the least interesting aspect of Give Us The Money, an examination of the effectiveness of famous pop stars campaigning to end poverty in Africa, was how historical it felt. Homing in specifically on Bob Geldof and Bono, who between then have spent decades hectoring the public, berating politicians and schmoozing billionaires with a view to alleviating the sufferings of millions of starving Africans, it was a glimpse into a lost world of stadium rock, furry non-HD video and political yesterday's men, like Gordon Brown and George W Bush.The commentary seemed to promise a controversial Read more ...
garth.cartwright
As Ian “Lemmy” Kilmister heads towards his 67th birthday does he ever reflect on the strange and fabulous journey his 50 years as a professional musician have taken? I doubt it – navel gazing not being something Stoke On Trent’s most famous son is known for indulging in. Yet this fierce pensioner has worked his way from grafting on the 1960s Northern working men’s clubs circuit as guitarist with The Rockin’ Vicars through roadie for Jimi Hendrix to providing hippie blowhards Hawkwind with their most memorable moments then forming Motörhead only to find that punk’s toilet clubs were the only Read more ...
Adam Sweeting
What a year for great British institutions. Sixty years of Elizabeth II, 50 years of James Bond, and a half-century of the Rolling Stones. To recycle an even older cliche, we will never see the like of any of them again.Brett Morgen's Crossfire Hurricane is a chronicle of the Stones' career, assembled from a wealth of news, documentary and home-made footage stretching back to their earliest days as a scraggy west London blues band. The commentary, other than that supplied by various interviewers and TV anchormen glimpsed across the passing decades, is provided by the Stones themselves, who Read more ...
Lisa-Marie Ferla
If the subtitle - The Life and Near Death Story of Patty Schemel - didn't make it clear enough, Hit So Hard was never going to be your average "rockumentary". At about eight minutes in, before the titular drummer properly establishes us in the 1990s US grunge scene that forms much of the backdrop to her story, Schemel is already speaking openly and frankly about the addictions to alcohol and drugs that cost the lives of friends, her role in a platinum-selling rock band and very nearly her own life.To get the obvious out of the way first: Patty Schemel is, almost probably, the greatest rock'n' Read more ...
Kimon Daltas
Bon Iver’s eponymous second album is nearly a year-and-a-half old now, so its bigger, richer sound – compared to the homemade sparseness of the debut – is well established. Nevertheless, it was hard not to wonder how any band assembled by Justin Vernon would function in the hangar-like Wembley Arena. Would success claim another victim?Vernon’s approach is courage in numbers, and those initial qualms fall away when he leads eight musicians on stage and launches into "Perth", the opening track of Bon Iver. The sound builds to fill the space, the plaintive howl of Vernon’s falsetto soars above, Read more ...
Russ Coffey
Aerosmith’s reign as kings of the power ballad seems to be over. Their latest single is such syrupy tosh you can hardly believe it's them. But it is just a single, right. What of the rest? Songwriting collaborator Marti Frederiksen says the album's also full of "rockers". He was part responsible for the rather nice “Jaded” a few jears back, and has also written with Def Leppard and Motley Crue. So surely there's plenty of the melodic pop-rock they do so well?Unfortunately not. It gets off to a bad start with a silly voiceover that tells you to surrender your emotion. But if only the album had Read more ...
joe.muggs
Muse are not cool. For a minute on leaving the tube station I did think they'd broadened their appeal quite dramatically before realising that a fair section of the people around me were heading to Giants of Lovers Rock show also at the O2 complex last night. But no, their audience, judging by those heading for the main arena, are a fairly even split between hyper-mainstream V Festival demographic and slightly misshapen indie/goth kids, not really much more rock'n'roll in demeanour than, say, a Coldplay crowd, but very dedicated.This isn't meant pejoratively, not at all. It's just that Read more ...
Adam Sweeting
We last heard from Young and Crazy Horse as recently as June, when they released the bizarre covers album, Americana. By contrast, Psychedelic Pill is a gargantuan helping of new material - the first released by Young with the band since 2003's Greendale - which sprawls across two CDs and manages to revisit virtually every familiar landmark of their collective history.And despite the manic waves of creative energy surging from these grooves, "history " is the operative word. Having recently issued an autobiography, Waging Heavy Peace, Young is evidently in stock-taking mode, as we Read more ...
bruce.dessau
We currently seem to be awash with rockumentaries. The Rolling Stones have yet another retrospective out, while Friday night on BBC Four would not be complete without dusting off the back catalogue of some mid-table band once adored by some nice middle-aged folk unable to find a babysitter. Status Quo fare better than a BBC Four slot, if less well than Jagger & co's la-di-da London Film Festival airing, with their very own doc, Hello Quo, enjoying a brief cinema release before coming out on DVD.While Quo might not have the cachet of the Stones, they do have a definite niche. Welcome to Read more ...
Lisa-Marie Ferla
The concept album can be a tricky beast; Titus Andronicus’s 2010 epic The Monitor more so than most. How to follow up an album that loosely ties your frontman’s break-up to the American Civil War, complete with spoken-word interludes voiced by contemporary punk artists playing historical figures, in which rousing choruses bounce surprisingly out of 14-minute rock operas? The answer, as provided by Local Business, is that you don’t.Titus’s third full-length is instead probably as close to a straight-up rock record as they have in them, bearing in mind that we are talking about a band from Read more ...
bruce.dessau
Can a septuagenarian wear skinny trousers? It is not a question that I ask myself very often, but it was my first thought on seeing the frighteningly fit 73-year-old Ian Hunter stroll onstage at the Shepherds Bush Empire last night. Life in America clearly suits the Shropshire-born former frontman of Mott the Hoople, as he led a band young enough to be his children through a storming, age-defying 110-minute set.Ian Hunter has been around long enough to know what the fans want and he was happy to give them plenty of it, with a show that mixed tracks from his latest album, When I'm President, Read more ...
Lisa-Marie Ferla
The Gaslight Anthem’s star has been in the ascendant for some time now - arguably since the release of their 2008 breakthrough record, The ’59 Sound. But nowhere has that change been more dramatic than in the evolution of their live shows. The Gaslight Anthem that commanded the stage in Glasgow last night was an altogether more confident, self-assured beast than the band that played the same venue in the summer of 2010.There’s a certain weariness that sits on Brian Fallon as a songwriter nowOne thing that hadn’t changed since then, however, was the somewhat eclectic choice of support band. Read more ...