rock
Adam Sweeting
Though packaged as a tale of an ageing rock star, Danny Collins is really an autumnal comedy-drama about regret, redemption and trying to seize life's second chances. As the title character, a cheesy AOR veteran pitched somewhere between Neil Diamond and Neil Sedaka, Al Pacino demonstrates why he and rock'n'roll have never been intimately linked – he can't sing, he can't dance, and he hasn't a clue what to do with a baying live audience.Nonetheless this is Pacino at his warmest and most soulful, and, abetted by such wily old veterans as Christopher Plummer (as his manager Frank Grubman) and Read more ...
Adam Sweeting
The title of Don Henley's fifth solo album refers to the rural area of East Texas where he grew up, listening to country music stations like Shreveport's fabled Louisiana Hayride and absorbing the building blocks of the country-rock sound he forged with the Eagles. The Eagles went through many changes, but country remains close to Henley's heart, and Cass County sounds like the country albums that used to come out of the old Nashville in the 1950s and Sixties. Try his version of the Louvin Brothers' 1955 hit "When I Stop Dreaming", remade here as a scintillating duet with Dolly Parton.Despite Read more ...
Kieron Tyler
Faces: You Can Make Me Dance, Sing or Anything… 1970–1975Faces were always about more than just the music. From the moment they were formed by ex-members of The Jeff Beck Group and Small Faces in June 1969, tension was integral. Their front man and singer Rod Stewart ran a parallel solo career throughout the band’s life and the public image as boozy, cheeky lads was useful for papering over any cracks. The story is worth telling, but it is not one told by this collection of their studio albums and singles – more on that in a few paragraphs.Sometimes, the tension surfaced. Talking to Read more ...
Tom Birchenough
It’s been worth the wait. There’s something about the affection Shane Meadows feels for his characters; the street action that doesn’t often (in this opener especially, though that may well change) tip into overt drama; the family elements that could, but don’t quite veer towards the soaps in style (if anything there’s a hint of parody?); and the sense of a period of time lovingly given its special details and intonations, that makes this latest instalment of This Is England feel almost like a reunion with old friends (plus a few sidekicks we haven’t quite got to know yet).The delay in the Read more ...
Barney Harsent
Growing up is a pain in the arse. Actually that’s not true, my arse has remained relatively unaffected by advancing years. In the last few months, however, I’ve managed to put my back out getting up off the sofa and inexplicably hurt my knee while trying to stand after retying a shoelace. I’ve also developed an acute fear of cholesterol, without really understanding what it is.On the basis of the two tracks I’d already heard on Rattle That Lock, I’d assumed that David Gilmour had managed to avoid such bodily rebellion and was dancing his way through the days. Both the title track and single “ Read more ...
Tim Cumming
I was prepared to be fondly underwhelmed by Keith Richards' first album in 23 years: 15 loose-limbed tracks laid down with drummer Steve Jordan from 2011 on, with studio guests and old Xpensive Wino friends casually sitting in on keys, brass, strings, vocals. There's Bobby Keys with his last recorded blows of brass on “Blues in the Morning” and “Amnesia”; Norah Jones breathing sweetly over “Illusion”; Larry Campbell on fiddle and pedal steel on "Just a Gift" and "Robbed Blind".But mainly it's Keith, handling all the guitars and a fair amount of piano, carrying lovelorn ballads and songs of Read more ...
Barney Harsent
It’s nearly 40 years since bassist Steve Harris formed Iron Maiden and much has changed since then. Singer Bruce Dickinson has learned to fence, fly and kick cancer in the cock, and the band have continued to release albums – albums which, though rarely hitting the high points of their Eighties heyday, have often been pretty decent and admirably ambitious in scope.Speaking of ambition, Book of Souls, their latest, is comprised of 11 tracks and clocks in at an impressive 92 minutes. Now that’s a long album, but consider that, within those 11 tracks, there are three that go over 10 minutes and Read more ...
Barney Harsent
Turning autobiography into comedy gold is an alchemy that has often been tried. Among them Caitlin Moran’s Raised by Wolves, Kathy Burke’s superb Walking and Talking, and the mooted but, as yet uncommissioned story of Jeremy Clarkson’s childhood, provisionally titled For Whom the Bellend Trolls.When dealing with real-life reminisces, the balance between believability and comedy is a very difficult thing to get right. Slight situations can provide big laughs in a living, breathing reality, and the temptation is to supersize them for telly to make sure that everyone is in on the joke. The Read more ...
Russ Coffey
Some consider Heartless Bastards to be the best band you’ve probably never heard of – albeit blighted by an awful name. Others say the Texas-based four-piece are merely a jumped-up garage band. Wherever you stand, though, one thing is beyond dispute – the awesome power of Erika Wennerstrom’s voice. For much of last night she sounded like the love child of Robert Plant and Janis Joplin. And when the band hit its stride you could almost smell the oil and sweat of their Midwestern blue-collar origins. Particularly the sweat. The subterranean Borderline club was about 35 degrees, Read more ...
james.woodall
Half a century ago today, on a warm August Sunday night in New York, The Beatles played a 30-minute concert in a baseball field. Home to the New York Mets the venue was called the William A Shea Municipal Stadium and had opened in spring 1964.In January 1965 Beatles manager Brian Epstein and US promoter Sid Bernstein had struck a deal to present the boys in the largest space they’d played in: it would be the first gig of the third US tour, and remained, by far, the biggest live event The Beatles ever did. It was, indeed, at the time the biggest instance of outdoor entertainment in history. A Read more ...
Lisa-Marie Ferla
Sad singers never write truly happy albums, but Positive Songs for Negative People – and was there ever a title that so perfectly summed up the work of Frank Turner? – is probably as close as this one gets to putting a brave face on it. Turner’s sixth album opens where 2013’s Tape Deck Heart left off: a sinner amongst saved men on the banks of the muddy Thames, dusting himself off and falling back in love with the city he calls home anthropomorphised as the Angel of Islington. Along the way expect choruses designed to get punk pulses racing, awkward tennis metaphors and not a little Read more ...
Lisa-Marie Ferla
When you’re a big Bruce Springsteen fan, as I am, there’s a game that you end up getting quite good at: one in which you have to separate the stories, about the hard-drinkin’, hard-livin’ workingman, from the multi-millionaire songwriter. Roots rocker Jason Isbell writes from a similar place as Springsteen – albeit on the other side of the Mason-Dixon line – but his work has never presented as much of a dichotomy. Sure, it’s not like he’s at Springsteen’s level of success, but with his understated, gravelly vocal delivery and gentler melodies, his portraits of Southern life are Read more ...