rock
Thomas H. Green
It’s difficult to dislike Kim Wilde, whatever you think of her music. Even more so after her pissed Christmas sing-along on a tube train a few years back became a massive YouTube hit. Or how about her appearance at Download Festival in 2016 with thrash metallers Lawnmower Death? There’s something boisterous and everyday about Kim Wilde. She has that early Spice Girls thing, whether she’s acting raunchy or silly, of being a human woman you might really meet, and who’d be fun, rather than a plastic, photo-shopped, faux-sexy lollipop-head. Her new album, despite its faults, makes her seem even Read more ...
Guy Oddy
It’s now 24 years since Pink Floyd pretty much stopped being a going concern and 33 since the departure of artistic powerhouse Roger Waters. So, apart from a brief band reunion at 2005’s Live8 concert, Floyd-heads have had little to keep them happy apart from periodic album reissues for the best part of a generation. It is a truism, however, that nature abhors a vacuum, and into this vacuum has strode a substantial tribute-act industry. Once upon a time it was the Australian Pink Floyd Show that dominated this stage. These days, however, Brit Floyd have taken up the challenge to reclaim the Read more ...
joe.muggs
For some a lack of development is failure; not for Kim Deal. Her songwriting and voice have influenced hordes of indie bands from the Eighties until now – indeed the “angular” clang and arch drawl of bands indebted to Pixies, and The Breeders, her band with sister Kelly, is as great a cliché as blues licks were in the Sixties and Seventies. Yet still, on this reunion album for The Breeders' 1993 lineup, the voice, sound and structures remain utterly distinctive and gloriously alien, a world away from the imitators, just as they shone out as different from all around them during The Breeders' Read more ...
Liz Thomson
“Chestnut-brown canary, ruby-throated sparrow” sang Stephen Stills in his “Suite: Judy Blue Eyes”, a song from CSNY’s 1969 debut album to Judy Collins, with whom he was ending a two-year affair. Collins’s big baby-blue eyes haven’t faded with time. Nor has her voice – indeed, it is far more secure now than it was 40 years ago, when she was battling pills and booze, a fight she’s documented in a number of books.Collins was a star in 1969; CSNY were making their celebrated Woodstock debut and that iconic first album had harmonies that were spine-chillingly beautiful and pitch-perfect. The tie- Read more ...
Phoebe Michaelides
Texan trio Khruangbin are a rare concoction, psychedelic rockers, for sure, but seamed with all manner of global influences, notably Thai pop but also running the gamut from Latin sounds to Middle Eastern scaling. Hitting the UK in support of their second album, Con Todo El Mundo, they initially presented an aloof front, which was compromised briefly by a minor technical glitch.This didn’t distract from the band’s striking retro-future aesthetic, especially bassist-singer Laura Lee, who wore a chic white leotard and red thigh-high boots like a supersonic empress from a kitsch old sci-fi film Read more ...
Guy Oddy
It’s hard to be sure if Rakal, Bella and Alice from Dream Wife are a rock’n’roll band or a girl gang with guitars. Either way, their debut album has got some cracking Riot Grrrl-flavoured tunes and a stridently feminist, in-your-face attitude. There is nothing demure about this trio and they really don’t care what your thoughts on that might be.Like Blondie on rocket fuel or Bikini Kill with better songs, Dream Wife is a set of thrilling tunes of raw guitar from Alice Go and the harpy-like vocals Rakel Mjöll. “Hey Heartbreaker” comes on like turbo-powered glam rock and a kick in the nuts, Read more ...
Adam Sweeting
The “insider’s guide to the music business” tag attached to Hits, Hype and Hustle: An Insider's Guide to the Music Business (BBC Four) dangles the carrot of all kinds of clandestine scams being exposed, such as extortionate recording contracts, systematic chart-rigging or Mafia rackets involving cut-out records. Instead, this episode was merely a meander through the history of live performances in rock music.Our host was John Giddings, a veteran agent and promoter who has worked with almost everyone you can think of, from the Stones and U2 to Genesis, Bowie and Madonna, and currently runs the Read more ...
Barney Harsent
With the possible exception of Talking Heads, I can’t think of another band who had such an exceptional run of early albums as Simple Minds. After a promising but uneven debut, they released Real to Real Cacophony in 1979 and barely put a foot wrong for five (some might argue six) albums.Big Music (2014) was a knowing look over a shoulder; a direct reference to the stark electronic thrum of their early albums, and one which largely eschewed the later stadium pomp. In doing so, it was open to accusations of mannered pastiche – some thought it an odd choice for a band that had once set so much Read more ...
Tim Cumming
Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years. With their 28th studio album featuring a line-up that’s as stable as it gets in The Fall's rickety table of elements, they continue to make music like no other band, young or old. Read more ...
howard.male
Growing up with the music of David Bowie is probably not the best grounding for being a music critic because it raises expectations unreasonably high for every other adventurous musician one happens upon. When I first heard the intense, bordering-on-hysterical music of Merrill Garbus (the main creative force behind Tune-Yards) eight or so years ago, I actually had to get up from my desk and pace the room. I was so excited to hear something that both acknowledged pop and rock templates and crushed them underfoot. But with love comes responsibility. But unfortunately Garbus seems to have Read more ...
Thomas H. Green
Many hard rock aficionados say that Motörhead’s greatest work was all with the “classic” line-up of Lemmy, drummer Phil “Philthy Animal” Taylor and guitarist “Fast” Eddie Clarke (who died last week aged only 67 - this review was written before that news came through). While there’s no denying their 1976-82 output was storming, Motörhead’s later career contained multitudes of gems that were its match. The band’s guitarist for this period, for 31 years from 1984 until Lemmy’s death, was Phil Campbell. He now releases the debut album by a band he formed with his three sons shortly after his Read more ...
Liz Thomson
Readers familiar with Nick Coleman’s 2012 memoir The Train in the Night will know before embarking on this book that the author suffered the worst possible fate for a music journalist: deafness, a problem (Sudden Sensorineural Hearing Loss) which began in 2007, had improved somewhat by 2010, declined catastrophically, then partially returned in his “good ear” before a severe sinus infection in 2015 wreaked further havoc.In the period when he was granted some respite, Coleman binged - he calls it harvesting - listening obsessively to particular singers and songs, “frantically stashing Read more ...