Journalist Sunny Hundal has a long track record as a writer and blogger concerned with issues of race, politics and ethnicity. He’s also the brother of the late Jagraj Singh, an influential preacher who encouraged a dramatic upsurge of interest in the Sikh faith among young people, not least through his hugely successful YouTube channel.

Changing the gender of the title character “highlights the way in which women still operate in a world designed by and for men,” argues Chris Bush, whose reimagining of Marlowe’s play premieres at the Lyric ahead of a UK tour.

“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants.

This is the third Emlyn Williams piece to be presented here in a decade: The Druid's Rest in 2009 was followed by the enormous success of Accolade, directed by Blanche McIntyre, two years later.

David Baddiel is a very fine comic, and over the past few years has become an acclaimed author of children's books. So I'm genuinely sad to say that his debut play at Soho Theatre really isn't very good. God's Dice does have its moments, for sure, and some laughs, but at two hours, 15 minutes it's massively overlong and over blown.

This is a departure in every sense for François Ozon. The prolific French director has established himself as a master of ludic style in past dramas played out by predominantly female casts, the exceptions, among them his sad black-and-white period romance Frantz from two years ago, largely proving the rule.

You seldom expect to feel the breath of apocalypse and the terror of the grave amid the modestly rationalist architecture and passion-killer acoustics of the Royal Festival Hall.

The American dramatist Katori Hall has created a work of rare accomplishment in Our Lady of Kibeho, a play that combines a beautifully established picture of a particular world – a church school in rural Rwanda, in the early 1980s – with profound themes such as faith and belief.

As Penny Lane’s documentary shows, America and Satanism have a long history. From the Salem Witch trials to the moral panic triggered by the Manson murders and films like William Friedkin’s The Exorcist in the 1970s, mass panic in America of the occult is nothing new.

Andrew Lloyd Webber and Tim Rice’s 1970 musical had a heavenly resurrection at Regent’s Park Open Air Theatre three years ago, with an encore run the following summer.