reggae
Barney Harsent
Birmingham’s reggae veterans UB40 are a band who have often worn their politics on their sleeves, and the title of their new album is taken from Jeremy Corbyn’s Labour Party mantra. The parallels between the two have already been noted, of course. After a turbulent time, a split saw a new man thrust into the spotlight while divisions raged and claims were made over who had the rights to the soul of a British institution. Sound familiar? In fairness to Duncan Campbell, brother of former singer Ali, he seems to have adapted to his role rather better than the current Labour leader (fair Read more ...
Thomas H. Green
The Specials were era-defining, making this a hugely anticipated album for many. On paper they’ve released a bunch of albums since the Eighties but their discography is misleading. Encore is their first major work in decades. It’s a big ask for it to match their iconic status, akin to when The Stooges and Kraftwerk reappeared with new music decades after their legendary prime. It succeeds in places but does not – and, of course, never could – match the impact of their early work.On their first two albums The Specials brilliantly embodied the unfettered possibility of a vital and uniquely Read more ...
Joe Muggs
Rob Smith & Ray Mighty are truly the unsung heroes of British bass music. Coming out of the same cultural melting pot in Bristol that gave us Massive Attack, Tricky, Portishead and mega-producer Nellee Hooper, they looked to be among the city's big successes when they first emerged in 1987. Their debut single, a cover of the Bacharach / David classic "Anyone who had a Heart" on their own Three Stripe label was a club success, they produced Massive Attack's debut single "Any Love", and Fresh 4's 1989 rave and chart hit cover of "Wishin' on a Star".However an uncomfortable major label deal Read more ...
Thomas H. Green
Enough hyping! This month, without further ado, let’s head straight to the reviews…VINYL OF THE MONTHLOR Lunar Orbit Rendezvous (Lo Records)With Public Service Broadcasting’s The Race for Space making a noise only three years ago (and First Man doing the rounds at the cinema), who’d have thunk there was an appetite for more moon landing-based electronica. Maybe there is, maybe there isn’t, but Belfast DJ-producer LOR has gone for it anyway, with a deliciously warm and quirky two sides of technotronic goodness. A lunar orbit rendezvous is the process by which astronauts travel from their Read more ...
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why. Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E.D. ★★★★★ A small but perfectly sleazy work of sweary, cynical brillianceBob Dylan - More Blood, More Tracks ★★★★★ The fourteenth volume in the Bootleg Series is a keeperBrad Mehldau Trio - Seymour Reads the Constitution! ★★★★★ Prolific improvising pianist creates the apotheosis of the piano trioThe Breeders - All Nerve ★★★★★ Kim and Kelly Deal - plus Read more ...
Jasper Rees
The first significant British film to explore the influence of Jamaican sound systems in London was Babylon. Shot in 1980, its street patois was deemed impenetrable enough to merit subtitles. Times change. Yardie revisits the same world and era – it is bookended by heaving get-togethers in which sound systems pulse and throb. But there are no subtitles and one of the film’s pleasures, alongside the music of the soundtrack, is the music of the dialogue.For his debut behind the camera, Idris Elba has adapted the 1992 novel by Victor Headley about a young man tasked with the age-old choice Read more ...
Joe Muggs
He's known for his myriad collaborations – Public Image Ltd, Primal Scream, The Orb, The Edge, Can, all the way through to recent work with singers PJ Higgins and Hollie Cook – but Jah Wobble really deserves attention in his own right. A cosmic Cockney of immense erudition, he has created some extraordinary fusions of global sounds, ambient, electronica, post-punk and more. Perhaps the ideal illustration of his modus operandi is the incredible footage of him performing “Visions of You” with Sinead O'Connor and his band The Invaders Of The Heart, or maybe even better the interview Read more ...
Thomas H. Green
Here to be Heard, made by US film-maker and punk rocker William E Badgley, has such a juicy, pertinent story to tell that it never palls. Over 84 minutes, contemporary interviews and old footage build a two act drama that reveals The Slits to be one of the most underrated bands of their era. Alongside bemusement at music that was ahead of its time, this is mostly down to the fact they’re women. “The reason there are hardly any girl rock’n’roll stars,” says front-woman Ari Up in a decades old interview, “is because most girls are not strong enough in their own minds.” Facing the raw sexism of Read more ...
Joe Muggs
Young Echo is a sprawling Bristolian collective, comprised of individual musicians Jabu, Vessel, Kahn, Neek, Ishan Sound, Ossia, Manonmars, Bogues, Rider Shafique, chester giles [sic] and Jasmine, who combine and re-combine in various permutations like Bandulu, FuckPunk, O$VMV$M, Gorgon Sound and ASDA. But here, for the second time in album format, they've put everything together under the one name and allowed it to blur together into something that is, frankly, very, very Bristol indeed. Slow, slow, beats with deep, deep bass, murmured rapping and poetry, plaintive melodic vocals, and a Read more ...
Thomas H. Green
With December upon us theartsdesk on Vinyl has been kept busy with sacks full of fantastic plastic, so much so that we’re saving the poppier stuff for a pre-Christmas blow-out in a week’s time, so watch out for that. In the meantime, here’s a wild cross-section of music that takes in Norwegian avant-garde death metal, Cuban reggae and frantic Syrian techno-folk bangin', along with an enormous amount else. There aren’t many who can say that, but we can, so dive in!VINYL OF THE MONTHMargo Price All American Made (Thirdman)Rising Nashville country star Margo Price plays country’n’western and has Read more ...
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why.SIMPLY THE BEST: THEARTSDESK'S FIVE-STAR REVIEWS OF 2017Alan Broadbent: Developing Story ★★★★★ The pianist's orchestral magnum opus is packed with extraordinary thingsArcade Fire: Everything Now ★★★★★ A joyous pop album that depicts a world in tragic freefallAutarkic: I Love You, Go Away ★★★★★ Tel Aviv producer Nadav Spiegel's latest collection is a triumph of head and heartBrian Eno: Reflection ★★★★★ Slow-motion cascades Read more ...
Thomas H. Green
It’s impossible to discuss TootArd without digging into the history of their region. They’re a funky desert blues outfit but they don’t derive from Saharan Africa; they were born and raised in the village of Majdal Shams in the Golan Heights. This is the region Israel grabbed off Syria in the Six-Day War of 1967, then fully annexed in 1981, claiming it as Israeli territory. However, Arabic Syrians who remained were rendered stateless, given “Laisser-Passer” travel papers by the Israeli government rather than the passports of a full citizen. Hence the album’s title.The band, currently Read more ...